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The Seasons, c.1987 (intaglio print made with four copper plates on Arches en tout cas paper)

Johns, Jasper (b.1930)

COU8608585

The Seasons, c.1987 (intaglio print made with four copper plates on Arches en tout cas paper)

Johns, Jasper (b.1930)

COU8608585

 
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Midday, c.1927 (oil on canvas)

Coxon, Raymond (1896-1997)

COU5891957

Midday, c.1927 (oil on canvas)

Coxon, Raymond (1896-1997)

COU5891957

 
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Playing Marbles, c.1928 (oil on panel)

Coxon, Raymond (1896-1997)

COU5891958

Playing Marbles, c.1928 (oil on panel)

Coxon, Raymond (1896-1997)

COU5891958

 
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Ponies on the shore, Camargues, 1929 (oil on canvas)

Gallibert, Genevieve (1888-1978)

COU5891994

Ponies on the shore, Camargues, 1929 (oil on canvas)

Gallibert, Genevieve (1888-1978)

COU5891994

 
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Saint Paul, Cote d'Azur, 1921 (oil on canvas)

Marchand, Jean (1883-1940)

COU5891997

Saint Paul, Cote d'Azur, 1921 (oil on canvas)

Marchand, Jean (1883-1940)

COU5891997

 
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Cafe on the Boulevard - Cafe' du Soleil, Martigues, 1928 (oil on canvas)

Nelson, Geoffrey C. (fl.1927)

COU5891998

Cafe on the Boulevard - Cafe' du Soleil, Martigues, 1928 (oil on canvas)

Nelson, Geoffrey C. (fl.1927)

COU5891998

 
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Dewpond, Surrey, c.1929 (oil on canvas)

Coxon, Raymond (1896-1997)

COU5892030

Dewpond, Surrey, c.1929 (oil on canvas)

Coxon, Raymond (1896-1997)

COU5892030

 
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Portrait of a Lady, 1536 (oil on panel)

Master A.W., (16th century)

COU5892085

Portrait of a Lady, 1536 (oil on panel)

Master A.W., (16th century)

COU5892085

 
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Still Life with Pears, 1927 (oil, sand on canvas)

Tchelitchew, Pavel (1898-1957)

COU5892129

Still Life with Pears, 1927 (oil, sand on canvas)

Tchelitchew, Pavel (1898-1957)

COU5892129

 
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Christ as Man of Sorrows flanked by Saint Mary Magdalene and Saint John the Evangelist (centre panel), 1420-29 (tempera on panel)

Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

COU5892163

Christ as Man of Sorrows flanked by Saint Mary Magdalene and Saint John the Evangelist (centre panel), 1420-29 (tempera on panel)

Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

COU5892163

 
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Adoration of the Magi, c.1500-10 (tempera(?) on panel)

Mencherini, Michelangelo di Pietro (fl.1489-1521)

COU5892197

Adoration of the Magi, c.1500-10 (tempera(?) on panel)

Mencherini, Michelangelo di Pietro (fl.1489-1521)

COU5892197

 
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Portrait of the Viscount Lee of Fareham, 1921 (oil on canvas)

Laszlo, Philip Alexius de (1869-1937)

COU5892230

Portrait of the Viscount Lee of Fareham, 1921 (oil on canvas)

Laszlo, Philip Alexius de (1869-1937)

COU5892230

 
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Virgin and Child Enthroned, c.1500-20 (tempera on panel)

Italian School, (16th century)

COU5892234

Virgin and Child Enthroned, c.1500-20 (tempera on panel)

Italian School, (16th century)

COU5892234

 
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Ecce Homo (after Alessandro Varotari), 1650-56 (oil on panel)

Teniers, David the Younger (1610-90)

COU5892298

Ecce Homo (after Alessandro Varotari), 1650-56 (oil on panel)

Teniers, David the Younger (1610-90)

COU5892298

 
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Vase of Flowers, c.1955 (oil on canvas)

Bussy, Jane Simone (1906-60)

COU5892323

Vase of Flowers, c.1955 (oil on canvas)

