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Bilder zu 'Volkstradition' gefunden, 45

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Ceremony before the Wedding, 1876 (oil on canvas)

Ceremony before the Wedding, 1876 (oil on canvas)

Mjasoedov, Grigori Grigorievich (1835-1911)

XAB194907

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800125

Body fitting, a hallmark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion, Karachi, Pakistan, 2005 (photo)

Body fitting, a hallmark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion, Karachi, Pakistan, 2005 (photo)

UIG800146

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800131

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800133

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800137

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800139

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800142

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800126

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800138

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800141

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800129

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800130

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800132

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800140

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800144

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800145

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005. (photo)

UIG800134

Giant heavy-lidded eyes painted on side and back panels and pastel-colored scarves fluttering from cab windows are intended to ward off the evil eye. Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. (photo)

Giant heavy-lidded eyes painted on side and back panels and pastel-colored scarves fluttering from cab windows are intended to ward off the evil eye. Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. (photo)

UIG800135

A man selling trinkets for cabs, in Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. (photo)

A man selling trinkets for cabs, in Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. (photo)

UIG800143

A man works on body fitting of a truck, in Karachi, Pakistan. 2005. This labor-intensive operation of body fitting usually takes six to 10 weeks. During this period, many drivers hover around the workshops like part of the extended family, suggesting possible subjects and alterations, earning nothing during the time their truck is being spiffed up. Unbelievably, the majority of truckers splurge on a full makeover of their vehicles every three or four years. (photo)

A man works on body fitting of a truck, in Karachi, Pakistan. 2005. This labor-intensive operation of body fitting usually takes six to 10 weeks. During this period, many drivers hover around the workshops like part of the extended family, suggesting possible subjects and alterations, earning nothing during the time their truck is being spiffed up. Unbelievably, the majority of truckers splurge on a full makeover of their vehicles every three or four years. (photo)

UIG800136

A puppet show during the three-day long Puppet Dance Festival 2010, at the Department of Theatre and Film, Bangladesh Shilpakala Academy (BSA) in Dhaka, Bangladesh. February 6, 2010. (photo)

A puppet show during the three-day long Puppet Dance Festival 2010, at the Department of Theatre and Film, Bangladesh Shilpakala Academy (BSA) in Dhaka, Bangladesh. February 6, 2010. (photo)

UIG800650

A puppet show during the three-day long Puppet Dance Festival 2010, at the Department of Theatre and Film, Bangladesh Shilpakala Academy (BSA) in Dhaka, Bangladesh. February 6, 2010. (photo)

A puppet show during the three-day long Puppet Dance Festival 2010, at the Department of Theatre and Film, Bangladesh Shilpakala Academy (BSA) in Dhaka, Bangladesh. February 6, 2010. (photo)

UIG800653

A puppet show during the three-day long Puppet Dance Festival 2010, at the Department of Theatre and Film, Bangladesh Shilpakala Academy (BSA) in Dhaka, Bangladesh. February 6, 2010. (photo)

A puppet show during the three-day long Puppet Dance Festival 2010, at the Department of Theatre and Film, Bangladesh Shilpakala Academy (BSA) in Dhaka, Bangladesh. February 6, 2010. (photo)

UIG800654

A driver sits with a friend in a fully furbished cab. A cubby at his side holds eight-track tapes. Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. (photo)

A driver sits with a friend in a fully furbished cab. A cubby at his side holds eight-track tapes. Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. (photo)

UIG800128

A puppet show during the three-day long Puppet Dance Festival 2010, at the Department of Theatre and Film, Bangladesh Shilpakala Academy (BSA) in Dhaka, Bangladesh. February 6, 2010. (photo)

A puppet show during the three-day long Puppet Dance Festival 2010, at the Department of Theatre and Film, Bangladesh Shilpakala Academy (BSA) in Dhaka, Bangladesh. February 6, 2010. (photo)

UIG800651

In one of the countless body fitting shops, a boy tends an inventory of hubcaps, reflective panels and dangling ornaments. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. Karachi, Pakistan. 2005. (photo)

In one of the countless body fitting shops, a boy tends an inventory of hubcaps, reflective panels and dangling ornaments. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. Karachi, Pakistan. 2005. (photo)

UIG800127

Lalon mela observes the 119th year since the death of Lalon. The Lalon Academy organized a three day long cultural program including Lalon Mela (Lalon fair), discussion and rendition of songs by artistes from the academy and Bauls from across the country, marking the 119th birthday of the sage. Kushtia, Bangladesh. October 19, 2009. (photo)

Lalon mela observes the 119th year since the death of Lalon. The Lalon Academy organized a three day long cultural program including Lalon Mela (Lalon fair), discussion and rendition of songs by artistes from the academy and Bauls from across the country, marking the 119th birthday of the sage. Kushtia, Bangladesh. October 19, 2009. (photo)

UIG800492

A puppet show during the three-day long Puppet Dance Festival 2010, at the Department of Theatre and Film, Bangladesh Shilpakala Academy (BSA) in Dhaka, Bangladesh. February 6, 2010. (photo)

