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Images de 'Sir John Froissart' médias trouvés, 218

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Hundred Years War (1337-1453): the encounter between Charles VI of France, known as the Good Aime or Le Fol (1368-1422) and John V (John VI) of Brittany, known as Jean Le Sage (1389-1442), in Tours, circa 1396 - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart 04), 1868 - The meeting of King Charles VI of France and John VI Duke of Brittany, at Tours, c.1396 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Hundred Years War (1337-1453): the encounter between Charles VI of France, known as the Good Aime or Le Fol (1368-1422) and John V (John VI) of Brittany, known as Jean Le Sage (1389-1442), in Tours, circa 1396 - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart 04), 1868 - The meeting of King Charles VI of France and John VI Duke of Brittany, at Tours, c.1396 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Thomas Arundel (1353-1414), archbishop of Cantorbery, met Henri Bolingbroke (Henry IV of England, 1367-1413), in exile in Paris, in order to convince him to take the crown of King Richard II of England (1367-1400), in 1399 - Lithography from the enluminated manuscript of John's Chronicles (1322 to 1400) Froissart (1337-1404), 1868 - Thomas Arundel, Archbishop of Canterbury, meets Henry Bolingbroke, Earl of Derby, in exile in Paris to persuade him to take the crown from King Richard II, 1399 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Thomas Arundel (1353-1414), archbishop of Cantorbery, met Henri Bolingbroke (Henry IV of England, 1367-1413), in exile in Paris, in order to convince him to take the crown of King Richard II of England (1367-1400), in 1399 - Lithography from the enluminated manuscript of John's Chronicles (1322 to 1400) Froissart (1337-1404), 1868 - Thomas Arundel, Archbishop of Canterbury, meets Henry Bolingbroke, Earl of Derby, in exile in Paris to persuade him to take the crown from King Richard II, 1399 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Count Louis II of Flanders (do Louis of Dampierre, known as Louis of Male or Maerle) (1330-1384) asks for the help of King Charles VI of France, known as the Good Aime (1368-1422), in 1382 - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Count Louis II of Flanders soliciting the aid of King Charles VI of France, 1382 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Count Louis II of Flanders (do Louis of Dampierre, known as Louis of Male or Maerle) (1330-1384) asks for the help of King Charles VI of France, known as the Good Aime (1368-1422), in 1382 - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Count Louis II of Flanders soliciting the aid of King Charles VI of France, 1382 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Title page calligraphed with a siren with an animal's paw and a knight out of a snail shell with a tail and legs, from the British Library manuscript - Lithography from the enlumine manuscript of John (Jehan) Froissart (1337-1404), 1868 - Calligraphic title page with illuminated panel showing merited maid and knight emerging from a snail shell with legs and tail - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Title page calligraphed with a siren with an animal's paw and a knight out of a snail shell with a tail and legs, from the British Library manuscript - Lithography from the enlumine manuscript of John (Jehan) Froissart (1337-1404), 1868 - Calligraphic title page with illuminated panel showing merited maid and knight emerging from a snail shell with legs and tail - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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The Battle of Poitiers (1356), the English archers under the orders of Edward Plantagenet (or Edward of Woodstock, known as the Black Prince) (1330-1376) shoot the French cavalry led by King John II, known as John Le Bon (1319-1364) - Lithography after the enluminated manuscript of John's Chronicles (1322 to 1400) (Jehan) Froissart (1337-1404), 1868 - Battle of Poitiers, 1356, between the English under Edward the Black Prince and the French under King Jean II; the English archers aiming at the horses of the French cavalry - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The Battle of Poitiers (1356), the English archers under the orders of Edward Plantagenet (or Edward of Woodstock, known as the Black Prince) (1330-1376) shoot the French cavalry led by King John II, known as John Le Bon (1319-1364) - Lithography after the enluminated manuscript of John's Chronicles (1322 to 1400) (Jehan) Froissart (1337-1404), 1868 - Battle of Poitiers, 1356, between the English under Edward the Black Prince and the French under King Jean II; the English archers aiming at the horses of the French cavalry - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Illustration entitled, 'Combat between Nicolas Cliffort and a French Knight', 1869 (coloured engraving)

Illustration entitled, 'Combat between Nicolas Cliffort and a French Knight', 1869 (coloured engraving)

American School, (19th century)

