'Henry 8' Bilder und Clips Suchergebnisse

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Bilder zu 'Henry 8' gefunden, 1,947

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A view of a stained glass window; King Henry VIII sat in the centre, surrounded by the new governors of St. Bartholomew's Hospital

A view of a stained glass window; King Henry VIII sat in the centre, surrounded by the new governors of St. Bartholomew's Hospital

BL3305223

A letter recognising Henry VIII. as supreme head of the Church of England; 23 Oct. 1535. Lat . With signatures.

A letter recognising Henry VIII. as supreme head of the Church of England; 23 Oct. 1535. Lat . With signatures.

BL3294810

Henry VIII, king of England.

Henry VIII, king of England.

BL3290694

Henry 8th and his Queen, Catherine of Aragon, received by Cardinal Wolsey at Oxford, 1518 (colour litho)

Henry 8th and his Queen, Catherine of Aragon, received by Cardinal Wolsey at Oxford, 1518 (colour litho)

English School, (20th century)

LLM727275

Reverend Henry Ward Beecher (engraving)

Reverend Henry Ward Beecher (engraving)

English School, (19th century)

LIP1050383

Queen Katherine.

Queen Katherine.

BL3301864

King Henry VIII act I scene IV- York Place with Cardinal Wolsey, Lord Sands, Anne Bullen, King Henry &c.

King Henry VIII act I scene IV- York Place with Cardinal Wolsey, Lord Sands, Anne Bullen, King Henry &c.

BL3316689

English Sovereigns (engraving)

English Sovereigns (engraving)

English School, (19th century)

LLH3639586

French Kings (engraving)

French Kings (engraving)

English School, (19th century)

LLH3639589

Miniature of the Fall, showing Adam and Eve. In the border is a portrait of an English king, apparently Henry VIII, with the royal arms.

Miniature of the Fall, showing Adam and Eve. In the border is a portrait of an English king, apparently Henry VIII, with the royal arms.

BL3306516

St George Henry Lowther, Earl of Lonsdale (engraving)

St George Henry Lowther, Earl of Lonsdale (engraving)

English School, (19th century)

LIP1060601

Shaksperian Tableaux at the Royal Albert Hall (engraving)

Shaksperian Tableaux at the Royal Albert Hall (engraving)

Jellicoe, John (fl.1888)

LIP1616390

A necessary doctrine and erudition for any Christian man, sette furth by the kynges majestie'. In 1543 an authoritative doctrinal formulary for Henry VIII's Church, known as the King's Book, was published. Henry was indeed closely involved in its production, as this late draft annotated in his hand shows. Here he rewrites the book's attack on the papacy, inserting a claim that the Pope, to maintain his authority, 'dothe wrest scripture ... contrary bothe to the trew memyry off the same and the auncyent doctors interpretations', and so wrongs not only the English Church but all Christendom. The 1543 Act for the Advancement of True Religion enforced the book's doctrine, which was more robustly conservative than the 1537 Bishops' Book, as authoritative, and it remained so until Henry's death

A necessary doctrine and erudition for any Christian man, sette furth by the kynges majestie'. In 1543 an authoritative doctrinal formulary for Henry VIII's Church, known as the King's Book, was published. Henry was indeed closely involved in its production, as this late draft annotated in his hand shows. Here he rewrites the book's attack on the papacy, inserting a claim that the Pope, to maintain his authority, 'dothe wrest scripture ... contrary bothe to the trew memyry off the same and the auncyent doctors interpretations', and so wrongs not only the English Church but all Christendom. The 1543 Act for the Advancement of True Religion enforced the book's doctrine, which was more robustly conservative than the 1537 Bishops' Book, as authoritative, and it remained so until Henry's death

BL3287207

Portrait of Henry VIII

Portrait of Henry VIII

BL3265624

Anne Boleyn and Henry VIII letters announcing the birth of their first child

Anne Boleyn and Henry VIII letters announcing the birth of their first child

BL3285100

J is James. K is for Katherine.

J is James. K is for Katherine.

