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Bridgeman Images only provides access to this image. Consent to use and possible payment of an additional fee may be required according to Italian Cultural Heritage Code and would need to be cleared in advance with the institution where the work is kept.
Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
Personal website or social media
Web display, social media, apps or blogs. 5 years.
Not for commercial use or advertising.
All languages. 5 years
$50.00
Personal products
Personal Prints, Cards, Gifts, Slide Presentations, Reference. 5 year term. Not for commercial use, not for public display, not for resale.
example: For use in an internal Powerpoint presentation at work.
5 years
Ferrara, the Castello Estense (the Estense Castle), also known as Castle of St. Michael: detail of the ceiling of the Chamber of Dawn: "Night", by Bastianino. The Chamber, former Ercole II's private room, was known in 1600 as the mirror chamber. It gives the name to the whole representation apartment that Alfonso II wanted. The vault scenes are thought to be the allegory of human life.
Ferrara, Castello Estense (detto anche Castello di San Michele): particolare del soffitto della sala dell'Aurora: "La Notte". Opera di Bastianino. La sala, gia stanza privata di Ercole II, era conosciuta nel Cinquecento come camera dello specchio. Da essa prende il nome l'intero appartamento di rappresentanza voluto da Alfonso II. Le scene proposte nella volta di questa sala vengono oggi generalmente interpretate come un'allegoria della vita umana.