'Figura Femminile' Bilder und Clips Suchergebnisse

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Bilder zu 'Figura Femminile' gefunden, 7,403

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Page from 'Le Pater', 1899 (colour litho)

Page from 'Le Pater', 1899 (colour litho)

Mucha, Alphonse Marie (1860-1939)

MCA5614726

Page from 'Le Pater', 1899 (colour litho)

Page from 'Le Pater', 1899 (colour litho)

Mucha, Alphonse Marie (1860-1939)

MCA5614730

Witch

Witch

Baldung Grien, Hans (1484/5-1545)

PRX3124789

Landscape with the Marriage of Isaac and Rebecca

Landscape with the Marriage of Isaac and Rebecca

Claude Lorrain (Claude Gellee) (1600-82) (after)

USB1160428

Salome, c.1500-49 (oil on panel)

Salome, c.1500-49 (oil on panel)

Sesto, Cesare da (1477-1523)

ROC3703863

Balance Constellation - Constellation of Libra - At the bottom of the picture, the brilliant star is Antares, in the Scorpio. Libra, The Scales is an ambivalent constellation in that it was created by the Romans during the reign of Julius Caesar from the rather empty patch of sky westward of neighboring Scorpius. The ancient Greeks knew the stars of what is now Libra as the Claws of the Scorpion and the star names preserve their ancient origins. The names Zeuben Eschamali, Zeuben Elgenubi and Zeuben Elakrab are besed on the English words for northern claw, southern claw, and the scorpion's claw respectively. The Roman interpretation reflects that of ancient Egypt, where the main stars are known as the northern and southern scales, as in a balance - beam weighting device. Ptolemy and other classical writers refer to the group as both the Scales and as the Claws, and there is a link in this idea to the adjoining constellation of Virgo, where the female figure is sometimes shown as holdin

Balance Constellation - Constellation of Libra - At the bottom of the picture, the brilliant star is Antares, in the Scorpio. Libra, The Scales is an ambivalent constellation in that it was created by the Romans during the reign of Julius Caesar from the rather empty patch of sky westward of neighboring Scorpius. The ancient Greeks knew the stars of what is now Libra as the Claws of the Scorpion and the star names preserve their ancient origins. The names Zeuben Eschamali, Zeuben Elgenubi and Zeuben Elakrab are besed on the English words for northern claw, southern claw, and the scorpion's claw respectively. The Roman interpretation reflects that of ancient Egypt, where the main stars are known as the northern and southern scales, as in a balance - beam weighting device. Ptolemy and other classical writers refer to the group as both the Scales and as the Claws, and there is a link in this idea to the adjoining constellation of Virgo, where the female figure is sometimes shown as holdin

PIX4589089

Balance Constellation - Constellation of Libra - At the bottom of the picture, the brilliant star is Antares, in the Scorpio. Libra, The Scales is an ambivalent constellation in that it was created by the Romans during the reign of Julius Caesar from the rather empty patch of sky westward of neighboring Scorpius. The ancient Greeks knew the stars of what is now Libra as the Claws of the Scorpion and the star names preserve their ancient origins. The names Zeuben Eschamali, Zeuben Elgenubi and Zeuben Elakrab are besed on the English words for northern claw, southern claw, and the scorpion's claw respectively. The Roman interpretation reflects that of ancient Egypt, where the main stars are known as the northern and southern scales, as in a balance - beam weighting device. Ptolemy and other classical writers refer to the group as both the Scales and as the Claws, and there is a link in this idea to the adjoining constellation of Virgo, where the female figure is sometimes shown as holdin