BL3293855

Henry VIII's deposition to convocation on his marriage with Anne of Cleves and questions to be put to Thomas Cromwell, 1540. In Henry's hand. Determined to nullify his marriage to Anne, Henry drafted in evidence a deposition and a series of questions to be put to Cromwell, who had been arrested on 10 June on charges of high treason. Henry testified that, when Cromwell asked how he liked Anne after their first encounter at Rochester, he had responded 'nothyng soo well as she was spokyn off and ... that yff [I] had knowne so moche before, she shuld nott have come hyt[her]'. The King also claimed that when Cromwell asked him the day after the wedding if he liked Anne better, he replied, not at all for by her breasts and belly he thought her no maid, and when he touched her he had no will to prove otherwise

Henry VIII's deposition to convocation on his marriage with Anne of Cleves and questions to be put to Thomas Cromwell, 1540. In Henry's hand. Determined to nullify his marriage to Anne, Henry drafted in evidence a deposition and a series of questions to be put to Cromwell, who had been arrested on 10 June on charges of high treason. Henry testified that, when Cromwell asked how he liked Anne after their first encounter at Rochester, he had responded 'nothyng soo well as she was spokyn off and ... that yff [I] had knowne so moche before, she shuld nott have come hyt[her]'. The King also claimed that when Cromwell asked him the day after the wedding if he liked Anne better, he replied, not at all for by her breasts and belly he thought her no maid, and when he touched her he had no will to prove otherwise

BL3287728

Canterbury Cathedral

Canterbury Cathedral

Graham Salter

SLR3823765

Holograph letter from Henry VIII to Thomas Wolsey, c.1519-20. This secret note to Wolsey reveals Henry's absolute trust in his minister. The King confesses that he found writing 'somewhat tedius and paynefull' but the matter about which he writes could not be made privy to the messenger 'nor non other but yow and I'. Warning Wolsey about a noble conspiracy, Henry urges him to 'make good wache on the duke off suffolke on the duke off bukyngam on my lord off northetomberland on my lord off darby on my lord off wylshere and on others whyche yow thynke suspecte'. Henry's suspicions of Buckingham proved well founded and he was executed for treason on 17 May 1521.

Holograph letter from Henry VIII to Thomas Wolsey, c.1519-20. This secret note to Wolsey reveals Henry's absolute trust in his minister. The King confesses that he found writing 'somewhat tedius and paynefull' but the matter about which he writes could not be made privy to the messenger 'nor non other but yow and I'. Warning Wolsey about a noble conspiracy, Henry urges him to 'make good wache on the duke off suffolke on the duke off bukyngam on my lord off northetomberland on my lord off darby on my lord off wylshere and on others whyche yow thynke suspecte'. Henry's suspicions of Buckingham proved well founded and he was executed for treason on 17 May 1521.

BL3284910

In the 1530s, debate raged about the efficacy of prayers for the dead and the very existence of purgatory. Around 1537 the reformist Bishop of Worcester, Hugh Latimer (c. 1485-1555), prepared for the King a paper in opposition to purgatory. Henry VIII's sharp disagreement is apparent in his marginal comments. He alluded to Latimer's false arguments, wrong examples and reprimanded his bishop for 'his carnal wit, which in preaching you dispraise so much'. When Latimer maintained that the dissolution of the monasteries could be justified only if purgatory was negated, Henry responded with a particularly apt quotation from his schoolboy textbook, the Distichs of Cato

In the 1530s, debate raged about the efficacy of prayers for the dead and the very existence of purgatory. Around 1537 the reformist Bishop of Worcester, Hugh Latimer (c. 1485-1555), prepared for the King a paper in opposition to purgatory. Henry VIII's sharp disagreement is apparent in his marginal comments. He alluded to Latimer's false arguments, wrong examples and reprimanded his bishop for 'his carnal wit, which in preaching you dispraise so much'. When Latimer maintained that the dissolution of the monasteries could be justified only if purgatory was negated, Henry responded with a particularly apt quotation from his schoolboy textbook, the Distichs of Cato

BL3286802

The Reverend Dr Bernard, Dean of St Patrick's, Dublin, Installed 8 February (b/w photo)

The Reverend Dr Bernard, Dean of St Patrick's, Dublin, Installed 8 February (b/w photo)