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King Sigismund of Luxembourg (1368-1437), king of Boheme and Hungary, emperor of the Holy Roman Empire, holds advice with his vassal lords and French lords, before crossing the Danube and invading Turkey in 1396 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (37-1404), 1868 -King Sigismund of Hungary in council with his own lords and French lords before crossing the Danube to invade Turkey, 1396 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

King Sigismund of Luxembourg (1368-1437), king of Boheme and Hungary, emperor of the Holy Roman Empire, holds advice with his vassal lords and French lords, before crossing the Danube and invading Turkey in 1396 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (37-1404), 1868 -King Sigismund of Hungary in council with his own lords and French lords before crossing the Danube to invade Turkey, 1396 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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The journey of Charles VI of France, known as the Bien Aime or Le Fol (1368-1422) and his brother Louis I of Orleans, Duke of Touraine (1372-1407), from Montpellier to Paris, for a bet - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 The journey of Charles VI of France and his brother Louis I of Orleans, Duke of Touraine, from Montpelier to Paris for a wager - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The journey of Charles VI of France, known as the Bien Aime or Le Fol (1368-1422) and his brother Louis I of Orleans, Duke of Touraine (1372-1407), from Montpellier to Paris, for a bet - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 The journey of Charles VI of France and his brother Louis I of Orleans, Duke of Touraine, from Montpelier to Paris for a wager - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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The Coronation of King Edward III of England (1312-1377), Christmas Day 1326, in the Palace of Westminster (London) - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Edward III on Christmas Day 1326 in Westminster Palace - Coloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The Coronation of King Edward III of England (1312-1377), Christmas Day 1326, in the Palace of Westminster (London) - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Edward III on Christmas Day 1326 in Westminster Palace - Coloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Illustration entitled, 'Interview on the Thames between Richard II and the Insurgents', 1869 (coloured engraving)

Illustration entitled, 'Interview on the Thames between Richard II and the Insurgents', 1869 (coloured engraving)

American School, (19th century)

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Louis I of Flanders (ca. 1304-1346) (known as Louis de Dampierre, Louis de Nevers or Louis de Crecy) surrounds courtiers, a jester and Jean Lyon (?) in red dress (legende by mistake: J. van Artavelde at the court of Ghent) - Lithography from the enlumine manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Louis, Count of Flanders, with brokers, jester and Jean Lyon in red robes. (Mistakenly titled: Jacob van Artavelde holding his state in Ghent) - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Louis I of Flanders (ca. 1304-1346) (known as Louis de Dampierre, Louis de Nevers or Louis de Crecy) surrounds courtiers, a jester and Jean Lyon (?) in red dress (legende by mistake: J. van Artavelde at the court of Ghent) - Lithography from the enlumine manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Louis, Count of Flanders, with brokers, jester and Jean Lyon in red robes. (Mistakenly titled: Jacob van Artavelde holding his state in Ghent) - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Priest John Ball (d. 1381), on horseback, encouraged Wat Tyler (d. 1381) and his rebels during the peasants' revolt (1381), with the banners of England and Saint George - Lithograph from the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404 Ball), 1868 - John, Lollard priest, on horseback, encouraging Wat Tyler (far left) and his rebels during the Peasants' Revolt of 1381, Banners of England and St. George - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Priest John Ball (d. 1381), on horseback, encouraged Wat Tyler (d. 1381) and his rebels during the peasants' revolt (1381), with the banners of England and Saint George - Lithograph from the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404 Ball), 1868 - John, Lollard priest, on horseback, encouraging Wat Tyler (far left) and his rebels during the Peasants' Revolt of 1381, Banners of England and St. George - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Hundred Years War (1337-1453): Olivier V de Clisson, known as the Butcher (1336-1407), grievance wounds during an attack by supporters of Pierre de Craon (circa 1345-around 1409), in Paris in 1392 - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1437 04), 1868 - Sir Olivier de Clisson waylaid and severely wounded in an attack in Paris by the followers of Sir Peter de Craon, 1392 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Hundred Years War (1337-1453): Olivier V de Clisson, known as the Butcher (1336-1407), grievance wounds during an attack by supporters of Pierre de Craon (circa 1345-around 1409), in Paris in 1392 - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1437 04), 1868 - Sir Olivier de Clisson waylaid and severely wounded in an attack in Paris by the followers of Sir Peter de Craon, 1392 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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King Richard II of England (1367-1400) set out with his knights in armor to invade Ireland in 1394 - Lithography from the enlumine manuscript of John (Jehan) Froissart's Chronicles (1322 to 1400), 1868 - King Richard II setting out with his knights in armour on his invasion of Ireland, 1394 - Coloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