Bussy, Jane Simone (1906-60)

COU5892323

 
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Female Nude, c.1955 (acrylic on panel)

Dinetto, Lino (b. 1927)

COU5892337

Female Nude, c.1955 (acrylic on panel)

Dinetto, Lino (b. 1927)

COU5892337

 
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Portrait of Professor Anthony Blunt reading, 1947 (oil on canvas)

Foldes, Peter (1924-77)

COU5892355

Portrait of Professor Anthony Blunt reading, 1947 (oil on canvas)

Foldes, Peter (1924-77)

COU5892355

 
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Vent de Degel (The Wind of the Thaw), c.1952 (oil on canvas)

Masson, André (1896-1987)

COU5892356

Vent de Degel (The Wind of the Thaw), c.1952 (oil on canvas)

Masson, André (1896-1987)

COU5892356

 
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La Toilette, 1860 (red chalk on laid paper)

Manet, Edouard (1832-83)

COU5934399

La Toilette, 1860 (red chalk on laid paper)

Manet, Edouard (1832-83)

COU5934399

 
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Woman adjusting her hair, c.1884 (charcoal, chalk & pastel on two sheets of buff-coloured laid paper)

Degas, Edgar (1834-1917)

COU5934400

Woman adjusting her hair, c.1884 (charcoal, chalk & pastel on two sheets of buff-coloured laid paper)

Degas, Edgar (1834-1917)

COU5934400

 
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View of Appledore, North Devon, from Instow Sands (formerly 'Exmouth'), c.1798 (brown ink & w/c with touches of bodycolour over pencil on coarse laid wrapping paper)

Girtin, Thomas (1775-1802)

COU5934407

View of Appledore, North Devon, from Instow Sands (formerly 'Exmouth'), c.1798 (brown ink & w/c with touches of bodycolour over pencil on coarse laid wrapping paper)

Girtin, Thomas (1775-1802)

COU5934407

 
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Saint Francis embracing the Crucified Christ (recto), c.1668-69 circa (black chalk on paper)

Murillo, Bartolome Esteban (1618-82)

COU5934422

Saint Francis embracing the Crucified Christ (recto), c.1668-69 circa (black chalk on paper)

Murillo, Bartolome Esteban (1618-82)

COU5934422

 
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Sketch for the Nativity (verso), 1668-69 circa (black chalk on paper)

Murillo, Bartolome Esteban (1618-82)

COU5934423

Sketch for the Nativity (verso), 1668-69 circa (black chalk on paper)

Murillo, Bartolome Esteban (1618-82)

COU5934423

 
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View of Tivoli, 1700-10 (pen and bron ink and grey w/c and blue-grey bodycolour and pencil; support material cream paper)

Wittel, Gaspar van (Gaspare Vanvitelli) (1653-1736)

COU5934424

View of Tivoli, 1700-10 (pen and bron ink and grey w/c and blue-grey bodycolour and pencil; support material cream paper)

Wittel, Gaspar van (Gaspare Vanvitelli) (1653-1736)

COU5934424

 
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Sketches of a man standing at a river's edge and a profile head (verso), 1556 (pen and brown ink, grey wash & (later?) traces of red chalk on paper)

Juan de Juanes (fl.1510-79)

COU5934426

Sketches of a man standing at a river's edge and a profile head (verso), 1556 (pen and brown ink, grey wash & (later?) traces of red chalk on paper)

Juan de Juanes (fl.1510-79)

COU5934426

 
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The Gardener, c.1825 (pencil, pen and ink (brown) & w/c on laid paper with scratching out)

Hunt, William Henry (1790-1864)

COU5934428

The Gardener, c.1825 (pencil, pen and ink (brown) & w/c on laid paper with scratching out)

Hunt, William Henry (1790-1864)

COU5934428

 
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Mont Blanc, from above Courmayeur, c.1810 (pencil, w/c applied in washes and with the point of the brush & bodycolour, with scraping on white wove drawing cartridge paper)

Turner, Joseph Mallord William (1775-1851)

