'Red-figure' Bilder und Clips Suchergebnisse

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Bilder zu 'Red-figure' gefunden, 3,999

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Asaf al-Daula, Nawab of Oudh, 1775-97. A three-quarter length seated figure, with face turned half left. His right hand rests upon one knee; the left is pressed against his side. The dress is of white muslin, with necklaces and armlets of pearls, rubies and uncut emeralds. He wears the typical Lucknow headdress of a red turban ornamented with a tinsel and velvet appliqué band attached by a jewelled frontlet. Oil paint. Canvas. 50 by 40 ins (127 by 101.5 cms).

Asaf al-Daula, Nawab of Oudh, 1775-97. A three-quarter length seated figure, with face turned half left. His right hand rests upon one knee; the left is pressed against his side. The dress is of white muslin, with necklaces and armlets of pearls, rubies and uncut emeralds. He wears the typical Lucknow headdress of a red turban ornamented with a tinsel and velvet appliqué band attached by a jewelled frontlet. Oil paint. Canvas. 50 by 40 ins (127 by 101.5 cms).

BL3296962

Royal MS 14 B V, Genealogical Chronicle of the English Kings, Henry II to Edward I (parchment)

Royal MS 14 B V, Genealogical Chronicle of the English Kings, Henry II to Edward I (parchment)

English School, (14th century)

BL3740931

Four pendants, 17th - 19th century (gold, enamel, pearls & precious stones)

Four pendants, 17th - 19th century (gold, enamel, pearls & precious stones)

European School

CH3434824

James Andrew Broun-Ramsay, 1st Marquis of Dalhousie (1812-60), Governor-General of India, 1848-56, painted 1905 after the original portrait of 1847 A full-length standing figure, in a black frock coat with grey trousers, the body turned three-quarters to the right. The hands are crossed in front, the left holding a tall hat. To the right is a table, on which are placed some official robes, and an ink-stand, while a red folio volume rests against one of its legs. In the background is a yellow curtain and to the right the sky.

James Andrew Broun-Ramsay, 1st Marquis of Dalhousie (1812-60), Governor-General of India, 1848-56, painted 1905 after the original portrait of 1847 A full-length standing figure, in a black frock coat with grey trousers, the body turned three-quarters to the right. The hands are crossed in front, the left holding a tall hat. To the right is a table, on which are placed some official robes, and an ink-stand, while a red folio volume rests against one of its legs. In the background is a yellow curtain and to the right the sky.

BL3304783

Staircase in a Palace

Staircase in a Palace

Spanish School, (19th century)

USB1159677

Royal visit to the fleet in the Thames Estuary, 6 June 1672, 1696 (oil on canvas)

Royal visit to the fleet in the Thames Estuary, 6 June 1672, 1696 (oil on canvas)

Velde, Willem van de, the Younger (1633-1707)

MMM7337619

The Cambridge Telegraph Coach at the 'White Horse Tavern & Family Hotel', Fetter Lane, London

The Cambridge Telegraph Coach at the 'White Horse Tavern & Family Hotel', Fetter Lane, London

Pollard, James (1792-1867)

USB1160335

The Death of Frederick, 1st Duke of Schomberg, at the Battle of the Boyne

The Death of Frederick, 1st Duke of Schomberg, at the Battle of the Boyne

West, Benjamin (1738-1820) (after)

USB1157529

Classical Landscape with Lake, Castle and Figures

Classical Landscape with Lake, Castle and Figures

Wilson, Richard (1714-82) (after)

USB1160235

(First section) A medallion, partly damaged but containing some drawing in the lower half, atop a blank panel. - a monk-like figure reclining on a grassy platform, clothed in a white hooded robe, with his left eye closed; an angel standing at his feet, bearing a platter of unidentified objects. - a monk-like figure reclining on a grassy platform, clothed in a white hooded robe, awake; an angel standing at his feet, bearing a platter containing a heart with a knife stuck in it. A speech scroll accompanies the angel; the text is partially legible: 'Collirio inunge oculus tuos vi videns'. - a scroll, bearing a largely illegible inscription (from Ashmole Roll 53: 'Est lapis occultus secreto fonte sepultus fermentu variat lapide qui conta colora'); beneath, a frog. (There is a join at this location between two sheets of paper. Comparison with Ashmole Roll 53 shows a small section is missing.) - within a ribboned section, seven roundels connected by laureal wreaths/ropes to a central red sha