Balance Constellation - Constellation of Libra - At the bottom of the picture, the brilliant star is Antares, in the Scorpio. Libra, The Scales is an ambivalent constellation in that it was created by the Romans during the reign of Julius Caesar from the rather empty patch of sky westward of neighboring Scorpius. The ancient Greeks knew the stars of what is now Libra as the Claws of the Scorpion and the star names preserve their ancient origins. The names Zeuben Eschamali, Zeuben Elgenubi and Zeuben Elakrab are besed on the English words for northern claw, southern claw, and the scorpion's claw respectively. The Roman interpretation reflects that of ancient Egypt, where the main stars are known as the northern and southern scales, as in a balance - beam weighting device. Ptolemy and other classical writers refer to the group as both the Scales and as the Claws, and there is a link in this idea to the adjoining constellation of Virgo, where the female figure is sometimes shown as holdin

PIX4589084

Dec. 00, 0000 - W.R.A.F. Sergeant Audrey Jackson, seen wearing the Airwoman New Style uniform today. dress of the R.A.F. The new uniform have been designed by Mr. Victor Stiebel specifically for the feminine figure; the jacket is shorter, the shoulders less square and the waist more empha ~ ised. The close fitting, single breasted jacket is beltless, has four gilt R.A.F. buttons, and is out away in front with well rounded corners. The two front and back panels have piped seams. Unlike the present style, the jacket has no breast pockets, but has two pockets below the waist. The slightly flared skirt with six panels is considered more practical and becoming then the present straight skirt. The officers' uniform differs from the airwomen's in the design of the pockets and will continue to be made of blue-grey worsted serge as before. Except on ceremonial occasions when black service-pattern laced shoes are worn, the new style uniform may be worn with plain black punched calf walted court

Dec. 00, 0000 - W.R.A.F. Sergeant Audrey Jackson, seen wearing the Airwoman New Style uniform today. dress of the R.A.F. The new uniform have been designed by Mr. Victor Stiebel specifically for the feminine figure; the jacket is shorter, the shoulders less square and the waist more empha ~ ised. The close fitting, single breasted jacket is beltless, has four gilt R.A.F. buttons, and is out away in front with well rounded corners. The two front and back panels have piped seams. Unlike the present style, the jacket has no breast pockets, but has two pockets below the waist. The slightly flared skirt with six panels is considered more practical and becoming then the present straight skirt. The officers' uniform differs from the airwomen's in the design of the pockets and will continue to be made of blue-grey worsted serge as before. Except on ceremonial occasions when black service-pattern laced shoes are worn, the new style uniform may be worn with plain black punched calf walted court

ZUM4934334

Lady Charlotte Harley, later Lady Charlotte Bacon (1801-1880), as Hebe

Lady Charlotte Harley, later Lady Charlotte Bacon (1801-1880), as Hebe

Westall, Richard (1765-1836)

USB1159283

Feb. 02, 1954 - New W.R.A.F. Uniform for Home and Overseas: New designs for No. 1 Home Dress uniforms for both officers and airwomen of the Women's Royal Air Force have now been approved and a new tropical dress has been designed for wear by all ranks in tropical climates. The design of the present No. 1 Dress for officers and airwoman of the W.R.A.F. is, with the exception of the skirt based on the service dress of the R.A.F. The new uniforms have been designed by Mr. Victor Stiebel specifically for the feminine figure; the jacket is shorter, the shoulders less square and the waist more emphasised. The close fitting, single breasted jacket is beltless, has four gilt R.A.F. buttons, and is cut away in front with well rounded corners. The two front and back panels have piped seams. Unlike the present style, the jacket has no breast pockets, but has two pockets below the waist. The slightly flared skirt with six panels is considered more practical and becoming that the present straight s

Feb. 02, 1954 - New W.R.A.F. Uniform for Home and Overseas: New designs for No. 1 Home Dress uniforms for both officers and airwomen of the Women's Royal Air Force have now been approved and a new tropical dress has been designed for wear by all ranks in tropical climates. The design of the present No. 1 Dress for officers and airwoman of the W.R.A.F. is, with the exception of the skirt based on the service dress of the R.A.F. The new uniforms have been designed by Mr. Victor Stiebel specifically for the feminine figure; the jacket is shorter, the shoulders less square and the waist more emphasised. The close fitting, single breasted jacket is beltless, has four gilt R.A.F. buttons, and is cut away in front with well rounded corners. The two front and back panels have piped seams. Unlike the present style, the jacket has no breast pockets, but has two pockets below the waist. The slightly flared skirt with six panels is considered more practical and becoming that the present straight s