King Richard II of England (1367-1400) set out with his knights in armor to invade Ireland in 1394 - Lithography from the enlumine manuscript of John (Jehan) Froissart's Chronicles (1322 to 1400), 1868 - King Richard II setting out with his knights in armour on his invasion of Ireland, 1394 - Coloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Valentine Visconti (1368-1408), Duchess of Orleans, leaves Paris on the rumour that she would be responsible for the madness of King Charles VI of France, known as the Good Aime or Le Fol (1368-1422), circa 1390 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Valentina Visconti, Duchess of Orleans (1368 -1408), quitting Paris after rumours that she was responsible for King Charles VI's mental illness, c.1390 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Valentine Visconti (1368-1408), Duchess of Orleans, leaves Paris on the rumour that she would be responsible for the madness of King Charles VI of France, known as the Good Aime or Le Fol (1368-1422), circa 1390 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Valentina Visconti, Duchess of Orleans (1368 -1408), quitting Paris after rumours that she was responsible for King Charles VI's mental illness, c.1390 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Philip II of Burgundy, known as Philip the Hardi (1342-1404) and John I of Berry (1340-1416), hold the council as regents during the illness of Charles VI of France, known as the Good Aime or Le Fol (1368-1422) - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1437 04), 1868 - Philip the Bold, Duke of Burgundy, and John, Duke of Berry, sitting in council as Regents during the illness of Charles VI the Mad of France - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Philip II of Burgundy, known as Philip the Hardi (1342-1404) and John I of Berry (1340-1416), hold the council as regents during the illness of Charles VI of France, known as the Good Aime or Le Fol (1368-1422) - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1437 04), 1868 - Philip the Bold, Duke of Burgundy, and John, Duke of Berry, sitting in council as Regents during the illness of Charles VI the Mad of France - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Count Louis II of Flanders (ne Louis de Dampierre dit Louis de Male or de Maerle) (1330-1384) receives the men of Ghent (Belgium) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Count Louis II of Flanders receives the men of Ghent - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Count Louis II of Flanders (ne Louis de Dampierre dit Louis de Male or de Maerle) (1330-1384) receives the men of Ghent (Belgium) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Count Louis II of Flanders receives the men of Ghent - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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The Coronation of King Henry IV of England (1367-1413), by the Evechs of Westminster Abbey, London, 1399 - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Henry IV of England, 1399. The king is crowned by bishops in Westminster Abbey, while pages hold his coat of arms, helm and sword - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The Coronation of King Henry IV of England (1367-1413), by the Evechs of Westminster Abbey, London, 1399 - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Henry IV of England, 1399. The king is crowned by bishops in Westminster Abbey, while pages hold his coat of arms, helm and sword - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Jacques de Heilly (?) reports the news of the defeat at the Battle of Nicopolis (Nikopol, Bulgaria), with letters from the knights captured to King Charles VI of France, known as the Good Aime or Le Fol (1368-1422), in 1396, with the request of Ottoman Sultan Bayezid I (Bajazet) (1360-1403) for the great prisoners - Lithography after the manuscript enlumine of Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Jacques de Helly brings news of the terrible defeat at the Battle of Nicopolis and letters from the captured knights to King Charles VI of France, 1396, Sultan Bayezid demanded a ransom for his prisoners - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Jacques de Heilly (?) reports the news of the defeat at the Battle of Nicopolis (Nikopol, Bulgaria), with letters from the knights captured to King Charles VI of France, known as the Good Aime or Le Fol (1368-1422), in 1396, with the request of Ottoman Sultan Bayezid I (Bajazet) (1360-1403) for the great prisoners - Lithography after the manuscript enlumine of Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Jacques de Helly brings news of the terrible defeat at the Battle of Nicopolis and letters from the captured knights to King Charles VI of France, 1396, Sultan Bayezid demanded a ransom for his prisoners - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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The city of Bristol (England) surrendering against the troops of Queen Isabelle of France (Isabelle de Valois) (1389-1409), during the invasion of England in 1326 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The city of Bristol surrendering to Queen Isabella of France during the invasion of England, 1326 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The city of Bristol (England) surrendering against the troops of Queen Isabelle of France (Isabelle de Valois) (1389-1409), during the invasion of England in 1326 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The city of Bristol surrendering to Queen Isabella of France during the invasion of England, 1326 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Pierre de Craon, nicknamed the Great (circa 1345-ca. 1409), after his attempted assassination of Olivier V de Clisson (1336-1407), found refuge in Brittany under John V of