English Photographer, (20th century)

LIP1629366

King Henry VIII act V scene IV- the Palace. The Christening of Queen Elizabeth

King Henry VIII act V scene IV- the Palace. The Christening of Queen Elizabeth

BL3316692

Marlowe Theatre

Marlowe Theatre

Graham Salter

SLR3823767

Marlowe Theatre

Marlowe Theatre

Graham Salter

SLR3823771

Marlowe

Marlowe

Graham Salter

SLR3823776

Canterbury Cathedral

Canterbury Cathedral

Graham Salter

SLR3823774

In the 1530s, Henry VIII made, in his unmistakable hand, several significant revisions to the traditional coronation oath he had sworn in 1509, fundamentally changing its meaning. Instead of swearing to maintain the rights and liberties of 'holy churche', the King would now swear to maintain those of 'the holy churche off ingland' - but with the crucial qualification, 'nott preiudyciall to hys Iurysdyction and dignite ryall'. Henry's version of the oath was never used. Nonetheless, his manuscript alterations provide a clear indication of his commitment to the Royal Supremacy over the Church, as well as showing his awareness that by assuming it, he had broken his own original coronation oath

In the 1530s, Henry VIII made, in his unmistakable hand, several significant revisions to the traditional coronation oath he had sworn in 1509, fundamentally changing its meaning. Instead of swearing to maintain the rights and liberties of 'holy churche', the King would now swear to maintain those of 'the holy churche off ingland' - but with the crucial qualification, 'nott preiudyciall to hys Iurysdyction and dignite ryall'. Henry's version of the oath was never used. Nonetheless, his manuscript alterations provide a clear indication of his commitment to the Royal Supremacy over the Church, as well as showing his awareness that by assuming it, he had broken his own original coronation oath

BL3292632

Letter from Anne Boleyn and Henry VIII to Cardinal Wolsey, August 1528. In the upper part of this letter, written at the start of August 1528, Anne sends good wishes to Cardinal Wolsey and asks for news about the progress of Cardinal Campeggio, the papal legate who, with Wolsey, was to hear Henry's suit for the annulment of his marriage. Anne then handed the letter to Henry and nagged him to complete it: 'The wrytter of thys letter wolde nott cease tyll she [had caused me likewise] to sett to my hand; desyryng yow, thowght it be short, to [take it in good part]'

Letter from Anne Boleyn and Henry VIII to Cardinal Wolsey, August 1528. In the upper part of this letter, written at the start of August 1528, Anne sends good wishes to Cardinal Wolsey and asks for news about the progress of Cardinal Campeggio, the papal legate who, with Wolsey, was to hear Henry's suit for the annulment of his marriage. Anne then handed the letter to Henry and nagged him to complete it: 'The wrytter of thys letter wolde nott cease tyll she [had caused me likewise] to sett to my hand; desyryng yow, thowght it be short, to [take it in good part]'

BL3286783

Henry VII crowned, kneeling at a desk, on which his sceptre is laid.The king is in Adoration of the Immaculate Conception of the Virgin. Border of red roses on gold ground, and illuminated initials.

Henry VII crowned, kneeling at a desk, on which his sceptre is laid.The king is in Adoration of the Immaculate Conception of the Virgin. Border of red roses on gold ground, and illuminated initials.

BL3306482

The Prince of Wales at the Volunteer Review, Horse Guard's Parade (w/c on paper)

The Prince of Wales at the Volunteer Review, Horse Guard's Parade (w/c on paper)

Paget, Henry Marriott (1856-1936)

LLJ610915

Sheet music for motets decorated, written music with decorated initials and voice parts for a choir. The crowned rose: motets for Henry VIII.

Sheet music for motets decorated, written music with decorated initials and voice parts for a choir. The crowned rose: motets for Henry VIII.

BL3313226

King Henry VIII.

King Henry VIII.

