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Images de 'Sanskrit' médias trouvés, 794

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Rama chasing the Golden Deer, from the 'Ramayana', 1600

Rama chasing the Golden Deer, from the 'Ramayana', 1600

Mughal School, (17th century)

SCP57387

China / Tibet: A Kalachakra thangka from Sera, one of the 'great three' Gelukpa university monasteries of Tibet, located 2km north of Lhasa

China / Tibet: A Kalachakra thangka from Sera, one of the 'great three' Gelukpa university monasteries of Tibet, located 2km north of Lhasa

PFH1174428

Abandoning the bloody scene of the battle, with its heaps of dead beside Indrajit's sacrificial chamber, Hanumān and VibhÄ«á¹£aá¹‡a support the wounded Lakṣmaṇa as they return to Rāma. Rāma receives his brother with great joy, seats him tenderly on his lap and lovingly smells his head. His wounds are healed by the herb which Suá¹£eá¹‡a places beneath his nostrils, as all around monkeys rejoice.

Abandoning the bloody scene of the battle, with its heaps of dead beside Indrajit's sacrificial chamber, Hanumān and VibhÄ«á¹£aá¹‡a support the wounded Lakṣmaṇa as they return to Rāma. Rāma receives his brother with great joy, seats him tenderly on his lap and lovingly smells his head. His wounds are healed by the herb which Suá¹£eá¹‡a places beneath his nostrils, as all around monkeys rejoice.

BL3283130

Rāvaṇa gives orders (above) to his remaining brothers and ministers and then sets out in his chariot with what remains of his army, with MahÄpÄrÅ›va, Mahodara and VirūpÄká¹£a also in their chariots. SugrÄ«va leads the advance of the monkeys on Rāvaṇa, wielding trees. Rāma, Lakṣmaṇa and VibhÄ«á¹£aá¹‡a wait in reserve with Aṅgada.

Rāvaṇa gives orders (above) to his remaining brothers and ministers and then sets out in his chariot with what remains of his army, with MahÄpÄrÅ›va, Mahodara and VirūpÄká¹£a also in their chariots. SugrÄ«va leads the advance of the monkeys on Rāvaṇa, wielding trees. Rāma, Lakṣmaṇa and VibhÄ«á¹£aá¹‡a wait in reserve with Aṅgada.

BL3283138

The royal procession enters AyodhyÄ in triumph. Rāma and Sītā are in one carriage and the three brothers in another, while VibhÄ«á¹£aá¹‡a and the allied chiefs all ride on elephants. The procession arrives at the palace through the bazaar with its festive hangings and with bowing shopkeepers. They are met at the gates of the zenana by ladies and, inside the queens' quarters, the four brothers and Sītā bow before KausalyÄ, Kaikeyī and SumitrÄ. Even Kaikeyī is forgiven.

The royal procession enters AyodhyÄ in triumph. Rāma and Sītā are in one carriage and the three brothers in another, while VibhÄ«á¹£aá¹‡a and the allied chiefs all ride on elephants. The procession arrives at the palace through the bazaar with its festive hangings and with bowing shopkeepers. They are met at the gates of the zenana by ladies and, inside the queens' quarters, the four brothers and Sītā bow before KausalyÄ, Kaikeyī and SumitrÄ. Even Kaikeyī is forgiven.

BL3283161

The three sons of Sukesha marry three beautiful gandharvis (celestial angels) and have children. The three families are shown in three horizontal registers, starting with the eldest son, wife and children in the top register

The three sons of Sukesha marry three beautiful gandharvis (celestial angels) and have children. The three families are shown in three horizontal registers, starting with the eldest son, wife and children in the top register

BL3283173

The top register shows Kaikasi meeting Visravas who was engaged in the fire sacrifice. Visravas is annoyed at this inauspicious interruption and predicts that Kaikasi's children by him will be cruel and horrific demons, except for her youngest who will be virtuous like his father. The lower register shows them with their demon sons and demoness daughter

The top register shows Kaikasi meeting Visravas who was engaged in the fire sacrifice. Visravas is annoyed at this inauspicious interruption and predicts that Kaikasi's children by him will be cruel and horrific demons, except for her youngest who will be virtuous like his father. The lower register shows them with their demon sons and demoness daughter

BL3283180

Ravana is astonished at the speed, strength and prowess of Bali and asks for his hand in friendship. They are shown seated together with the titans and monkeys, chewing paan or betelnut

Ravana is astonished at the speed, strength and prowess of Bali and asks for his hand in friendship. They are shown seated together with the titans and monkeys, chewing paan or betelnut

BL3283195

Ravana is shown aiming arrows at his adversary from the puspaka chariot, and Yama is shown fighting while riding on his vehicle, the buffalo. Brahma is painted between them riding in a celestial boat. Brahma intervenes in the battle and forbids Yama from killing Ravana as he has a boon

Ravana is shown aiming arrows at his adversary from the puspaka chariot, and Yama is shown fighting while riding on his vehicle, the buffalo. Brahma is painted between them riding in a celestial boat. Brahma intervenes in the battle and forbids Yama from killing Ravana as he has a boon

BL3283201

Rama thanks his allies. He offers them gifts and grants them leave to return to their kingdoms. He thanks the monkeys, bears and Vibhishana and also gives them gifts. They all depart and return to their kingdoms

Rama thanks his allies. He offers them gifts and grants them leave to return to their kingdoms. He thanks the monkeys, bears and Vibhishana and also gives them gifts. They all depart and return to their kingdoms

BL3283224

On his way to confront the demon Lavana, Shatrughana rests at the hermitage of Valmiki

On his way to confront the demon Lavana, Shatrughana rests at the hermitage of Valmiki

BL3283230

Shatrughana has been given permission to fight Lavana and is given advice on how to accomplish the mission by Rama. He takes leave of his family and departs

Shatrughana has been given permission to fight Lavana and is given advice on how to accomplish the mission by Rama. He takes leave of his family and departs

BL3283232

Shatrughana visits Rama and wishes to stay on in Ayodhya with Rama. However, Rama reminds him of his duty to his subjects and grants him permission to stay only for a week