COU5934433

Mont Blanc, from above Courmayeur, c.1810 (pencil, w/c applied in washes and with the point of the brush & bodycolour, with scraping on white wove drawing cartridge paper)

Turner, Joseph Mallord William (1775-1851)

COU5934433

 
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Man holding a shaft of the cross (verso), 1601-2 (pen and brown ink & wash on light brown paper)

Rubens, Peter Paul (1577-1640)

COU5934455

Man holding a shaft of the cross (verso), 1601-2 (pen and brown ink & wash on light brown paper)

Rubens, Peter Paul (1577-1640)

COU5934455

 
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Conversion of Saint Paul (verso), 1611-12 (pen and brown ink and wash & white bodycolour on paper)

Rubens, Peter Paul (1577-1640)

COU5934457

Conversion of Saint Paul (verso), 1611-12 (pen and brown ink and wash & white bodycolour on paper)

Rubens, Peter Paul (1577-1640)

COU5934457

 
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The Three Graces (recto), 1635-40 (red & white chalk on pale brown paper)

Rubens, Peter Paul (1577-1640)

COU5934464

The Three Graces (recto), 1635-40 (red & white chalk on pale brown paper)

Rubens, Peter Paul (1577-1640)

COU5934464

 
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Town on the banks of a river (verso), (pen and ink on paper)

Bartolomeo, Fra (Baccio della Porta) (1472-1517)

COU5934473

Town on the banks of a river (verso), (pen and ink on paper)

Bartolomeo, Fra (Baccio della Porta) (1472-1517)

COU5934473

 
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Seated youth (recto), c.1520 (black chalk on laid paper)

Pontormo, Jacopo (1494-1557)

COU5934476

Seated youth (recto), c.1520 (black chalk on laid paper)

Pontormo, Jacopo (1494-1557)

COU5934476

 
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View from Somerset Gardens looking towards London Bridge, c.1746-55 (pen, brown ink & grey wash on laid paper)

Canaletto, (Giovanni Antonio Canal) (1697-1768)

COU5934482

View from Somerset Gardens looking towards London Bridge, c.1746-55 (pen, brown ink & grey wash on laid paper)

Canaletto, (Giovanni Antonio Canal) (1697-1768)

COU5934482

 
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Satyr pouring wine, 1717 (black, red & white chalk on laid paper)

Watteau, Jean Antoine (1684-1721)

COU5934493

Satyr pouring wine, 1717 (black, red & white chalk on laid paper)

Watteau, Jean Antoine (1684-1721)

COU5934493

 
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Armchair, c.1885-90 circa (pencil, w/c and gouache on paper)

Cezanne, Paul (1839-1906)

COU5934497

Armchair, c.1885-90 circa (pencil, w/c and gouache on paper)

Cezanne, Paul (1839-1906)

COU5934497

 
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Christ crucified (verso), 17th century (black chalk, pen and brown and dark brown, carbon-based ink, brown wash on laid paper, with brown ink framing lines)

Cano, Alonso (1601-67) (attr. to)

COU5948313

Christ crucified (verso), 17th century (black chalk, pen and brown and dark brown, carbon-based ink, brown wash on laid paper, with brown ink framing lines)

Cano, Alonso (1601-67) (attr. to)

COU5948313

 
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Saint Nicholas of Tolentino, 1650-99 (black chalk, pen and brown ink, brown wash on laid paper, laid down, with brown ink framing lines, the lower right corner made up)

Spanish School, (17th century)

COU5948315

Saint Nicholas of Tolentino, 1650-99 (black chalk, pen and brown ink, brown wash on laid paper, laid down, with brown ink framing lines, the lower right corner made up)

Spanish School, (17th century)

COU5948315

 
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Three studies of a male leg (verso) c.1537 (pen and brown ink on laid paper) [see 5948317]

Berruguete, Alonso (1488-1561) (workshop of)

COU5948316

Three studies of a male leg (verso) c.1537 (pen and brown ink on laid paper) [see 5948317]

Berruguete, Alonso (1488-1561) (workshop of)

COU5948316

 
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Nude male figure (after Michelangelo's Last Judgment), 16th century (pen & brown ink on laid paper)