BL3314320

Catherine of Aragon pleading her case against divorce from King Henry VIII in front of the Papal legates. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Catherine of Aragon pleading her case against divorce from King Henry VIII in front of the Papal legates. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4622895

Sir Henry Slingsby and Dr Hewet, beheaded at Tower Hill (engraving)

Sir Henry Slingsby and Dr Hewet, beheaded at Tower Hill (engraving)

English School, (19th century)

LLJ608565

Canon in honour of King Henry VIII celebrating the union of the Houses of York and Lancaster. The canon is in two parts for two bassus and two contratenor voices, shown as circular diagrams surrounding red roses on facing pages of the manuscript.

Canon in honour of King Henry VIII celebrating the union of the Houses of York and Lancaster. The canon is in two parts for two bassus and two contratenor voices, shown as circular diagrams surrounding red roses on facing pages of the manuscript.

BL3313227

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

TEC4661294

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

TEC4661232

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

TEC4661233

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

TEC4661279

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

TEC4661296

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

TEC4661252

The late Honourable Sir Henry Manisty, Judge of the Supreme Court (b/w photo)

The late Honourable Sir Henry Manisty, Judge of the Supreme Court (b/w photo)

English Photographer, (19th century)

LIP1626752

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

TEC4661200

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

TEC4661243

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

TEC4661258

Henry the 8th and Catharine Parr (engraving)

Henry the 8th and Catharine Parr (engraving)

English School, (19th century)

LLM727067

Coloured drawing of an English king in armour and tabard (Henry VI), presenting a plaque with verses.

Coloured drawing of an English king in armour and tabard (Henry VI), presenting a plaque with verses.

BL3305776

Theatre des Champs-Elysees (Champs Elysees), 13-15 avenue Montaigne, Paris 75008 with the restaurant “La Maison Blanche””. Architecture by Auguste Perret, 1913. The marble facade incorporates three bas-reliefs by Bourdelle. Photography 2001

Theatre des Champs-Elysees (Champs Elysees), 13-15 avenue Montaigne, Paris 75008 with the restaurant “La Maison Blanche””. Architecture by Auguste Perret, 1913. The marble facade incorporates three bas-reliefs by Bourdelle. Photography 2001

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

Luc Boegly

LBY4680062

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

TEC4661242

Theatre des Champs Elysees, 13-15 avenue Montaigne, Paris 8th arrondissement. Construction 1913, architect Auguste Perret (1872-1954). The facade presents in its upper part three bas-reliefs by Antoine Bourdelle (1861-1929).

Theatre des Champs Elysees, 13-15 avenue Montaigne, Paris 8th arrondissement. Construction 1913, architect Auguste Perret (1872-1954). The facade presents in its upper part three bas-reliefs by Antoine Bourdelle (1861-1929).

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

TEC4594952

King Henry VIII keeping Christmas at Greenwich (engraving)

King Henry VIII keeping Christmas at Greenwich (engraving)

Gilbert, John (1817-97) (after)

LIP1102990

Mr H M Stanley (engraving)

Mr H M Stanley (engraving)

Herkomer, Hubert von (1849-1914) (after)

LIP1047055

Coloured drawing of an English king in armour and tabard (Henry II), presenting a plaque with verses. Unfinished.

Coloured drawing of an English king in armour and tabard (Henry II), presenting a plaque with verses. Unfinished.

BL3305766

Lord Northcote (oil on canvas)

Lord Northcote (oil on canvas)

Long, Edwin Longsden (1829-91)

BAL6047

Treasure Trove: Searching for treasure in Westminster Abbey (colour litho)

Treasure Trove: Searching for treasure in Westminster Abbey (colour litho)

English School, (20th century)

LLM5206439

King Henry VIII of England (engraving)

King Henry VIII of England (engraving)

English School, (18th century)

LLH982366

Upright Motif No.8, 1956 (bronze)

Upright Motif No.8, 1956 (bronze)

Moore, Henry Spencer (1898-1986)

NGW238948

The Late Lord Swansea (engraving)

The Late Lord Swansea (engraving)

English School, (19th century)

LIP1107865

The late Professor Sidgwick (engraving)

The late Professor Sidgwick (engraving)

English School (20th century) (after)

LIP1600597

Henry Hugh Pierson (engraving)

Henry Hugh Pierson (engraving)

English School, (19th century)

LIP1052755

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