A puppet show during the three-day long Puppet Dance Festival 2010, at the Department of Theatre and Film, Bangladesh Shilpakala Academy (BSA) in Dhaka, Bangladesh. February 6, 2010. (photo)

UIG800652

A puppet show during the three-day long Puppet Dance Festival 2010, at the Department of Theatre and Film, Bangladesh Shilpakala Academy (BSA) in Dhaka, Bangladesh. February 6, 2010. (photo)

A puppet show during the three-day long Puppet Dance Festival 2010, at the Department of Theatre and Film, Bangladesh Shilpakala Academy (BSA) in Dhaka, Bangladesh. February 6, 2010. (photo)

UIG800649

Ceremony of the explosion of the car, Florence

Ceremony of the explosion of the car, Florence

PLC493488

Gnomes, characters of fables in popular tradition. Chromolithography, 19th century.

Gnomes, characters of fables in popular tradition. Chromolithography, 19th century.

Unknown Artist, (19th century)

Giancarlo Costa

GIA4772359

Fundraiser for the 'Day of the German national tradition', 1939 (b/w photo)

Fundraiser for the 'Day of the German national tradition', 1939 (b/w photo)

SZT3009909

Koboldes, little elves or farfadets of the German popular tradition. chromolithographof the 19th century.

Koboldes, little elves or farfadets of the German popular tradition. chromolithographof the 19th century.

Unknown Artist, (19th century)

Giancarlo Costa

GIA4772349

The elves, wonderful characters of the popular tradition: they prepare bread while the bakers sleep. chromolithographof the 19th century.

The elves, wonderful characters of the popular tradition: they prepare bread while the bakers sleep. chromolithographof the 19th century.

Unknown Artist, (19th century)

Giancarlo Costa

GIA4772372

The blessing of the deads of the sea, by Lorenzo Viani, 1914 - 1916, 20th Century, oil on canvas

The blessing of the deads of the sea, by Lorenzo Viani, 1914 - 1916, 20th Century, oil on canvas

Viani, Lorenzo (1882-1936)

Remo Bardazzi

MEP943752

Popular tradition: the Society of Musicians of the Carnival of Ponte Caffaro (Bagolino, near Brescia in Lombardy) during the events of the Carnival of Bagolino. Picture Piccini 1996

Popular tradition: the Society of Musicians of the Carnival of Ponte Caffaro (Bagolino, near Brescia in Lombardy) during the events of the Carnival of Bagolino. Picture Piccini 1996

FGL5468955

Lou camel de Beziers (The camel of Saint Aphrodise), carnivalesque local custom of the South of France (Occitanie), 1955 (b/w photo)

Lou camel de Beziers (The camel of Saint Aphrodise), carnivalesque local custom of the South of France (Occitanie), 1955 (b/w photo)

French Photographer, (20th century)

Patrice Cartier

PCT7268486

Popular tradition: young celibataries (catherinettes) celebrating Saint Catherine (Sainte-Catherine) in the streets of Paris on November 25. Cover from “” Le petit journal illustrious”” of 21/11/1920. Private Collection

Popular tradition: young celibataries (catherinettes) celebrating Saint Catherine (Sainte-Catherine) in the streets of Paris on November 25. Cover from “” Le petit journal illustrious”” of 21/11/1920. Private Collection

Stefano Bianchetti

XEE4188119

Popular tradition: the Society of Musicians of the Carnival of Ponte Caffaro (Bagolino, near Brescia in Lombardy) during the events of the Carnival of Bagolino. Group Photography Photo Piccini 1993

Popular tradition: the Society of Musicians of the Carnival of Ponte Caffaro (Bagolino, near Brescia in Lombardy) during the events of the Carnival of Bagolino. Group Photography Photo Piccini 1993

FGL5468976

Folk tradition: Cocagne tree (or mat) (formerly May Tree): participants must try to unlock victuals planted at the top of the mat. Colorful engraving of the 18th century

Folk tradition: Cocagne tree (or mat) (formerly May Tree): participants must try to unlock victuals planted at the top of the mat. Colorful engraving of the 18th century

FGL5479338

Scoppio del Carro, Easter, Piazza del Duomo, Florence, Italy, 1970 (photo)

Scoppio del Carro, Easter, Piazza del Duomo, Florence, Italy, 1970 (photo)

Limot

LIM4072500

Scoppio del Carro, Piazza del Duomo, Florence, Italy, 1970 (photo)

Scoppio del Carro, Piazza del Duomo, Florence, Italy, 1970 (photo)

Limot

LIM4072501

Scoppio del Carro, Easter, Piazza del Duomo, Florence, Italy, 1970 (photo)

Scoppio del Carro, Easter, Piazza del Duomo, Florence, Italy, 1970 (photo)

Limot

LIM4072498

Scoppio del Carro, in front of the Duomo, Florence, Italy, 1970 (photo)

Scoppio del Carro, in front of the Duomo, Florence, Italy, 1970 (photo)

Limot

LIM4072499

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