Cespedes, Pablo de (1538-1608) (attr.to)

COU5948318

Nude male figure (after Michelangelo's Last Judgment), 16th century (pen & brown ink on laid paper)

Cespedes, Pablo de (1538-1608) (attr.to)

COU5948318

 
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Saint Stephen, 17th century (pen & brown ink on laid paper)

Valencia, Felipe Gómez de (c.1634-1679/94) (workshop of)

COU5948321

Saint Stephen, 17th century (pen & brown ink on laid paper)

Valencia, Felipe Gómez de (c.1634-1679/94) (workshop of)

COU5948321

 
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Saint Mary Magdalene (recto), 17th century (pen & brown ink, brown wash cut out along the outlines of the figure and laid down)

Cano, Alonso (1601-67) (circle of)

COU5948326

Saint Mary Magdalene (recto), 17th century (pen & brown ink, brown wash cut out along the outlines of the figure and laid down)

Cano, Alonso (1601-67) (circle of)

COU5948326

 
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Apotheosis of Saint Augustine (recto), 1675-99 (red chalk, pen & brown ink, brown wash and white bodycolour on laid paper) [see 5948335]

Portuguese School, (17th century)

COU5948336

Apotheosis of Saint Augustine (recto), 1675-99 (red chalk, pen & brown ink, brown wash and white bodycolour on laid paper) [see 5948335]

Portuguese School, (17th century)

COU5948336

 
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Literacy unlocking the door to learning, 1575-1600 (traces of graphite, pen & brown ink, and brown wash on laid paper, hinged at left edge to a historic support)

Spanish School, (17th century)

COU5948341

Literacy unlocking the door to learning, 1575-1600 (traces of graphite, pen & brown ink, and brown wash on laid paper, hinged at left edge to a historic support)

Spanish School, (17th century)

COU5948341

 
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Head of a woman gazing up (recto), 18th century (black chalk on laid paper) [see 5948343]

Tovar, Alonso Miguel de (1678-1758)

COU5948344

Head of a woman gazing up (recto), 18th century (black chalk on laid paper) [see 5948343]

Tovar, Alonso Miguel de (1678-1758)

COU5948344

 
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Design for a sarcophagus with cherubs flanking an empty cartouche, 1650-99 (graphite, pen & brown ink and brown wash on laid paper)

Spanish School, (17th century)

COU5948346

Design for a sarcophagus with cherubs flanking an empty cartouche, 1650-99 (graphite, pen & brown ink and brown wash on laid paper)

Spanish School, (17th century)

COU5948346

 
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Fragment of a landscape (verso), 17th centuy (pen & brown ink, and brown wash on laid paper, trimmed unevenly so is longer at top edge to accommodate angel wings) [see 5948349]

Herrera, Francisco the Younger (1622-85)

COU5948348

Fragment of a landscape (verso), 17th centuy (pen & brown ink, and brown wash on laid paper, trimmed unevenly so is longer at top edge to accommodate angel wings) [see 5948349]

Herrera, Francisco the Younger (1622-85)

COU5948348

 
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Fragment of a landscape (verso), 17th centuy (pen & brown ink, and brown wash on laid paper) [see 5948351]

Herrera, Francisco the Younger (1622-85)

COU5948350

Fragment of a landscape (verso), 17th centuy (pen & brown ink, and brown wash on laid paper) [see 5948351]

Herrera, Francisco the Younger (1622-85)

COU5948350

 
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Christ crucified, fragment (verso), 17th century (black chalk on laid paper)

Cano, Alonso (1601-67) (follower of)

COU5948352

Christ crucified, fragment (verso), 17th century (black chalk on laid paper)

Cano, Alonso (1601-67) (follower of)

COU5948352

 
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God the Father blessing, 1675-99 (graphite, pen & brown ink, brown wash on laid paper, squared in red chalk over graphite, framed in graphite)

Spanish School, (17th century)

COU5948355

God the Father blessing, 1675-99 (graphite, pen & brown ink, brown wash on laid paper, squared in red chalk over graphite, framed in graphite)