(First section) A medallion, partly damaged but containing some drawing in the lower half, atop a blank panel. - a monk-like figure reclining on a grassy platform, clothed in a white hooded robe, with his left eye closed; an angel standing at his feet, bearing a platter of unidentified objects. - a monk-like figure reclining on a grassy platform, clothed in a white hooded robe, awake; an angel standing at his feet, bearing a platter containing a heart with a knife stuck in it. A speech scroll accompanies the angel; the text is partially legible: 'Collirio inunge oculus tuos vi videns'. - a scroll, bearing a largely illegible inscription (from Ashmole Roll 53: 'Est lapis occultus secreto fonte sepultus fermentu variat lapide qui conta colora'); beneath, a frog. (There is a join at this location between two sheets of paper. Comparison with Ashmole Roll 53 shows a small section is missing.) - within a ribboned section, seven roundels connected by laureal wreaths/ropes to a central red sha

BL3292691

Arthur Conolly (1807-c.1842). c.1838 or 1839 Half-length portrait showing Conolly in Persian dress, his right hand on the hilt of his dagger. A bearded figure, he is shown against a brownish-black background wearing a red - brown turban and a brown robe. A British intelligence officer, explorer and writer. He was a captain of the 6th Bengal Light Cavalry in the service of the British East India Company. He participated in many reconnaissance missions into Central Asia and coined the term 'The Great Game' to describe the struggle between the British Empire and the Russian Empire for domination over Central Asia.

Arthur Conolly (1807-c.1842). c.1838 or 1839 Half-length portrait showing Conolly in Persian dress, his right hand on the hilt of his dagger. A bearded figure, he is shown against a brownish-black background wearing a red - brown turban and a brown robe. A British intelligence officer, explorer and writer. He was a captain of the 6th Bengal Light Cavalry in the service of the British East India Company. He participated in many reconnaissance missions into Central Asia and coined the term 'The Great Game' to describe the struggle between the British Empire and the Russian Empire for domination over Central Asia.

BL3304826

The Resurrection: Why seek Ye the Living among the Dead; In those days Mary rose in haste and fled into the hill country, 1888 (oil on canvas)

The Resurrection: Why seek Ye the Living among the Dead; In those days Mary rose in haste and fled into the hill country, 1888 (oil on canvas)

Traquair, Phoebe Anna (1852-1936)

DAM8832993

John Benbow (1653-1702), Sir Ralph Delavalle (circa 1645-1707) and Thomas Phillips (circa 1635-1693), 1692-93 (oil on canvas)

John Benbow (1653-1702), Sir Ralph Delavalle (circa 1645-1707) and Thomas Phillips (circa 1635-1693), 1692-93 (oil on canvas)

Murray, Thomas (1663-1735)

MMM7337839

A large red and white rose, with four other smaller roses in profile.- the upper branches of an apple tree, from which is suspended a Christ-like figure (labels either side, 'Lingnam sapientiae' (sic) and 'Lignum vite'); from the trunk of the tree, a female dragon is handing an apple to Eve on the left; Adam is standing to the right, about to bite on the apple. The base of the tree, supported by the naked figures of a man and a woman, stands in a fountain within a hexagonal battlemented enclosure. ('phylosophie paradisus'); in the rear two and front two turrets, male figures are standing.- a gothic-style distillation furnace, with three levels, each labelled.

A large red and white rose, with four other smaller roses in profile.- the upper branches of an apple tree, from which is suspended a Christ-like figure (labels either side, 'Lingnam sapientiae' (sic) and 'Lignum vite'); from the trunk of the tree, a female dragon is handing an apple to Eve on the left; Adam is standing to the right, about to bite on the apple. The base of the tree, supported by the naked figures of a man and a woman, stands in a fountain within a hexagonal battlemented enclosure. ('phylosophie paradisus'); in the rear two and front two turrets, male figures are standing.- a gothic-style distillation furnace, with three levels, each labelled.