Brittany, known as Jean Le Sage (1389-1442), in 1391 - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Issart (1337-1404), 1868 - Pierre de Craon taking refuge in Brittany with John V, Duke of Brittany, after the attempted murder of Olivier de Clisson, 1391 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Pierre de Craon, nicknamed the Great (circa 1345-ca. 1409), after his attempted assassination of Olivier V de Clisson (1336-1407), found refuge in Brittany under John V of Brittany, known as Jean Le Sage (1389-1442), in 1391 - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Issart (1337-1404), 1868 - Pierre de Craon taking refuge in Brittany with John V, Duke of Brittany, after the attempted murder of Olivier de Clisson, 1391 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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The liberation of Charles, said Bureau III of the Riviere (? -1400), of the Chatelet prison, thanks to the intercession of the Duchess du Berry, circa 1393, after being imprisoned for his association with Olivier V de Clisson (1336-1407) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The liberation of the liberation of the Lord de la Riviere from Chatelet on the pleading of the Duchess of Berry, c.1392, He had been imprisoned for his association with Sir Olivier de Clisson, who was blamed for King Charles VI's madness - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The liberation of Charles, said Bureau III of the Riviere (? -1400), of the Chatelet prison, thanks to the intercession of the Duchess du Berry, circa 1393, after being imprisoned for his association with Olivier V de Clisson (1336-1407) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The liberation of the liberation of the Lord de la Riviere from Chatelet on the pleading of the Duchess of Berry, c.1392, He had been imprisoned for his association with Sir Olivier de Clisson, who was blamed for King Charles VI's madness - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Count Louis II of Flanders (ne Louis de Dampierre, dit Louis de Male or de Maerle) (1330-1384) directs the restoration work of the castle of Audenarde (Belgium) - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Count Louis II of Flanders directing repairs Oudenaarde castle, the count in blue robes lined with fur watches builders constructing walls and towers - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Count Louis II of Flanders (ne Louis de Dampierre, dit Louis de Male or de Maerle) (1330-1384) directs the restoration work of the castle of Audenarde (Belgium) - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Count Louis II of Flanders directing repairs Oudenaarde castle, the count in blue robes lined with fur watches builders constructing walls and towers - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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The capture of Audenarde (Belgium, Flanders) in 1382 by Francis Atremen, a citizen of Ghent, who climbed, with 400 men, fortified walls with scales, during the night, when the city was undefended - Lithography based on the enluminated manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The taking of Oudenaarde in 1382 by Francis Atremen, a citizen of Ghent. Atremen scaled the walls with 400 men on ladders at night when the town was left undefended - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The capture of Audenarde (Belgium, Flanders) in 1382 by Francis Atremen, a citizen of Ghent, who climbed, with 400 men, fortified walls with scales, during the night, when the city was undefended - Lithography based on the enluminated manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The taking of Oudenaarde in 1382 by Francis Atremen, a citizen of Ghent. Atremen scaled the walls with 400 men on ladders at night when the town was left undefended - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Robert the Mennot (or Le Mennoit), known as the Hermit (circa 1340- after 1408), has a vision of God after a tempete that destroyed his ship on his return from Syria, around 1391 - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Robert the Mennoit or Robert the Hermit saw a vision of God after a huge storm that destroyed his ship on his return from Syria - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Robert the Mennot (or Le Mennoit), known as the Hermit (circa 1340- after 1408), has a vision of God after a tempete that destroyed his ship on his return from Syria, around 1391 - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Robert the Mennoit or Robert the Hermit saw a vision of God after a huge storm that destroyed his ship on his return from Syria - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Hundred Years War (1337-1453): the Battle of Monteil, 1369, between the Franco-Castilian Armees commanded by Henry II of Castile (Henry of Trastamare, 1333-1379) and the troops of the English Alliance, led by Peter I of Castile, known as the Cruel (1334-1364) - Lithograph from the manuscript enluminated (from 1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Battle of Monteil, 1369, between the Franco Castilians under Henry II of Castile and a Pro-English alliance under Peter of Castile - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Hundred Years War (1337-1453): the Battle of Monteil, 1369, between the Franco-Castilian Armees commanded by Henry II of Castile (Henry of Trastamare, 1333-1379) and the troops of the English Alliance, led by Peter I of Castile, known as the Cruel (1334-1364) - Lithograph from the manuscript enluminated (from 1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Battle of Monteil, 1369, between the Franco Castilians under Henry II of Castile and a Pro-English alliance under Peter of Castile - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630327