ZUM4913686

Portrait of the ‘Provincie van Utrecht’. Built 1663. Last mentioned 1696., c.1665 (graphite, grey wash)

Portrait of the ‘Provincie van Utrecht’. Built 1663. Last mentioned 1696., c.1665 (graphite, grey wash)

Velde, Willem van de, the Younger (1633-1707)

MMM7342040

Portrait of a French two-decker. Built in Holland 1666-1667, c.1667 (graphite, grey wash)

Portrait of a French two-decker. Built in Holland 1666-1667, c.1667 (graphite, grey wash)

Velde, Willem van de, the Younger (1633-1707)

MMM7342056

Mantel clock: The Avignon Clock, 1771 (gilt bronze, Levanto rosso marble, modern pink silk, brass, glass and enamel)

Mantel clock: The Avignon Clock, 1771 (gilt bronze, Levanto rosso marble, modern pink silk, brass, glass and enamel)

Gouthière, Pierre (1732-1813)

TWC5906326

Mantel clock: The Avignon Clock, 1771 (gilt bronze, Levanto rosso marble, modern pink silk, brass, glass and enamel)

Mantel clock: The Avignon Clock, 1771 (gilt bronze, Levanto rosso marble, modern pink silk, brass, glass and enamel)

Gouthière, Pierre (1732-1813)

TWC5906325

Mantel clock: The Avignon Clock, 1771 (gilt bronze, Levanto rosso marble, modern pink silk, brass, glass and enamel)

Mantel clock: The Avignon Clock, 1771 (gilt bronze, Levanto rosso marble, modern pink silk, brass, glass and enamel)

Gouthière, Pierre (1732-1813)

TWC5906327

The Hervey Conversation Piece, 'The Holland House Group'

The Hervey Conversation Piece, 'The Holland House Group'

Hogarth, William (1697-1764)

USB1156678

The Chapel of Queen Mersyankh III (photo)

The Chapel of Queen Mersyankh III (photo)

Sandro Vannini

SVA833908

Allegorie de la philosophie, des arts et des sciences, 16e siecle: une figure feminine a trois tetes couronnees, tenant un livre ouvert et un sceptre

Allegorie de la philosophie, des arts et des sciences, 16e siecle: une figure feminine a trois tetes couronnees, tenant un livre ouvert et un sceptre

UIS5064647

The Sacrifice of a Goat to Jupiter, c.1536-39 (oil on canvas)

The Sacrifice of a Goat to Jupiter, c.1536-39 (oil on canvas)

Romano, Giulio (1492-1546) (workshop of)

ROC3707671

Draft for the chariot of the Emperor Maximilian I

Draft for the chariot of the Emperor Maximilian I

Dürer or Duerer, Albrecht (1471-1528)

PRX3125062

Jane 'Jeanie' Elizabeth Hughes, Mrs Nassau John Senior (1828-1877)

Jane 'Jeanie' Elizabeth Hughes, Mrs Nassau John Senior (1828-1877)

Watts, George Frederick (1817-1904) (after)

USB1159631

Allegorical portrait of three ladies and a child as The Finding of Erichthonius (oil on canvas)

Allegorical portrait of three ladies and a child as The Finding of Erichthonius (oil on canvas)

Princess Louise Hollandine of the Rhine (1622-1709)

CH3504578

Baby cot of the Prince Imperial, given by the City of Paris to Empress Eugénie in 1856 (b/w photo)

Baby cot of the Prince Imperial, given by the City of Paris to Empress Eugénie in 1856 (b/w photo)

Baltard, Victor (1805-74)

KDC498765

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