Spanish School, (17th century)

COU5948355

 
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Julius Caesar, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

COU5948358

Julius Caesar, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

COU5948358

 
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Duke of Lorraine, 17th century (black chalk, pen and brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

COU5948361

Duke of Lorraine, 17th century (black chalk, pen and brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

COU5948361

 
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Mounted warrior, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

COU5948369

Mounted warrior, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

COU5948369

 
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Joshua, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

COU5948370

Joshua, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

COU5948370

 
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Colliers on the beach at Brighton, 14 October 1825 (graphite on wove paper, discoloured brown patches from former adhesive backing)

Constable, John (1776-1837)

COU5948387

Colliers on the beach at Brighton, 14 October 1825 (graphite on wove paper, discoloured brown patches from former adhesive backing)

Constable, John (1776-1837)

COU5948387

 
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Lioness prowling (recto), 18th or 19th century (red and black chalk on laid paper) [see 5948391]

Stubbs, George (1724-1806)

COU5948392

Lioness prowling (recto), 18th or 19th century (red and black chalk on laid paper) [see 5948391]

Stubbs, George (1724-1806)

COU5948392

 
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A battle scene. 17th - 18th century, (black chalk, pen and brown ink, grey wash)

Foggini, Giovanni Battista (1652-1725)

COU5948400

A battle scene. 17th - 18th century, (black chalk, pen and brown ink, grey wash)

Foggini, Giovanni Battista (1652-1725)

COU5948400

 
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Landscape with view of a town, 16th century (traces of graphite, pen & brown ink on buff laid paper)

Cleve, Hendrick van (c.1525-89)

COU5948402

Landscape with view of a town, 16th century (traces of graphite, pen & brown ink on buff laid paper)

Cleve, Hendrick van (c.1525-89)

COU5948402

 
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Mercy, 17th century (red chalk on laid paper)

Thornhill, James (1675-1734)

COU5948413

Mercy, 17th century (red chalk on laid paper)

Thornhill, James (1675-1734)

COU5948413

 
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Three friezes of grotesque ornament (verso), 16th century (red chalk on laid paper) [see 5948418]

Caravaggio, Polidoro da (1490/1500-1543)

COU5948417

Three friezes of grotesque ornament (verso), 16th century (red chalk on laid paper) [see 5948418]

Caravaggio, Polidoro da (1490/1500-1543)

COU5948417

 
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Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper)

Whistler, James Abbott McNeill (1834-1903)

COU5948420

Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper)

Whistler, James Abbott McNeill (1834-1903)

COU5948420

 
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Glorification of the Porto Family, c.1755-60 (pen, brown ink and wash, black chalk)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

COU65852

Glorification of the Porto Family, c.1755-60 (pen, brown ink and wash, black chalk)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

COU65852

 
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A Satyr pouring Wine, c.1716 (chalk on paper)

Watteau, Jean Antoine (1684-1721)

COU65859

A Satyr pouring Wine, c.1716 (chalk on paper)

Watteau, Jean Antoine (1684-1721)

COU65859

 
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Christ and the Woman of Samaria, 1586-89 (pen and ink, wash, bodycolour on blue laid paper)

Cincinnato, Romulo (c.1502-93)

COU9012167

Christ and the Woman of Samaria, 1586-89 (pen and ink, wash, bodycolour on blue laid paper)

Cincinnato, Romulo (c.1502-93)

COU9012167

 
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Carpentras, Provence, 1930 (oil on cardboard on aluminium)

Fry, Roger Eliot (1866-1934)

COU5892019

Carpentras, Provence, 1930 (oil on cardboard on aluminium)

Fry, Roger Eliot (1866-1934)

COU5892019

 
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Palermo, 1934 (oil on millboard)

Fry, Roger Eliot (1866-1934)

COU5892020

Palermo, 1934 (oil on millboard)

Fry, Roger Eliot (1866-1934)

COU5892020

 
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Turquoise vase, c.1914 (stoneware with turquoise glaze)

Fry, Roger Eliot (1866-1934)