English School, (16th century)

BL3292670

Supposed to be Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704) in Garter Robes

Supposed to be Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704) in Garter Robes

English School, (17th century)

USB1157755

John Dean (? - 1747), shipwrecked mariner, 1741-43 A three-quarter length figure of a young man, turned half to the left. The dress consists of a coarse grey coat over a blue sleeved waistcoat, a red silk neck-cloth and corduroy breeches. In his extended right hand is a letter apparently addressed 'To the Capt of (...) or any other to whose hands there may come these'; his left holds a walking stick, while his beaver is tucked under his left arm. Inscribed on a panel below: 'John Dean, The Only Survivor of the Sixteen Men which remained on board the Ship Sussex in the Honble East India Company's Service'

John Dean (? - 1747), shipwrecked mariner, 1741-43 A three-quarter length figure of a young man, turned half to the left. The dress consists of a coarse grey coat over a blue sleeved waistcoat, a red silk neck-cloth and corduroy breeches. In his extended right hand is a letter apparently addressed 'To the Capt of (...) or any other to whose hands there may come these'; his left holds a walking stick, while his beaver is tucked under his left arm. Inscribed on a panel below: 'John Dean, The Only Survivor of the Sixteen Men which remained on board the Ship Sussex in the Honble East India Company's Service'

BL3304383

The Animals foregathering to enter the Ark, 17th century (oil on cooper)

The Animals foregathering to enter the Ark, 17th century (oil on cooper)

Brueghel, Jan the Elder (1568-1625) (after)

USB1160343

A large figure, most likely representing Hermes Trismegistus; at his head, a largely illegible scroll; he is embracing a large, stoppered flask (the arms of which bear writing and symbols), which contains a black frog, feathers and tadpoles or droplets of liquid at the top, and eight roundels connected to a central roundel by chains, representing stages in the alchemical process. Seven of the roundels depict figures conducting alchemical experiments involving a large flask containing homunculi atop a furnace; the eighth roundel contains a sun and and moon, corresponding silver and gold figures, and two figures dressed in red robes wielding tools. A large scroll, bearing an inscription: 'Terra stat unda lavat pyr purgat spiritus vivificat'; beneath, a further inscription: 'The mouth of the Collorick beware and thereof be wise'; two walls, enclosing a burst of flame. - a tree, its upper branches bearing inscriptions 'spiritus' and 'anima'; a naked, dragon-tailed woman is straddling its

A large figure, most likely representing Hermes Trismegistus; at his head, a largely illegible scroll; he is embracing a large, stoppered flask (the arms of which bear writing and symbols), which contains a black frog, feathers and tadpoles or droplets of liquid at the top, and eight roundels connected to a central roundel by chains, representing stages in the alchemical process. Seven of the roundels depict figures conducting alchemical experiments involving a large flask containing homunculi atop a furnace; the eighth roundel contains a sun and and moon, corresponding silver and gold figures, and two figures dressed in red robes wielding tools. A large scroll, bearing an inscription: 'Terra stat unda lavat pyr purgat spiritus vivificat'; beneath, a further inscription: 'The mouth of the Collorick beware and thereof be wise'; two walls, enclosing a burst of flame. - a tree, its upper branches bearing inscriptions 'spiritus' and 'anima'; a naked, dragon-tailed woman is straddling its

BL3292659

A Battle Scene

Courtois, Jacques (Le Bourguignon) (1621-76)

USB1158808

Lady Anne Howard, Lady Bedingfeld (1649/50-1682)

Lady Anne Howard, Lady Bedingfeld (1649/50-1682)

Wissing, Willem (1656-87) (after)

USB1157774

The Journey of Jacob, c.1561 (oil on canvas)

The Journey of Jacob, c.1561 (oil on canvas)

Bassano, Jacopo (Jacopo da Ponte) (1510-92)

ROC3706871

Jahangir receives Prince Khurram on his return from the Mewar campaign (19 February 1615), 1656-57 (opaque pigment & gold on paper)

Jahangir receives Prince Khurram on his return from the Mewar campaign (19 February 1615), 1656-57 (opaque pigment & gold on paper)

Murar (fl.1656-57)

ROC3504732

Henry Cary, 1st Viscount Falkland (c.1575 1633)

Henry Cary, 1st Viscount Falkland (c.1575 1633)

English School, (17th century)

USB1161838

Captain William Joseph Eastwick (1808-89), Bombay Army 1827-41, and Director of the East India Company 1849-58. A half-length figure, with body turned towards the right. The face is seen almost in full. Eastwick wears a red-lined black cape with a fur collar and gold chain. Dark background with archway. arrived in India in 1827 and served with the Bombay army in the Kolhapur and South Maratha country. He became Assistant to Sir H. Pottinger in Sind and negotiated the 1839 Treaty with the Amirs. He served in the 1st Afghan War and obtained supplies for Nott at Kandahar. He retired in 1841 and became a Director of the East India Company 1849-58. He was the last Deputy Chairman, and member of the Council of India 1858-68. He must have sat for the present portrait just before sailing for India in 1827.