Shatrughana visits Rama and wishes to stay on in Ayodhya with Rama. However, Rama reminds him of his duty to his subjects and grants him permission to stay only for a week

BL3283234

A Brahmin's son dies and the Brahmin is shown approaching Rama's court to inquire as to the cause of his son's death. Rama is blamed and is seen asking advice from the sages. Lakshmana is seen first with joined hands before Rama, then communicating Rama's message to the Brahmin at the door. On the right, the Brahmin's son's body is placed in an urn containing oil and ungents necessary for preservation

A Brahmin's son dies and the Brahmin is shown approaching Rama's court to inquire as to the cause of his son's death. Rama is blamed and is seen asking advice from the sages. Lakshmana is seen first with joined hands before Rama, then communicating Rama's message to the Brahmin at the door. On the right, the Brahmin's son's body is placed in an urn containing oil and ungents necessary for preservation

BL3283235

Rama is told he is to be regent. Rama leaves his father's palace. Rama tells his mother Kaushalya who distributes presents of cows

Rama is told he is to be regent. Rama leaves his father's palace. Rama tells his mother Kaushalya who distributes presents of cows

BL3283243

The asvamedha sacrifice. Vibhishana is shown paying homage to the ascetics gathered for the great sacrifice. The monkeys serve the visitors. Bharata and Satrughna distribute clothing to the ascetics who have gathered for the sacrifice. In the top left corner, Valmiki is seen instructing Lava and Kusha on the chanting of the Ramayana

The asvamedha sacrifice. Vibhishana is shown paying homage to the ascetics gathered for the great sacrifice. The monkeys serve the visitors. Bharata and Satrughna distribute clothing to the ascetics who have gathered for the sacrifice. In the top left corner, Valmiki is seen instructing Lava and Kusha on the chanting of the Ramayana

BL3283245

As Rāma and the procession reach the banks of the river Sarayū, BrahmÄ and the gods appear to witness Rāma's ascent and light the sky with an effulgent glow. Accompanied by chants of 'Hail Viá¹£á¹‡u', Rāma enters the waters and ascends to heaven. He is accompanied by SugrÄ«va, his brothers, monkeys, bears and other humans. They willingly sacrifice their lives in order to ascend to heaven with him. The entire populace of AyodhyÄ witnesses the heavenly event, some plunging into the waters in order to attain moká¹£a (release from rebirth). They are shown ascending to the celestial realm with Rāma.

As Rāma and the procession reach the banks of the river Sarayū, BrahmÄ and the gods appear to witness Rāma's ascent and light the sky with an effulgent glow. Accompanied by chants of 'Hail Viá¹£á¹‡u', Rāma enters the waters and ascends to heaven. He is accompanied by SugrÄ«va, his brothers, monkeys, bears and other humans. They willingly sacrifice their lives in order to ascend to heaven with him. The entire populace of AyodhyÄ witnesses the heavenly event, some plunging into the waters in order to attain moká¹£a (release from rebirth). They are shown ascending to the celestial realm with Rāma.

BL3295992

On the left, Ravana in a puspaka chariot and the titans heading further up river to fight Arjuna. On the right Arjuna is in the river with his wives, who beg him not to fight Ravana. Arjuna fights Ravana's general, Prahasta, who is overcome

On the left, Ravana in a puspaka chariot and the titans heading further up river to fight Arjuna. On the right Arjuna is in the river with his wives, who beg him not to fight Ravana. Arjuna fights Ravana's general, Prahasta, who is overcome

BL3283194

Om on an Ipad. The Om is a mantra and mystical Sanskrit syllable of Hindu origin, Paris, France

Om on an Ipad. The Om is a mantra and mystical Sanskrit syllable of Hindu origin, Paris, France

GNG5266419

Two demon brothers 'sprang up'. Praheti practiced asceticism and is shown in ascetic garb seated next to a hut in the right background of the picture. Heti is shown in the right foreground seeking a wife, and then with his wife, Bhaya, sister of Kala, who begot a son named Vidyutkesha. He is shown seated in a palace to the left of the painting with his wife who holds her infant son in her lap

Two demon brothers 'sprang up'. Praheti practiced asceticism and is shown in ascetic garb seated next to a hut in the right background of the picture. Heti is shown in the right foreground seeking a wife, and then with his wife, Bhaya, sister of Kala, who begot a son named Vidyutkesha. He is shown seated in a palace to the left of the painting with his wife who holds her infant son in her lap

BL3283171

Sukesha's sons practice penance. The three sons of Sukesha are shown on the left with an ascetic. Garbed as ascetics they are then shown below paying obeisance to Brahma and gaining favourable boons from him. Brahma is seated on a lotus having descended from his vehicle of geese. The three sons are then shown on the right accompanied by titans crossing from the mainland to Lanka

Sukesha's sons practice penance. The three sons of Sukesha are shown on the left with an ascetic. Garbed as ascetics they are then shown below paying obeisance to Brahma and gaining favourable boons from him. Brahma is seated on a lotus having descended from his vehicle of geese. The three sons are then shown on the right accompanied by titans crossing from the mainland to Lanka

BL3283176

On the right, Vaisravana is shown visiting his father. On the left, Dasagriva and Kumbhakarna perform the severest of penance. Brahma descends from the heavens and prevents him from completing his penance. Brahma grants Dasagriva a boon that he may never be killed by the Gods and that he may be able to take any form he desires

On the right, Vaisravana is shown visiting his father. On the left, Dasagriva and Kumbhakarna perform the severest of penance. Brahma descends from the heavens and prevents him from completing his penance. Brahma grants Dasagriva a boon that he may never be killed by the Gods and that he may be able to take any form he desires

BL3283183

A messenger sent by Vaisravana can be seen riding an elephant and approaching Ravana's palace. Ravana is shown receiving the messenger in an upper chamber of his palace where he is told that the Gods are planning his destruction. Ravana is infuriated and swears to conquer the three worlds

A messenger sent by Vaisravana can be seen riding an elephant and approaching Ravana's palace. Ravana is shown receiving the messenger in an upper chamber of his palace where he is told that the Gods are planning his destruction. Ravana is infuriated and swears to conquer the three worlds