The Battle of Roosebeke (or Battle of Mount d'Or) (Flanders), 1382, between the arms of King Charles VI of France, known as the Good Aime or Le Fol (1368-1422) and the Flemish militiamen of Philip van Artevelde (1340-1382) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissen Art (1337-1404), 1868 - The battle of Rosebecque (Roosebeke) 1382 between the royal army of King Charles VI of France and Flemish militiamen commanded by Philip Van Artevelde - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The Battle of Roosebeke (or Battle of Mount d'Or) (Flanders), 1382, between the arms of King Charles VI of France, known as the Good Aime or Le Fol (1368-1422) and the Flemish militiamen of Philip van Artevelde (1340-1382) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissen Art (1337-1404), 1868 - The battle of Rosebecque (Roosebeke) 1382 between the royal army of King Charles VI of France and Flemish militiamen commanded by Philip Van Artevelde - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Portrait of Philip von Artevelde (circa 1340-1382), captain of Ghent and governor of Flanders, preaching on a stage facing his armee (with curved leaves, flowers and strawberries) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Lip von Artavelde (C.1340Ð1382) governor of Ghent, Flemish patriot, preaching (Illuminated panel with foliage, flowers and strawberry) - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Portrait of Philip von Artevelde (circa 1340-1382), captain of Ghent and governor of Flanders, preaching on a stage facing his armee (with curved leaves, flowers and strawberries) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Lip von Artavelde (C.1340Ð1382) governor of Ghent, Flemish patriot, preaching (Illuminated panel with foliage, flowers and strawberry) - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630169