Captain William Joseph Eastwick (1808-89), Bombay Army 1827-41, and Director of the East India Company 1849-58. A half-length figure, with body turned towards the right. The face is seen almost in full. Eastwick wears a red-lined black cape with a fur collar and gold chain. Dark background with archway. arrived in India in 1827 and served with the Bombay army in the Kolhapur and South Maratha country. He became Assistant to Sir H. Pottinger in Sind and negotiated the 1839 Treaty with the Amirs. He served in the 1st Afghan War and obtained supplies for Nott at Kandahar. He retired in 1841 and became a Director of the East India Company 1849-58. He was the last Deputy Chairman, and member of the Council of India 1858-68. He must have sat for the present portrait just before sailing for India in 1827.

BL3304436

Lieutenant-General Sir Eyre Coote, (1726-83), served in India 1754-62, 1769-70, 1777-83, in campaigns against the French and later Haidar 'Ali. Commander-in-Chief in the East Indies, 1777-83. A full-length figure, wearing a military coat of red faced with blue, light-coloured waistcoat and breeches, and high military boots with spurs. He wears the star and ribbon of the Bath; and at his side hangs a gold-hilted sword, possibly the one presented to him by the Company in 1764. His left hand, which rests upon a tasselled cane, holds an unfolded despatch; the right is lightly laid upon his hat which is placed upon a table covered with a dark green cloth. On this are piled or spread out several documents. Two curtains are parted to show a stretch of open country in the background.

Lieutenant-General Sir Eyre Coote, (1726-83), served in India 1754-62, 1769-70, 1777-83, in campaigns against the French and later Haidar 'Ali. Commander-in-Chief in the East Indies, 1777-83. A full-length figure, wearing a military coat of red faced with blue, light-coloured waistcoat and breeches, and high military boots with spurs. He wears the star and ribbon of the Bath; and at his side hangs a gold-hilted sword, possibly the one presented to him by the Company in 1764. His left hand, which rests upon a tasselled cane, holds an unfolded despatch; the right is lightly laid upon his hat which is placed upon a table covered with a dark green cloth. On this are piled or spread out several documents. Two curtains are parted to show a stretch of open country in the background.

BL3304767

A Collector's Cabinet. c.1617 (oil on panel)

A Collector's Cabinet. c.1617 (oil on panel)

Francken, Frans II the Younger (1581-1642)

NTE6380073

The Hervey Conversation Piece, 'The Holland House Group'

The Hervey Conversation Piece, 'The Holland House Group'

Hogarth, William (1697-1764)

USB1156678

Cone Nebula NGC 2264 in the Unicorn - The Cone Nebula NGC 2264 in Monoceros - The Cone Nebula is a region H II located about 2600 years from Earth. It is accompanied by a cluster of stars called the Christmas tree. The bright star at the top is S Monocerotis, a star of magnitude 4.7. Image obtained by the 2.2m telescope of La Silla. NGC 2264 and the Christmas Tree cluster lies about 2600 light - years from Earth in the constellation of Monoceros, the Unicorn, not far from the more familiar figure of Orion, the Hunter. The image shows a region of space about 30 light - years across. The cluster is very bright and can easily be seen with binoculars. With a small telescope (whose lenses will turn the view upside down) the stars resemble the glittering lights on a Christmas tree. The dazzling star at the top is S Monocerotis, bright enough to be seen with the unaided eye. It is a massive multiple star system that only emerged from the dust and gas a few million years ago. At the bottom of

Cone Nebula NGC 2264 in the Unicorn - The Cone Nebula NGC 2264 in Monoceros - The Cone Nebula is a region H II located about 2600 years from Earth. It is accompanied by a cluster of stars called the Christmas tree. The bright star at the top is S Monocerotis, a star of magnitude 4.7. Image obtained by the 2.2m telescope of La Silla. NGC 2264 and the Christmas Tree cluster lies about 2600 light - years from Earth in the constellation of Monoceros, the Unicorn, not far from the more familiar figure of Orion, the Hunter. The image shows a region of space about 30 light - years across. The cluster is very bright and can easily be seen with binoculars. With a small telescope (whose lenses will turn the view upside down) the stars resemble the glittering lights on a Christmas tree. The dazzling star at the top is S Monocerotis, bright enough to be seen with the unaided eye. It is a massive multiple star system that only emerged from the dust and gas a few million years ago. At the bottom of