COU5948446

Turquoise vase, c.1914 (stoneware with turquoise glaze)

Fry, Roger Eliot (1866-1934)

COU5948446

 
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White tin-glazed side plate, 1914-15 (tin-glazed earthenware)

Fry, Roger Eliot (1866-1934)

COU5948448

White tin-glazed side plate, 1914-15 (tin-glazed earthenware)

Fry, Roger Eliot (1866-1934)

COU5948448

 
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Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 11), 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356576

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 11), 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356576

 
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Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 16), 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356581

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 16), 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356581

 
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Avant et après - drawing "Les saintes images", 1903 (graphite, pen and black ink, black wash on wove paper)

Gauguin, Paul (1848-1903)

COU6356582

Avant et après - drawing "Les saintes images", 1903 (graphite, pen and black ink, black wash on wove paper)

Gauguin, Paul (1848-1903)

COU6356582

 
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Avant et après - drawing "Les ailes sont lourdes. Le tout est primitif", 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356585

Avant et après - drawing "Les ailes sont lourdes. Le tout est primitif", 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356585

 
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Avant et après - text and drawings of 'le petit mignon' and his dogs in Cythera and two heads (a self-portrait?) in a café, 1903 (pen and black ink on wove paper; the upper drawing also has graphite underdrawing)

Gauguin, Paul (1848-1903)

COU6356586

Avant et après - text and drawings of 'le petit mignon' and his dogs in Cythera and two heads (a self-portrait?) in a café, 1903 (pen and black ink on wove paper; the upper drawing also has graphite underdrawing)

Gauguin, Paul (1848-1903)

COU6356586

 
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Avant et après - drawing "Non dépourvues de sentiment", 1903 (traces of graphite, black wash, pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356588

Avant et après - drawing "Non dépourvues de sentiment", 1903 (traces of graphite, black wash, pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356588

 
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Avant et après - L'Appel, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down on album page; unable to lift to see verso)

Gauguin, Paul (1848-1903)

COU6356592

Avant et après - L'Appel, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down on album page; unable to lift to see verso)

Gauguin, Paul (1848-1903)

COU6356592

 
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Avant et après - Te tamari ('The child'), 1903 (traced monotype printed in black ink (recto), only a few lines from recto traced in graphite and pen and black ink (verso) on wove paper, laid down on album page with the right side free, the left edge is now unevenly folded over)

Gauguin, Paul (1848-1903)

COU6356594

Avant et après - Te tamari ('The child'), 1903 (traced monotype printed in black ink (recto), only a few lines from recto traced in graphite and pen and black ink (verso) on wove paper, laid down on album page with the right side free, the left edge is now unevenly folded over)

Gauguin, Paul (1848-1903)

COU6356594

 
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Avant et après - Study of legs, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on verso)

Gauguin, Paul (1848-1903)

COU6356606

Avant et après - Study of legs, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on verso)

Gauguin, Paul (1848-1903)

COU6356606

 
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Avant et après - Woman and child, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down on album page; prominent brown stains caused by adhesive on the verso at all four corners and centre of edges; unable to lift to see verso)

Gauguin, Paul (1848-1903)

COU6356609

Avant et après - Woman and child, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down on album page; prominent brown stains caused by adhesive on the verso at all four corners and centre of edges; unable to lift to see verso)

Gauguin, Paul (1848-1903)

COU6356609

 
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Back cover of Avant et après - Dürer's 'Knight, Death and Devil', 1513 (engraving on paper laid down on back cover)

Dürer or Duerer, Albrecht (1471-1528)

COU6356610

Back cover of Avant et après - Dürer's 'Knight, Death and Devil', 1513 (engraving on paper laid down on back cover)

Dürer or Duerer, Albrecht (1471-1528)

COU6356610

 
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Avant et après - Last page of main text, 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356611

Avant et après - Last page of main text, 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356611

 
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Avant et après - drawing of a nude native woman seated, in profile, her knees drawn up, 1903 (graphite, pen and black ink, black wash on laid paper, laid down on album page)

Gauguin, Paul (1848-1903)