BL3283186

Ravana goes to the Narmada river. On the left, the titans are shown carrying the sacred linga and placing it before Ravana with the flowers necessary for worship. Ravana is shown placing the linga on the flowers and cleansing himself in the Narmada. On the right, King Arjuna is bathing in the river with his wives

Ravana goes to the Narmada river. On the left, the titans are shown carrying the sacred linga and placing it before Ravana with the flowers necessary for worship. Ravana is shown placing the linga on the flowers and cleansing himself in the Narmada. On the right, King Arjuna is bathing in the river with his wives

BL3283193

Bali and Ravana are shown four times in this folio, twice performing the sandhya ceremony, then flying with Ravana attached to his girdle and finally on the left, they are seen approaching Kishkinda

Bali and Ravana are shown four times in this folio, twice performing the sandhya ceremony, then flying with Ravana attached to his girdle and finally on the left, they are seen approaching Kishkinda

BL3283198

The mahapurusha has been depicted as Vishnu lying on his couch, the serpent, with Lakshmi at his feet. Ravana is shown falling down and then departing. He abducts hundreds of women in his puspaka chariot before he departs, depicted in the background

The mahapurusha has been depicted as Vishnu lying on his couch, the serpent, with Lakshmi at his feet. Ravana is shown falling down and then departing. He abducts hundreds of women in his puspaka chariot before he departs, depicted in the background

BL3283210

Ravana returns to Lanka and is cursed by the women whom he abducted. Ravana is informed by his brother Vibhishana that his sister Kumbharini has been taken away by Madhu

Ravana returns to Lanka and is cursed by the women whom he abducted. Ravana is informed by his brother Vibhishana that his sister Kumbharini has been taken away by Madhu

BL3283213

Indra battles Ravana. Ravana is depicted on the Pushpaka chariot while Indra, the king of the gods, is on his mount Airavata, the white elephant

Indra battles Ravana. Ravana is depicted on the Pushpaka chariot while Indra, the king of the gods, is on his mount Airavata, the white elephant

BL3283218

Sita visits the hermitages. Lakshmana takes Sita in the chariot to visit the hermitages as she had requested. They rest in a hermitage on the banks of the river Gaumati

Sita visits the hermitages. Lakshmana takes Sita in the chariot to visit the hermitages as she had requested. They rest in a hermitage on the banks of the river Gaumati

BL3283223

The ascetics visit Rama and request help against Lavana, son of Madhu, who had acquired a formidable weapon as a boon from Siva. Madhu used the weapon wisely but his son Lavana used the weapon indiscriminately and harassed the ascetics living in the forest, killing and devouring them

The ascetics visit Rama and request help against Lavana, son of Madhu, who had acquired a formidable weapon as a boon from Siva. Madhu used the weapon wisely but his son Lavana used the weapon indiscriminately and harassed the ascetics living in the forest, killing and devouring them

BL3283229

The Gods, having lauded Rama for restoring harmony to his kingdom, request him to visit the sage Agastya's hermitage with them. Rama proceeds through a forest where birds and beasts abound

The Gods, having lauded Rama for restoring harmony to his kingdom, request him to visit the sage Agastya's hermitage with them. Rama proceeds through a forest where birds and beasts abound

BL3283237

Rama tells the story of Ila. Kardama was hunting in the same forest where Siva was entertaining Parvati by transferring all things male into female. Kaidama was also transformed and when he approached Siva he said he would grant him anything but the transformation back into a male. Parvati granted him a boon of being male for a month and then female for another month. As a female Kardama was called Ila

Rama tells the story of Ila. Kardama was hunting in the same forest where Siva was entertaining Parvati by transferring all things male into female. Kaidama was also transformed and when he approached Siva he said he would grant him anything but the transformation back into a male. Parvati granted him a boon of being male for a month and then female for another month. As a female Kardama was called Ila

BL3283246

Ila and the maidens are shown bathing in the lake and meeting the sage Budha on the left. On the right, Budha and Ila together, and the right lower section shows Ila transformed into a male requesting Budha's permission to return to his kingdom

Ila and the maidens are shown bathing in the lake and meeting the sage Budha on the left. On the right, Budha and Ila together, and the right lower section shows Ila transformed into a male requesting Budha's permission to return to his kingdom

BL3283249

Monkeys, bears, titans, sages, ministers and Kings gather when they hear of Rama's departure for the celestial realm. In the right foreground are two attendants carrying the sacrificial fire to the river

Monkeys, bears, titans, sages, ministers and Kings gather when they hear of Rama's departure for the celestial realm. In the right foreground are two attendants carrying the sacrificial fire to the river

BL3283252

China / Tibet: A Kalachakra mandala, Lhasam 18th century

China / Tibet: A Kalachakra mandala, Lhasam 18th century

PFH1174638

Mahabharata

Mahabharata

XLF3791469

Aṅgada is attacked by the rest of Rāvaṇa's sons and brothers. Mahodara attacks Aṅgada, who pulls out the tusk of his elephant (here SugrÄ«va is depicted doing this). Nīla and Hanumān come to help Aṅgada; Nīla attacks TriÅ›iras with a massive rock while Hanumān kills DevÄntaka with a great buffet. After a tremendous fight, Hanumān cuts off the three heads of TriÅ›iras, while Mahodara also lies slain.

Aṅgada is attacked by the rest of Rāvaṇa's sons and brothers. Mahodara attacks Aṅgada, who pulls out the tusk of his elephant (here SugrÄ«va is depicted doing this). Nīla and Hanumān come to help Aṅgada; Nīla attacks TriÅ›iras with a massive rock while Hanumān kills DevÄntaka with a great buffet. After a tremendous fight, Hanumān cuts off the three heads of TriÅ›iras, while Mahodara also lies slain.

BL3283116

Rāvaṇa is overwhelmed by grief (all his heads in profile) on hearing of his last remaining son's death. Then furious with rage, he rushes with his upraised sword at Sītā, who calmly awaits her fate seated in her grove, but he is restrained by his minister SupÄrÅ›va. In order to intimidate Rāma for his own going forth on the morrow, he decides to send out his army yet again to the accompaniment of war-drums and trumpets being beaten and blown, while his own bow is made ready.