PIX4618657

A large figure, most likely representing Hermes Trismegistus; at his head, a scroll bearing an inscription ('Est lapis occultus secreto fonte sepultus; he is embracing a large, stoppered flask (the arms of which bear writing), which contains a black frog, feathers and tadpoles or droplets of liquid at the top, and eight roundels, seven of which are connected to a central roundel by gold bands, which represent stages in the alchemical process. Seven of the roundels depict figures conducting alchemical experiments involving a large flask containing homunculi atop a furnace; the eighth (detached) roundel contains a sun and moon, corresponding silver and gold figures (Adam and Eve beside the Tree of Knowledge, around which a serpent is entwined), and two figures dressed in red robes wielding tools. The central roundel depicts two men holding a large book, to which the connecting bands are attached. All of the roundels contain inscriptions around their borders. a title 'An Alkemye Scrowle,

A large figure, most likely representing Hermes Trismegistus; at his head, a scroll bearing an inscription ('Est lapis occultus secreto fonte sepultus; he is embracing a large, stoppered flask (the arms of which bear writing), which contains a black frog, feathers and tadpoles or droplets of liquid at the top, and eight roundels, seven of which are connected to a central roundel by gold bands, which represent stages in the alchemical process. Seven of the roundels depict figures conducting alchemical experiments involving a large flask containing homunculi atop a furnace; the eighth (detached) roundel contains a sun and moon, corresponding silver and gold figures (Adam and Eve beside the Tree of Knowledge, around which a serpent is entwined), and two figures dressed in red robes wielding tools. The central roundel depicts two men holding a large book, to which the connecting bands are attached. All of the roundels contain inscriptions around their borders. a title 'An Alkemye Scrowle,

BL3292641

Agha Mohammad Khan Qajar, f.12v from 'Divan-i Khaqan', 1802-3 (lacquer & gold on paper)

Agha Mohammad Khan Qajar, f.12v from 'Divan-i Khaqan', 1802-3 (lacquer & gold on paper)

Baba, Mirza (fl.1780-1830)

ROC3711343

Amelia Egerton, Lady Hume (1751-1809)

Amelia Egerton, Lady Hume (1751-1809)

Reynolds, Joshua (1723-92)

USB1160780

Portrait of Fath-Ali Shah Qajar, f.13r from 'Divan-i Khaqan', 1802-03 (lacquer & gold on paper)

Portrait of Fath-Ali Shah Qajar, f.13r from 'Divan-i Khaqan', 1802-03 (lacquer & gold on paper)

Baba, Mirza (fl.1780-1830)

ROC3711345

Two of the Duke of Bedford's Sons and Miss Vernon acting out 'St George and the Dragon'

Two of the Duke of Bedford's Sons and Miss Vernon acting out 'St George and the Dragon'

Reynolds, Joshua (1723-92) (after)

USB1160505

Emilia Romagna, 1975

Emilia Romagna, 1975

MOD6437281

A Horse called 'Wenn', with his Groom and other Figures, at Newmarket

A Horse called 'Wenn', with his Groom and other Figures, at Newmarket

Brook, Joseph (fl.1690-1725)

USB1156641

Vice-Admiral Skeffington Lutwidge (1736-1814), c.1795-96 (watercolour, ivory, human hair, gold, glass)

Vice-Admiral Skeffington Lutwidge (1736-1814), c.1795-96 (watercolour, ivory, human hair, gold, glass)

Jean, Philip (1755-1802) (attr.to)

MMM7340102

Witch Riding Backwards on a Goat, c.1596-98 (oil on copper)

Witch Riding Backwards on a Goat, c.1596-98 (oil on copper)

Elsheimer, Adam (1578-1610)

ROC3706874

Illustration for Poe's Masque of Red Death (w/c on paper)

Illustration for Poe's Masque of Red Death (w/c on paper)

Demuth, Charles (1883-1935)

BRN198205

Amazons fighting a Greek soldier, Illustration from Notor's Lysistrata, 1898 (litho)

Amazons fighting a Greek soldier, Illustration from Notor's Lysistrata, 1898 (litho)

Roton, Gabriel de (1865-1964)

DGC2962979

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