COU6356616

Avant et après - drawing of a nude native woman seated, in profile, her knees drawn up, 1903 (graphite, pen and black ink, black wash on laid paper, laid down on album page)

Gauguin, Paul (1848-1903)

COU6356616

 
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Incense burner with images of the planets within roundels, 1280-90 (pierced, engraved brass & silver inlay)

Mamluk Sultanate school (13th century)

COU5973487

Incense burner with images of the planets within roundels, 1280-90 (pierced, engraved brass & silver inlay)

Mamluk Sultanate school (13th century)

COU5973487

 
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Brass bowl with floral motif, 1475-1525 (engraved brass, formerly inlaid with silver)

Mamluk Sultanate school, (15th-16th century)

COU5973495

Brass bowl with floral motif, 1475-1525 (engraved brass, formerly inlaid with silver)

Mamluk Sultanate school, (15th-16th century)

COU5973495

 
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Bowl-shaped box with cover, 1575-99 (engraved brass & silver inlay)

Kurdi, Mahmud al (fl.1400-1600)

COU5973498

Bowl-shaped box with cover, 1575-99 (engraved brass & silver inlay)

Kurdi, Mahmud al (fl.1400-1600)

COU5973498

 
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Chest and spalliera with the arms of Lorenzo Morelli and Vaggia Nerli (The Morelli Chest), 1472 (tempera on poplar with gilding)

d'Antonio, Biagio (c.1446-1516)

COU6085987

Chest and spalliera with the arms of Lorenzo Morelli and Vaggia Nerli (The Morelli Chest), 1472 (tempera on poplar with gilding)

d'Antonio, Biagio (c.1446-1516)

COU6085987

 
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Chest and spalliera with the arms of Lorenzo Morelli and Vaggia Nerli (The Morelli Chest), 1472 (tempera on poplar with gilding)

d'Antonio, Biagio (c.1446-1516)

COU6085992

Chest and spalliera with the arms of Lorenzo Morelli and Vaggia Nerli (The Morelli Chest), 1472 (tempera on poplar with gilding)

d'Antonio, Biagio (c.1446-1516)

COU6085992

 
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Chest and spalliera with the arms of Lorenzo Morelli and Vaggia Nerli (The Morelli Chest), 1472 (tempera on poplar with gilding)

d'Antonio, Biagio (c.1446-1516)

COU6085994

Chest and spalliera with the arms of Lorenzo Morelli and Vaggia Nerli (The Morelli Chest), 1472 (tempera on poplar with gilding)

d'Antonio, Biagio (c.1446-1516)

COU6085994

 
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Chest and spalliera with the arms of Lorenzo Morelli and Vaggia Nerli (The Morelli Chest), 1472 (tempera on poplar with gilding)

d'Antonio, Biagio (c.1446-1516)

COU6085997

Chest and spalliera with the arms of Lorenzo Morelli and Vaggia Nerli (The Morelli Chest), 1472 (tempera on poplar with gilding)

d'Antonio, Biagio (c.1446-1516)

COU6085997

 
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Chest and spalliera with the arms of Lorenzo Morelli and Vaggia Nerli (The Morelli Chest), 1472 (tempera on poplar with gilding)

d'Antonio, Biagio (c.1446-1516)

COU6086059

Chest and spalliera with the arms of Lorenzo Morelli and Vaggia Nerli (The Morelli Chest), 1472 (tempera on poplar with gilding)

d'Antonio, Biagio (c.1446-1516)

COU6086059

 
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Standing Virgin and Child statuette (front), early 14th century (carved ivory with traces of pigment)

Northern French school, (14th century)

COU5948463

Standing Virgin and Child statuette (front), early 14th century (carved ivory with traces of pigment)

Northern French school, (14th century)

COU5948463

 
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Diptych depicting Saint Louis crowned by Christ and the Crucifixion (front), 14th century (carved ivory with traces of pigment)

French School, (14th century)

COU5948464

Diptych depicting Saint Louis crowned by Christ and the Crucifixion (front), 14th century (carved ivory with traces of pigment)

French School, (14th century)

COU5948464

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