Rāvaṇa is overwhelmed by grief (all his heads in profile) on hearing of his last remaining son's death. Then furious with rage, he rushes with his upraised sword at Sītā, who calmly awaits her fate seated in her grove, but he is restrained by his minister SupÄrÅ›va. In order to intimidate Rāma for his own going forth on the morrow, he decides to send out his army yet again to the accompaniment of war-drums and trumpets being beaten and blown, while his own bow is made ready.

BL3283128

Poulastya's curse. On the left is the hermitage of Poulastya surrounded by trees. The maiden daughters of the rishis wander into the hermitage. The daughter of Trinabindu, not knowing of the curse, disturbs Poulastya, instantly falling pregnant. On the right, a figure stands addressing Brahma, while below Trinabindu's daughter informs him of her condition

Poulastya's curse. On the left is the hermitage of Poulastya surrounded by trees. The maiden daughters of the rishis wander into the hermitage. The daughter of Trinabindu, not knowing of the curse, disturbs Poulastya, instantly falling pregnant. On the right, a figure stands addressing Brahma, while below Trinabindu's daughter informs him of her condition

BL3283164

Below, Rama and his three brothers respectfully greet seven sages who have been admitted to the palace by a doorkeeper. Above, the seven are seated in a row on a verandah before Rama. They praise Rama for having vanquished the demon Ravana and his son Ravani, and tell Rama the story of Ravana's lineage and origins

Below, Rama and his three brothers respectfully greet seven sages who have been admitted to the palace by a doorkeeper. Above, the seven are seated in a row on a verandah before Rama. They praise Rama for having vanquished the demon Ravana and his son Ravani, and tell Rama the story of Ravana's lineage and origins

BL3283165

Brahma is seen flying on his mount, the goose, and again in the left foreground granting the young Vaisravana a boon as the Lord of Wealth. Vaisravana is shown in the Pushpaka chariot in the background and then with his father Visravas, when he asks for advice on where to live

Brahma is seen flying on his mount, the goose, and again in the left foreground granting the young Vaisravana a boon as the Lord of Wealth. Vaisravana is shown in the Pushpaka chariot in the background and then with his father Visravas, when he asks for advice on where to live

BL3283166

On the left, Trinabindu meets Poulastya and offers him his pregnant daughter in marriage and he accepts. On the right, Trinabindu brings his daughter to Poulastya and she is seen seated beside him. Poulastya is pleased and showers her with blessings in the form of a pious son named Visravas, who is born to her

On the left, Trinabindu meets Poulastya and offers him his pregnant daughter in marriage and he accepts. On the right, Trinabindu brings his daughter to Poulastya and she is seen seated beside him. Poulastya is pleased and showers her with blessings in the form of a pious son named Visravas, who is born to her

BL3283168

Rama and the visiting sages are shown discoursing, seated in his palace on the right. Agastya explains to Rama the origins of the rakshasas (demons). Prajapati the creator, here shown seated on a lotus, first created the waters, depicted as a river at the bottom of the folio. Then, all creatures were generated and are shown bowing down and paying obeisance to Brahma

Rama and the visiting sages are shown discoursing, seated in his palace on the right. Agastya explains to Rama the origins of the rakshasas (demons). Prajapati the creator, here shown seated on a lotus, first created the waters, depicted as a river at the bottom of the folio. Then, all creatures were generated and are shown bowing down and paying obeisance to Brahma

BL3283169

Vaisravana is seen crossing the ocean in a Pushpaka chariot towards the city of Lanka, painted on the left. A doorkeeper stands guard in front of the palace at Lanka. Visravas seated in his hut is shown on the right

Vaisravana is seen crossing the ocean in a Pushpaka chariot towards the city of Lanka, painted on the left. A doorkeeper stands guard in front of the palace at Lanka. Visravas seated in his hut is shown on the right

BL3283170

Shiva and Parvati are shown in the foreground of the painting seated beside Nandi the bull. Five Gods join hands in supplication before them and ask Shiva to rid the world of the rakshasas, who advises them to ask Vishnu. In the top register, Vishnu and Sri are shown seated beside Garuda. The Gods ask Vishnu for help and he agrees

Shiva and Parvati are shown in the foreground of the painting seated beside Nandi the bull. Five Gods join hands in supplication before them and ask Shiva to rid the world of the rakshasas, who advises them to ask Vishnu. In the top register, Vishnu and Sri are shown seated beside Garuda. The Gods ask Vishnu for help and he agrees

BL3283174

Vishnu with the army of Gods are shown to the right, the demon army facing them on the left. In the centre, one of Sukesha's sons, Mali, is seen with a lance piercing his chest and falling from his horse, his sword broken in two

Vishnu with the army of Gods are shown to the right, the demon army facing them on the left. In the centre, one of Sukesha's sons, Mali, is seen with a lance piercing his chest and falling from his horse, his sword broken in two

BL3283177

Sukesha's sons decide to proceed into battle against the Gods. They are shown conferring with each other in the palace in Lanka in the right section of the painting. The left section depicts them mounted on their battle steeds of horses, fish, snakes, leopards, tigers and elephants marching out of Lanka ready to proceed to Devaloka (home of the Gods) to fight Vishnu and his army

Sukesha's sons decide to proceed into battle against the Gods. They are shown conferring with each other in the palace in Lanka in the right section of the painting. The left section depicts them mounted on their battle steeds of horses, fish, snakes, leopards, tigers and elephants marching out of Lanka ready to proceed to Devaloka (home of the Gods) to fight Vishnu and his army

BL3283178

Vishnu battles Malyavan. Vishnu is seen here in the top centre leading the army of the Gods to the right and is shown defeating Malyavan. On the left, Sumali and the demon army retreat in shame to the netherworlds

Vishnu battles Malyavan. Vishnu is seen here in the top centre leading the army of the Gods to the right and is shown defeating Malyavan. On the left, Sumali and the demon army retreat in shame to the netherworlds

BL3283179

Ravana is shown on his horse surrounded by attendants and accompanied by huntsmen, on the right. The sage Maya, his daughter and other children are seated on a mat in front of their hut. Maya is shown in conversation with Ravana. Ravana is then depicted marrying Mandodari, the sage's daughter, in the background

