Durchsuchen Sie unsere Sammlungen, indem Sie ein Bild hochladen.
Bild mit Drag & Drop einfügen
Oder klicken Sie hier, um eine Datei auszuwählen
Diese Suche liefert ausschließlich exakte Übereinstimmungen. Für optimale Ergebnisse beachten Sie bitte folgende Punkte: Laden Sie ausschließlich Dateien mit niedriger oder mittlerer Auflösung hoch.
Verwenden Sie Bilder ohne Wasserzeichen oder Textüberlagerung.
Hochgeladene Bilder sollten ungeschnitten und im Originalformat sein. Keine Bildschirmfotos.
Datei hierher hinziehen
Upload
Suchergebnisse werden verarbeitet
Waiting for update..
Fehler:
Search by Colour
Erweiterte Suche
Search Tips
Searching for a particular field
Field
Search term
Example
Asset title
title:
title:pony
Asset title and keywords
~
~pony
Asset description text
description:
description:london
Agency prefix
prfx: or $
prfx:lal or $LAL
Asset id
imageid:
imageid:250297 or imageid:[2500 TO 4000]
Agency name
coll:
coll:history
Medium
medium:
medium:oil
Century
century:
century:20th
Keywords
kw:
kw:dog
Artist name
artist: or ?
artist:monet or ?monet
Artist nationality
??
??French
Creator ID
creatorid:
creatorid:37
Location
loc: or @
loc:exeter or @exeter
Classification
class: or #
class:57 or #57. Use # for unclassified assets
Year
year:
year:1850 or year:[1700 TO 1800]
Jeremias Majer
German painter, 1735-1789
Son of a portrait painter at the court of Württemberg. He arrived in England ca.1749 and studied at St Martin’s Lane Academy in London and then (1757–1758) under Christian Friedrich Zincke. Much of Meyer’s early work was painted on enamel. He exhibited (1760–1767) at the Society of Artists and in 1761 was awarded its gold medal for a profile portrait of George III. In 1762 he became a naturalized Englishman. That year he was appointed miniature painter to Queen Charlotte and in 1764 painter in enamel to the King. Meyer was a founder-member of the Royal Academy and exhibited miniatures, enamels...
Son of a portrait painter at the court of Württemberg. He arrived in England ca.1749 and studied at St Martin’s Lane Academy in London and then (1757–1758) under Christian Friedrich Zincke. Much of Meyer’s early work was painted on enamel. He exhibited (1760–1767) at the Society of Artists and in 1761 was awarded its gold medal for a profile portrait of George III. In 1762 he became a naturalized Englishman. That year he was appointed miniature painter to Queen Charlotte and in 1764 painter in enamel to the King. Meyer was a founder-member of the Royal Academy and exhibited miniatures, enamels and watercolours there (1769–1783). He also painted some portraits in oil.