The funeral of Jean Lyon (?) at the church of Saint Nicholas in Ghent (Belgium), four men carry the coffin observed by priests and monks - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The funeral of Jean Lyon in St. Nicholas's Church at Ghent, four men carry a covered casket while priests and monks watch - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The funeral of Jean Lyon (?) at the church of Saint Nicholas in Ghent (Belgium), four men carry the coffin observed by priests and monks - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The funeral of Jean Lyon in St. Nicholas's Church at Ghent, four men carry a covered casket while priests and monks watch - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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The sudden death of Count Gaston III of Foix (Foix Bearn) dit Gaston Phebus (1331-1391), strikes with apoplexy by washing his hands back from a bear hunt, 1391 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 The sudden death of Count Gaston III by Foix as he washed his hands after returning from a bear hunt, 1391 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The sudden death of Count Gaston III of Foix (Foix Bearn) dit Gaston Phebus (1331-1391), strikes with apoplexy by washing his hands back from a bear hunt, 1391 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 The sudden death of Count Gaston III by Foix as he washed his hands after returning from a bear hunt, 1391 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630437

The payment of the grudge to Ottoman Sultan Bayezid I (or Bajazet) (1360-1403) for the liberation of John I of Burgundy (1371-1419), said John without fear and his men, prisoners after the battle of Nicopolis (present-day Nikopol in Bulgaria) in 1396 - Lithography from the enluminated manuscript of John's Chronicles (1322 to 1400) by (Jehan) Froissart (1337-1404), 1868 - The payment of the ransom to Sultan Bayezid for John the Fearless, Count of Nevers and his fellow prisoners after the battle of Nicopolis, 1397 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The payment of the grudge to Ottoman Sultan Bayezid I (or Bajazet) (1360-1403) for the liberation of John I of Burgundy (1371-1419), said John without fear and his men, prisoners after the battle of Nicopolis (present-day Nikopol in Bulgaria) in 1396 - Lithography from the enluminated manuscript of John's Chronicles (1322 to 1400) by (Jehan) Froissart (1337-1404), 1868 - The payment of the ransom to Sultan Bayezid for John the Fearless, Count of Nevers and his fellow prisoners after the battle of Nicopolis, 1397 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Interview of King Richard II of England (1367-1400) with his uncle Thomas of Woodstock (or Wodestock) (1355-1397), Duke of Gloucester, kneeling in his castle of Pleshey, England, in 1397, just before his arrest - Lithograph following the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Interview of King Richard II with his uncle Thomas of Woodstock, Duke of Gloucester, at his castle of Pleshey, 1397, prior to his arrest - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Interview of King Richard II of England (1367-1400) with his uncle Thomas of Woodstock (or Wodestock) (1355-1397), Duke of Gloucester, kneeling in his castle of Pleshey, England, in 1397, just before his arrest - Lithograph following the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Interview of King Richard II with his uncle Thomas of Woodstock, Duke of Gloucester, at his castle of Pleshey, 1397, prior to his arrest - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Hundred Years War (1337-1453): Charles of Blois, known as the Blessed (1319-1364), Duke of Brittany and Thomas of Woodstock (1355-1397), Duke of Buckingham, agreed for the siege of Nantes in 1380, with their banners carried by the cavalry - Lithography after the enluminated manuscript of the Chronicles (from 1322 a 1400) by Jean (Jehan) Froissart (1337- 1404), 1868 - Charles of Blois, Duke of Brittany, and Thomas Woodstock, Earl of Buckingham, concerting the siege of Nantes, 1380; their banners can be seen above the ranks of mounted knights - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Hundred Years War (1337-1453): Charles of Blois, known as the Blessed (1319-1364), Duke of Brittany and Thomas of Woodstock (1355-1397), Duke of Buckingham, agreed for the siege of Nantes in 1380, with their banners carried by the cavalry - Lithography after the enluminated manuscript of the Chronicles (from 1322 a 1400) by Jean (Jehan) Froissart (1337- 1404), 1868 - Charles of Blois, Duke of Brittany, and Thomas Woodstock, Earl of Buckingham, concerting the siege of Nantes, 1380; their banners can be seen above the ranks of mounted knights - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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The arrest of Thomas of Woodstock (or Wodestock) (1355-1397), Duke of Gloucester, in his castle of Pleshey (England), in 1397; he was taken by armed guards to a boat at Calais, while King Richard II of England (1367-1400) and his courtiers deter from it - Lithograph from the manuscript enluminated Chronicles (from 1322 to 1400 ) by Jean (Jehan) Froissart (1337-1404), 1868 - Arrest of Thomas of Woodstock, Duke of Gloucester, at his castle of Pleshey, 1397. The duke is taken by armed guards to a boat to Calais, while King Richard II rides off with his brokers - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The arrest of Thomas of Woodstock (or Wodestock) (1355-1397), Duke of Gloucester, in his castle of Pleshey (England), in 1397; he was taken by armed guards to a boat at Calais, while King Richard II of England (1367-1400) and his courtiers deter from it - Lithograph from the manuscript enluminated Chronicles (from 1322 to 1400 ) by Jean (Jehan) Froissart (1337-1404), 1868 - Arrest of Thomas of Woodstock, Duke of Gloucester, at his castle of Pleshey, 1397. The duke is taken by armed guards to a boat to Calais, while King Richard II rides off with his brokers - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Illustration entitled, 'The Battle of Rosebecque', 1869 (coloured engraving)

Illustration entitled, 'The Battle of Rosebecque', 1869 (coloured engraving)

American School, (20th century)

AMR3548851

John V, Duke of Brittany and Sir Olivier de Clisson making peace.

John V, Duke of Brittany and Sir Olivier de Clisson making peace.

BL3290585

Jean Galeas Visconti (Gian Galeazzo Visconti, 1351-1402) surprises and imprisoned his uncle Barnabe (Bernabo) Visconti (1323-1385), with 400 men, to become Duke of Milan in 1385 - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - John Galeas surprises and imprisons his uncle Barnabus ( Bernabo) with just 400 men to become first Duke of Milan - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Jean Galeas Visconti (Gian Galeazzo Visconti, 1351-1402) surprises and imprisoned his uncle Barnabe (Bernabo) Visconti (1323-1385), with 400 men, to become Duke of Milan in 1385 - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - John Galeas surprises and imprisons his uncle Barnabus ( Bernabo) with just 400 men to become first Duke of Milan - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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Hundred Years War (1337-1453): proclamation of the renewal of the treve between Charles VI of France, known as the Good Aime or Le Fol (1368-1422) and Richard II of England (1367-1400), in 1396, until the restoration of the mental deterioration of the King of France - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissed Art ( 1337-1404), 1868 - Proclamation of the renewal of the truce between King Charles VI of France and Richard II of England, 1396, after the King of France's recovery (from mental illness) - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Hundred Years War (1337-1453): proclamation of the renewal of the treve between Charles VI of France, known as the Good Aime or Le Fol (1368-1422) and Richard II of England (1367-1400), in 1396, until the restoration of the mental deterioration of the King of France - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissed Art ( 1337-1404), 1868 - Proclamation of the renewal of the truce between King Charles VI of France and Richard II of England, 1396, after the King of France's recovery (from mental illness) - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

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