Ravana is shown on his horse surrounded by attendants and accompanied by huntsmen, on the right. The sage Maya, his daughter and other children are seated on a mat in front of their hut. Maya is shown in conversation with Ravana. Ravana is then depicted marrying Mandodari, the sage's daughter, in the background

BL3283184

On the left, Vaisravana leaves Lanka and is seen repairing to Mount Kailasa to live. On the right, Ravana and the demons are shown crossing the ocean and occupying the palace at Lanka

On the left, Vaisravana leaves Lanka and is seen repairing to Mount Kailasa to live. On the right, Ravana and the demons are shown crossing the ocean and occupying the palace at Lanka

BL3283185

On the left, Dhanada (Vaisravana), Lord of Wealth, in his palace on Mount Kailasa, asks Manibhadra, the prince of the Yakshas, to fight the demons. Manibhadra is shown as a giant with joined hands. The right section depicts the battle between Ravana and Manibhadra

On the left, Dhanada (Vaisravana), Lord of Wealth, in his palace on Mount Kailasa, asks Manibhadra, the prince of the Yakshas, to fight the demons. Manibhadra is shown as a giant with joined hands. The right section depicts the battle between Ravana and Manibhadra

BL3283188

Dhanada battles Ravana. Dhanada (Vaisravana), the Lord of Wealth, is shown on the Puspaka chariot in flight aiming arrows against his foe. Ravana is on his steed on the right and the two armies are depicted in fierce battle

Dhanada battles Ravana. Dhanada (Vaisravana), the Lord of Wealth, is shown on the Puspaka chariot in flight aiming arrows against his foe. Ravana is on his steed on the right and the two armies are depicted in fierce battle

BL3283190

Ravana chances upon Vedavati, a beautiful ascetic living in the forest. Ravana, lusting for her, grabs her by the hair. Having been defiled by the touch of a rakshasa (demon), she is condemned to be reborn as Sita. She foretells that she will bring about Ravana's downfall in her next life

Ravana chances upon Vedavati, a beautiful ascetic living in the forest. Ravana, lusting for her, grabs her by the hair. Having been defiled by the touch of a rakshasa (demon), she is condemned to be reborn as Sita. She foretells that she will bring about Ravana's downfall in her next life

BL3283191

The left section depicts Ravana fighting Arjuna. Arjuna strikes Ravana with his mace and he falls unconscious. He then captures Ravana and leads him away. The right section depicts Ravana captive in Arjuna's palace. Poulastya appears before Arjuna and requests Ravana's release. Ravana is then shown departing, ashamed from Arjuna's palace

The left section depicts Ravana fighting Arjuna. Arjuna strikes Ravana with his mace and he falls unconscious. He then captures Ravana and leads him away. The right section depicts Ravana captive in Arjuna's palace. Poulastya appears before Arjuna and requests Ravana's release. Ravana is then shown departing, ashamed from Arjuna's palace

BL3283196

Ravana seeks out Bali. Ravana, desirous of challenging anyone who had renowned strength, decides to fight Bali, the monkey king. He is shown in conversation with Tara and Sugriva and is told that Bali has gone to the southern ocean in order to perform the Sandhya ceremony. The kingdom of Kishkinda is painted on the left

Ravana seeks out Bali. Ravana, desirous of challenging anyone who had renowned strength, decides to fight Bali, the monkey king. He is shown in conversation with Tara and Sugriva and is told that Bali has gone to the southern ocean in order to perform the Sandhya ceremony. The kingdom of Kishkinda is painted on the left

BL3283197

Ravana is shown seated on his throne in the palace in Lanka, surrounded by attendants. His sister, Surpanakha, falls at his feet and bemoans the fact that her husband was killed by Ravana in combat, leaving her widowed

Ravana is shown seated on his throne in the palace in Lanka, surrounded by attendants. His sister, Surpanakha, falls at his feet and bemoans the fact that her husband was killed by Ravana in combat, leaving her widowed

BL3283208

While camping on Mount Kailasa, Ravana chances upon Rambha. Overcome with desire, he ravishes her despite her pleading that she is his daughter in-law. Demons and gandharvas are shown camping on the left of the folio

While camping on Mount Kailasa, Ravana chances upon Rambha. Overcome with desire, he ravishes her despite her pleading that she is his daughter in-law. Demons and gandharvas are shown camping on the left of the folio

BL3283215

In the top right corner, the living creatures affected by Vayu's actions are shown pleading with Brahma to intervene. Brahma touches Hanuman and restores him to life. Vayu is pleased and restores the vital breath to all living things and each god grants Hanuman a boon giving him great strength

In the top right corner, the living creatures affected by Vayu's actions are shown pleading with Brahma to intervene. Brahma touches Hanuman and restores him to life. Vayu is pleased and restores the vital breath to all living things and each god grants Hanuman a boon giving him great strength

BL3283221

Rama questions his ministers. Rama requests his courtiers to visit the towns and villages to acquaint themselves with the rumours about Sita and himself. The courtiers are seen departing from the palace on horseback and on elephants

Rama questions his ministers. Rama requests his courtiers to visit the towns and villages to acquaint themselves with the rumours about Sita and himself. The courtiers are seen departing from the palace on horseback and on elephants

BL3283228

After passing through a beautiful forested region, Rama visits the sage Agastya who lives in the Dandaka desert, the dwelling place of ascetics known as Janasthana. The sage Agastya receives Rama and requests him to spend a night at his hermitage

After passing through a beautiful forested region, Rama visits the sage Agastya who lives in the Dandaka desert, the dwelling place of ascetics known as Janasthana. The sage Agastya receives Rama and requests him to spend a night at his hermitage

BL3283242

Above, the sage Durvasa and the ascetic Death are shown visiting Rama. The centre shows Rama and Lakshmana feeding the sage and Rama consulting with his ministers and Vashishta. The lower section shows Durvasa departing, Lakshmana taking leave of Rama and reaching the banks of the Sarayu river where he disrobes and meditates. Above, Indra on his elephant Airavata takes Lakshmana away to heaven

