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Rue du Val de Grace with in perspective the Royal Church of Notre Dame du...
Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
Personal website or social media
Web display, social media, apps or blogs. 5 years.
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$50.00
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5 years
Rue du Val de Grace with in perspective the Royal Church of Notre Dame du Val de Grace (1624-1669) in Paris. The church is the fruit of the wish of Queen Anne of Austria to raise a beautiful temple to God if he sent her a son. After twenty-three years of marriage, in 1638, the future Louis XIV was born, who laid the first stone on 1 April 1645 and the construction ended at the end of the 1660s with sculptural and pictorial decoration. The works were first entrusted to Mansart, to which Le Mercier was succeeded, having worked notably at the Hotel de St Aignan and the Bibliotheque of Mazarin, and then Le Muet, who attended Le Duc. In 1649, the disturbances of the Fronde led to a long interruption of work, which did not resume until 1655.
Rue du Val de Grace with in perspective the Royal Church of Notre Dame du Val de Grace (1624-1669) in Paris. The church is the fruit of the wish of Queen Anne of Austria to raise a beautiful temple to God if he sent her a son. After twenty-three years of marriage, in 1638, the future Louis XIV was born, who laid the first stone on 1 April 1645 and the construction ended at the end of the 1660s with sculptural and pictorial decoration. The works were first entrusted to Mansart, to which Le Mercier was succeeded, having worked notably at the Hotel de St Aignan and the Bibliotheque of Mazarin, and then Le Muet, who attended Le Duc. In 1649, the disturbances of the Fronde led to a long interruption of work, which did not resume until 1655.