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Artwork from ' Thomas Nast (1840-1902)' found, 101

 
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Entrance of the Fifty-Fifth Massachusetts Regiment, 1865 ( oil, graphite, paper)

Nast, Thomas (1840-1902)

BST7391549

Entrance of the Fifty-Fifth Massachusetts Regiment, 1865 ( oil, graphite, paper)

Nast, Thomas (1840-1902)

BST7391549

 
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In 1874, Thomas Nast created this racist caricature of African American politicians emotionally debating in a southern legislature during the Reconstruction Era. Ten years earlier, his depictions of blacks were more empathetic, dignified, and heroic. This may reflect the war weariness and disillusionment cause by 15 years of civil conflict (wood engraving)

Nast, Thomas (1840-1902)

EVB7067999

In 1874, Thomas Nast created this racist caricature of African American politicians emotionally debating in a southern legislature during the Reconstruction Era. Ten years earlier, his depictions of blacks were more empathetic, dignified, and heroic. This may reflect the war weariness and disillusionment cause by 15 years of civil conflict (wood engraving)

Nast, Thomas (1840-1902)

EVB7067999

 
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1873 political cartoon by Thomas Nast about the Credit Mobilier's overbilling for the construction of the Union Pacific Railroad. Justice points in accusation to several government men who took bribes, including Vice President Schuyler Colfax, future president James Garfield, and Grant's second Vice President, Henry Wilson (wood engraving)

Nast, Thomas (1840-1902)

EVB7067386

1873 political cartoon by Thomas Nast about the Credit Mobilier's overbilling for the construction of the Union Pacific Railroad. Justice points in accusation to several government men who took bribes, including Vice President Schuyler Colfax, future president James Garfield, and Grant's second Vice President, Henry Wilson (wood engraving)

Nast, Thomas (1840-1902)

EVB7067386

 
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A group of vultures waiting for the storm to 'Blow Over' - -'Let Us Prey.' The political cartoon by Thomas Nast was published in Harper's Magazine, on Sept. 23, 1871. William 'Boss' Tweed and members of his ring, Peter B. Sweeny, Richard B. Connolly, and A. Oakey Hall, weather a violent storm on a ledge amidst the picked-over remains of New York City. But it did not blow over. In Nov. 1873, Tweed received a sentence of twelve years in prison and a $12,750 fine

Nast, Thomas (1840-1902)

EVB7068434

A group of vultures waiting for the storm to 'Blow Over' - -'Let Us Prey.' The political cartoon by Thomas Nast was published in Harper's Magazine, on Sept. 23, 1871. William 'Boss' Tweed and members of his ring, Peter B. Sweeny, Richard B. Connolly, and A. Oakey Hall, weather a violent storm on a ledge amidst the picked-over remains of New York City. But it did not blow over. In Nov. 1873, Tweed received a sentence of twelve years in prison and a $12,750 fine

Nast, Thomas (1840-1902)

EVB7068434

 
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US Civil War. 2nd Battle of Fort Wagner, July 18, 1863. African American troops of the 54th Massachusetts, charge toward the Confederate defenders at great disadvantage. The Confederates held the fort with few casualties, compared to high losses among Union soldiers. Print by Thomas Nast

Nast, Thomas (1840-1902)

EVB7066938

US Civil War. 2nd Battle of Fort Wagner, July 18, 1863. African American troops of the 54th Massachusetts, charge toward the Confederate defenders at great disadvantage. The Confederates held the fort with few casualties, compared to high losses among Union soldiers. Print by Thomas Nast

Nast, Thomas (1840-1902)

EVB7066938

 
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Oscar Wilde as Narcissus (with an inscription) (engraving)

Nast, Thomas (1840-1902)

BL3294383

Oscar Wilde as Narcissus (with an inscription) (engraving)

Nast, Thomas (1840-1902)

BL3294383

 
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Thomas Nast illustration from 'Harper's Weekly', Aug. 1865. Columbia ponders why she should pardon Confederate troops who are begging for forgiveness when an African American Union soldier with an amputated leg does not have the right to vote (wood engraving)

Nast, Thomas (1840-1902)

EVB7067994

Thomas Nast illustration from 'Harper's Weekly', Aug. 1865. Columbia ponders why she should pardon Confederate troops who are begging for forgiveness when an African American Union soldier with an amputated leg does not have the right to vote (wood engraving)

Nast, Thomas (1840-1902)

EVB7067994

 
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HOLD THE FORT, the Spirit of the War Revived, The War Was Not, and Shall Not Be a Failure', by Thomas Nast, in Harper's Weekly, Oct. 7, 1876 . This is a dark view of the critical presidential election of 1876 and the Compromise of 1877. A decade of post US Civil War 'Reconstruction' with justice for emancipated African American had failed. Washington is a fortified citadel, below which are soldiers' graves (wood engraving)

Nast, Thomas (1840-1902)

EVB7068045

HOLD THE FORT, the Spirit of the War Revived, The War Was Not, and Shall Not Be a Failure', by Thomas Nast, in Harper's Weekly, Oct. 7, 1876 . This is a dark view of the critical presidential election of 1876 and the Compromise of 1877. A decade of post US Civil War 'Reconstruction' with justice for emancipated African American had failed. Washington is a fortified citadel, below which are soldiers' graves (wood engraving)

Nast, Thomas (1840-1902)

EVB7068045

 
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The Queen of Industry, or The New South, by Thomas Nast, 1882. Cover illustration of Harper's Weekly, shows Columbia, a goddess-like personification of the United States, working at a spinning machine. At left above Columbia, a man labeled 'King Cotton' leans against a bale of cotton while stomping on the back of a slave in 1861. In a distant scene, slaves work under the rule of an overseer. At upper right, is a positive image of textile mills spewing smoke, as free African Americans pick cotton

Nast, Thomas (1840-1902)

EVB7068457

The Queen of Industry, or The New South, by Thomas Nast, 1882. Cover illustration of Harper's Weekly, shows Columbia, a goddess-like personification of the United States, working at a spinning machine. At left above Columbia, a man labeled 'King Cotton' leans against a bale of cotton while stomping on the back of a slave in 1861. In a distant scene, slaves work under the rule of an overseer. At upper right, is a positive image of textile mills spewing smoke, as free African Americans pick cotton

Nast, Thomas (1840-1902)

EVB7068457

 
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We Accept the Situation, 1867 (wood engraving)

Nast, Thomas (1840-1902)

ATH475122

We Accept the Situation, 1867 (wood engraving)

Nast, Thomas (1840-1902)

ATH475122

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