Above, the sage Durvasa and the ascetic Death are shown visiting Rama. The centre shows Rama and Lakshmana feeding the sage and Rama consulting with his ministers and Vashishta. The lower section shows Durvasa departing, Lakshmana taking leave of Rama and reaching the banks of the Sarayu river where he disrobes and meditates. Above, Indra on his elephant Airavata takes Lakshmana away to heaven

BL3283248

Manjusri (silver)

Manjusri (silver)

Indonesian School, (10th century)

Dirk Bakker

DBP746581

Krishna, armed with a bow and arrow, on a chariot, from a North Indian Mahabharata, 1795 (silk)

Krishna, armed with a bow and arrow, on a chariot, from a North Indian Mahabharata, 1795 (silk)

Indian School, (18th century)

EUL411107

Rāma sends Hanumān to VibhÄ«á¹£aá¹‡a in the city to tell him to bring Sītā suitably adorned into his presence. Women bring her dresses and jewels. Sītā is brought to Rāma in a palanquin by Hanumān and VibhÄ«á¹£aá¹‡a and his demons. VibhÄ«á¹£aá¹‡a attempts to drive off the crowd so that Sītā should not be seen by strangers, but disguising his happiness Rāma says it is not forbidden to look on a woman who has fallen into distress. Many monkeys clamber up on the hill to see Sītā emerge from her palanquin. Rāma repudiates her: she has lived in another man's house and hence it would not be fitting for him to take her back. Grief-stricken, she replies that it is not possible for her to live without Rāma and asks Lakṣmaṇa to prepare a funeral pyre for her to test her chastity.

Rāma sends Hanumān to VibhÄ«á¹£aá¹‡a in the city to tell him to bring Sītā suitably adorned into his presence. Women bring her dresses and jewels. Sītā is brought to Rāma in a palanquin by Hanumān and VibhÄ«á¹£aá¹‡a and his demons. VibhÄ«á¹£aá¹‡a attempts to drive off the crowd so that Sītā should not be seen by strangers, but disguising his happiness Rāma says it is not forbidden to look on a woman who has fallen into distress. Many monkeys clamber up on the hill to see Sītā emerge from her palanquin. Rāma repudiates her: she has lived in another man's house and hence it would not be fitting for him to take her back. Grief-stricken, she replies that it is not possible for her to live without Rāma and asks Lakṣmaṇa to prepare a funeral pyre for her to test her chastity.

BL3283157

Rāma and Lakṣmaṇa are reunited with Bharata and Åšatrughna, who have kept Rāma's kingdom for him during the fourteen years of exile. The four brothers bathe, shave and dress themselves in a series of twelve compartments, ready for Rāma's coronation. VibhÄ«á¹£aá¹‡a and the monkeys, still in human guise, put on gowns and tie their turbans, while the Puá¹£paka chariot flies off back to Kubera, the god of Wealth and its original master, from whom Rāvaṇa stole it.

Rāma and Lakṣmaṇa are reunited with Bharata and Åšatrughna, who have kept Rāma's kingdom for him during the fourteen years of exile. The four brothers bathe, shave and dress themselves in a series of twelve compartments, ready for Rāma's coronation. VibhÄ«á¹£aá¹‡a and the monkeys, still in human guise, put on gowns and tie their turbans, while the Puá¹£paka chariot flies off back to Kubera, the god of Wealth and its original master, from whom Rāvaṇa stole it.

BL3283159

Bharadvaja talks to his daughter and offers her to Visravas, who receives her into his hermitage on the left. Flowers are showered from heaven on the birth of Visravas' son, named Vaishravana

Bharadvaja talks to his daughter and offers her to Visravas, who receives her into his hermitage on the left. Flowers are showered from heaven on the birth of Visravas' son, named Vaishravana

BL3283167

The left section shown Brahma observing Kumbhakarna's penance and granting him a boon. He is tricked, by the Gods and Brahma, into asking that he may sleep for a great length of time. On the right, Bibishana asks that he should always be righteous, perform his duty and be able to use the Brahma weapon

The left section shown Brahma observing Kumbhakarna's penance and granting him a boon. He is tricked, by the Gods and Brahma, into asking that he may sleep for a great length of time. On the right, Bibishana asks that he should always be righteous, perform his duty and be able to use the Brahma weapon

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Dhanada (Vaisravana) is depicted at his palace giving the yakshas orders to fight. Below, the yakshas are shown emerging from their caves in the mountain, ready to fight. The demon army led by Ravana is shown on the right in battle with the yakshas

Dhanada (Vaisravana) is depicted at his palace giving the yakshas orders to fight. Below, the yakshas are shown emerging from their caves in the mountain, ready to fight. The demon army led by Ravana is shown on the right in battle with the yakshas

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The top left section shows Ravana and the demons roaming the earth. In the top right, they meet King Maratha and the gods performing a sacrifice. The gods assume the form of animals out of fear of Ravana. King Maratha and Samvarta are seen conversing in the lower left section while Ravana and the demons look on. The lower right section depicts the four Gods reverting back to their original form

The top left section shows Ravana and the demons roaming the earth. In the top right, they meet King Maratha and the gods performing a sacrifice. The gods assume the form of animals out of fear of Ravana. King Maratha and Samvarta are seen conversing in the lower left section while Ravana and the demons look on. The lower right section depicts the four Gods reverting back to their original form

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Ravana is shown on his Pushpaka chariot on the left, descending with his demons to the world of Yama. Narada the sage also descends into the nether regions to witness the imminent struggle. The foreground depicts scenes of the dead being led away by Yama's ferocious attendants

Ravana is shown on his Pushpaka chariot on the left, descending with his demons to the world of Yama. Narada the sage also descends into the nether regions to witness the imminent struggle. The foreground depicts scenes of the dead being led away by Yama's ferocious attendants

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Narada is shown riding in a celestial boat and conversing with Ravana who rides in the Pushpaka chariot. Narada instigates Ravana to overcome Yama, the god of death instead of harassing mortals on earth. The demons are depicted in the foreground ravaging the rishis who live in the forest

Narada is shown riding in a celestial boat and conversing with Ravana who rides in the Pushpaka chariot. Narada instigates Ravana to overcome Yama, the god of death instead of harassing mortals on earth. The demons are depicted in the foreground ravaging the rishis who live in the forest

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Ravana visits the moon. Ravana ascends higher and higher, travelling past the source of the Ganges where elephants frolic in sacred waters, depicted in the left corner. Two garudas and two birds are shown flying on the left indicating the aerial realms that Ravana traverses. The moon is symbolically shown on the right and the steel gray background depicts the icy weather on the moon. Brahma intervenes and begs Ravana to turn back

Ravana visits the moon. Ravana ascends higher and higher, travelling past the source of the Ganges where elephants frolic in sacred waters, depicted in the left corner. Two garudas and two birds are shown flying on the left indicating the aerial realms that Ravana traverses. The moon is symbolically shown on the right and the steel gray background depicts the icy weather on the moon. Brahma intervenes and begs Ravana to turn back

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Ravana battles against Mandhata, Lord of Ayodhya. The two sages Poulastya and Galava restrain them and, when reconciled, the sages depart

Ravana battles against Mandhata, Lord of Ayodhya. The two sages Poulastya and Galava restrain them and, when reconciled, the sages depart

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Rama tours his kingdom. Rama is seen summoning the Pushpaka chariot on the left and disembarking the chariot on the right. Rama discovers a shudra practising penance and kills him by cutting off his head. The gods approve and shower him with flowers

Rama tours his kingdom. Rama is seen summoning the Pushpaka chariot on the left and disembarking the chariot on the right. Rama discovers a shudra practising penance and kills him by cutting off his head. The gods approve and shower him with flowers

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Lavana returns from hunting for food and Shatrughana attacks him with arrows, killing him. Shatrughana is lauded by the gods who grant him a boon. As Shatrughana wishes to occupy the kingdom of Madhu (Rama's desire), they grant him his wish. On the left, Shatrughana is seen entering the city gates with his army

Lavana returns from hunting for food and Shatrughana attacks him with arrows, killing him. Shatrughana is lauded by the gods who grant him a boon. As Shatrughana wishes to occupy the kingdom of Madhu (Rama's desire), they grant him his wish. On the left, Shatrughana is seen entering the city gates with his army

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After reigning over Madhupura for twelve years, Åšatrughna wished to return to AyodhyÄ to see Rāma again. On the way back, he again stopped at VÄlmÄ«ki's hermitage. He and his attendants are here seated on the right, listening to Rāma's sons, Lava and KuÅ›a, singing and playing the vÄ«á¹‡Ä, with VÄlmÄ«ki and the sages seated on the left.

After reigning over Madhupura for twelve years, Åšatrughna wished to return to AyodhyÄ to see Rāma again. On the way back, he again stopped at VÄlmÄ«ki's hermitage. He and his attendants are here seated on the right, listening to Rāma's sons, Lava and KuÅ›a, singing and playing the vÄ«á¹‡Ä, with VÄlmÄ«ki and the sages seated on the left.

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Rama returns to Ayodhya and wishes to perform the Rajasuya sacrifice. Bharata dissuades him from doing so

Rama returns to Ayodhya and wishes to perform the Rajasuya sacrifice. Bharata dissuades him from doing so

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The story of the Dandaka desert. Rama is told the story of how the entire region was cursed with a dust storm that would render Danda, his family and kingdom and all life lifeless within seven days. Danda was cursed for ravishing Aruja, shown in the centre of the folio and the area is henceforth known as the desert of Dandaka

The story of the Dandaka desert. Rama is told the story of how the entire region was cursed with a dust storm that would render Danda, his family and kingdom and all life lifeless within seven days. Danda was cursed for ravishing Aruja, shown in the centre of the folio and the area is henceforth known as the desert of Dandaka

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The top of the folio shows Agastya presenting Rama with a jewel of divine origin, wrought by the god Visvakarma. The bottom section tells the story of Agastya's acquisition of the jewel

The top of the folio shows Agastya presenting Rama with a jewel of divine origin, wrought by the god Visvakarma. The bottom section tells the story of Agastya's acquisition of the jewel

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The gods, celestial beings, kings, rishis, royalty and common folk have all assembled to witness the vindication of Sītā. In front of the assembly, Sītā says that she has never ever thought of anyone but Rāma and that the Earth goddess MÄdhavÄ« should receive her if that be true. A miracle then occurs in front of all; a beautiful, celestial throne appears, supported by nÄgas. The Earth goddess welcomes Sītā on it, and they descend into the bowels of the earth. Sītā is declared virtuous and vindicated. BrahmÄ and the gods overhead witness the event.

The gods, celestial beings, kings, rishis, royalty and common folk have all assembled to witness the vindication of Sītā. In front of the assembly, Sītā says that she has never ever thought of anyone but Rāma and that the Earth goddess MÄdhavÄ« should receive her if that be true. A miracle then occurs in front of all; a beautiful, celestial throne appears, supported by nÄgas. The Earth goddess welcomes Sītā on it, and they descend into the bowels of the earth. Sītā is declared virtuous and vindicated. BrahmÄ and the gods overhead witness the event.

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The great eagle Garuá¸a, vehicle of Viá¹£á¹‡u himself, flies down from heaven and his mere presence releases Rāma and Lakṣmaṇa from their magic serpentine bonds as the snakes go gliding off (eagles are the traditional enemies of snakes), while his touch heals their wounds. He pays them homage along with VibhÄ«á¹£aá¹‡a, SugrÄ«va and other monkeys. Rāma wonders who this great being might be, but Garuá¸a assures him he will know once he has achieved success in the fight and Sītā has been restored to him. The monkeys then howl out their triumph at this turn of events and hurl themselves at Laṅkā once more, wielding tree trunks.

The great eagle Garuá¸a, vehicle of Viá¹£á¹‡u himself, flies down from heaven and his mere presence releases Rāma and Lakṣmaṇa from their magic serpentine bonds as the snakes go gliding off (eagles are the traditional enemies of snakes), while his touch heals their wounds. He pays them homage along with VibhÄ«á¹£aá¹‡a, SugrÄ«va and other monkeys. Rāma wonders who this great being might be, but Garuá¸a assures him he will know once he has achieved success in the fight and Sītā has been restored to him. The monkeys then howl out their triumph at this turn of events and hurl themselves at Laṅkā once more, wielding tree trunks.

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Various demons try to prevent Hanumān from taking the mountain peak back to the Himalayas, but he beats them off and some fall to earth. Rāma and his allies look on, and likewise does Rāvaṇa, who appears at the jharokhā balcony, the sill spread with a rich cloth, while his courtiers below raise their hands to salute him in the Mughal manner.

Various demons try to prevent Hanumān from taking the mountain peak back to the Himalayas, but he beats them off and some fall to earth. Rāma and his allies look on, and likewise does Rāvaṇa, who appears at the jharokhā balcony, the sill spread with a rich cloth, while his courtiers below raise their hands to salute him in the Mughal manner.

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Hanumān reaches the Himalaya mountains to find that the gandharvas try to prevent him from gathering the herbs. He charges through them, breaking a few heads on the way, and breaks off the mountain top again, as he does not know which herbs are required. Deer and rhinoceros flee in terror.

Hanumān reaches the Himalaya mountains to find that the gandharvas try to prevent him from gathering the herbs. He charges through them, breaking a few heads on the way, and breaks off the mountain top again, as he does not know which herbs are required. Deer and rhinoceros flee in terror.

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Lakṣmaṇa and VibhÄ«á¹£aá¹‡a then attack Rāvaṇa. Lakṣmaṇa cuts off the head of his charioteer with his arrow, while VibhÄ«á¹£aá¹‡a, with his club, kills Rāvaṇa's horses. Rāvaṇa looses a great spear at VibhÄ«á¹£aá¹‡a, which Lakṣmaṇa destroys, but he in turn falls victim to another of Rāvaṇa's spears, which pierces his chest and goes into the earth. Monkeys unsuccessfully try to pull it out, which Rāma does, offstage here. Rāma swears a solemn oath that this day Rāvaṇa will perish, and his hail of fearsome arrows then drives the terrified Rāvaṇa off the field. Rāma returns to the stricken Lakṣmaṇa and, after lamenting over the fallen hero, he and Suá¹£eá¹‡a discuss his condition. They decide to send Hanumān to the Himalayas once more. Divine beings rain flowers on the heroes.

Lakṣmaṇa and VibhÄ«á¹£aá¹‡a then attack Rāvaṇa. Lakṣmaṇa cuts off the head of his charioteer with his arrow, while VibhÄ«á¹£aá¹‡a, with his club, kills Rāvaṇa's horses. Rāvaṇa looses a great spear at VibhÄ«á¹£aá¹‡a, which Lakṣmaṇa destroys, but he in turn falls victim to another of Rāvaṇa's spears, which pierces his chest and goes into the earth. Monkeys unsuccessfully try to pull it out, which Rāma does, offstage here. Rāma swears a solemn oath that this day Rāvaṇa will perish, and his hail of fearsome arrows then drives the terrified Rāvaṇa off the field. Rāma returns to the stricken Lakṣmaṇa and, after lamenting over the fallen hero, he and Suá¹£eá¹‡a discuss his condition. They decide to send Hanumān to the Himalayas once more. Divine beings rain flowers on the heroes.

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Hanumān lands with his mountain peak just outside the walls of Laṅkā and various monkeys start to explore it. VibhÄ«á¹£aá¹‡a seems to be making a herbal poultice, while Suá¹£eá¹‡a holds a magical healing herb under Lakṣmaṇa's nose, which cures him miraculously. Lakṣmaṇa arises and he and Rāma embrace. Rāma tells him that neither Sītā, nor victory, nor life itself would hold any meaning for him without his brother, but Lakṣmaṇa reproves him: it is his duty to slay Rāvaṇa that very day and recover his wife. Demons run to tell Rāvaṇa in his palace of Hanumān 's arrival.

Hanumān lands with his mountain peak just outside the walls of Laṅkā and various monkeys start to explore it. VibhÄ«á¹£aá¹‡a seems to be making a herbal poultice, while Suá¹£eá¹‡a holds a magical healing herb under Lakṣmaṇa's nose, which cures him miraculously. Lakṣmaṇa arises and he and Rāma embrace. Rāma tells him that neither Sītā, nor victory, nor life itself would hold any meaning for him without his brother, but Lakṣmaṇa reproves him: it is his duty to slay Rāvaṇa that very day and recover his wife. Demons run to tell Rāvaṇa in his palace of Hanumān 's arrival.

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Mahabharata

Mahabharata

XLF3791468

Mahabharata

Mahabharata

XLF3791471

Mahabharata

Mahabharata

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Students of sanskrit school taking their daily yoga lesson at sunrise, on a ghat of Varanasi, Varanasi, Inde

Students of sanskrit school taking their daily yoga lesson at sunrise, on a ghat of Varanasi, Varanasi, Inde

GNG5253633

Add 15296 (1) f.14r, On the right, Dasaratha again tells Rama he will make him king, with Vasistha, Laksmana, another Brahmin and ministers in attendance. Rama and Laksmana then leave the king to call on Kausalya on the left, who, dressed in white, is worshipping a small, gold image of Visnu, with Sumitra beside her. As a portent of impending disaster, their meeting is spied on by Kaikeyi's maid Manthara from a window in the high wall. Below, Rama and Laksmana then depart to their palace in a chariot to prepare for the ceremony amidst general rejoicing, and to the accompaniment of the drums and trumpets that announce royal arrivals and departures.

Add 15296 (1) f.14r, On the right, Dasaratha again tells Rama he will make him king, with Vasistha, Laksmana, another Brahmin and ministers in attendance. Rama and Laksmana then leave the king to call on Kausalya on the left, who, dressed in white, is worshipping a small, gold image of Visnu, with Sumitra beside her. As a portent of impending disaster, their meeting is spied on by Kaikeyi's maid Manthara from a window in the high wall. Below, Rama and Laksmana then depart to their palace in a chariot to prepare for the ceremony amidst general rejoicing, and to the accompaniment of the drums and trumpets that announce royal arrivals and departures.

Indian School, (17th century)

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