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1,093 médias trouvés
Do not open the eyes (ink on paper)
AIS291908 - Do not open the eyes (ink on paper)
Technique: ink on paper
Crédit Photo: Bridgeman Images
Si es delincuente que muera presto (If he is a criminal he should die soon), 1810s (etching and aquatint)
AIS291921 - Si es delincuente que muera presto (If he is a criminal he should die soon), 1810s (etching and aqua ...
Technique: etching and aquatint
Crédit Photo: Bridgeman Images
Militar y senora (!Ay Munecos!) (ink on paper)
AIS291922 - Militar y senora (!Ay Munecos!) (ink on paper)
Technique: ink on paper
Crédit Photo: Bridgeman Images
Awaiting his arrival (ink on paper)
AIS291925 - Awaiting his arrival (ink on paper)
Technique: ink on paper
Crédit Photo: Bridgeman Images
He rejects everything (ink on paper)
AIS291911 - He rejects everything (ink on paper)
Technique: ink on paper
Crédit Photo: Bridgeman Images
The Meeting (ink on paper)
AIS291949 - The Meeting (ink on paper)
Technique: ink on paper
Crédit Photo: Bridgeman Images
Francisco Goya (1746-1828). Caprices. Plaque 7. Event thus he cannot make her out.
TRK1775377 - Francisco Goya (1746-1828). Caprices. Plaque 7. Event thus he cannot make her out.
Crédit Photo: Bridgeman Images
Young women puppet throwing into the air with a cloth a rag doll. Painting by Francisco de Goya (1746-1828) 1792, Sun. 1,6x2,67 m Madrid, Musee du Prado - The Puppet. Young girls throwing up a rag doll with a sheet. Painting by Francisco de Goya (1746-1828) 1792. 1.6 x 2.67 m. Prado Museum, Madrid
JLJ4653291 - Young women puppet throwing into the air with a cloth a rag doll. Painting by Francisco de Goya (174 ...
Photographe: Photo Josse
Technique: oil on canvas
Crédit Photo: Bridgeman Images
The execution of May 3, 1808 ou el tres de mayo. Detail (oil on canvas, 1814)
JLJ4575265 - The execution of May 3, 1808 ou el tres de mayo. Detail (oil on canvas, 1814)
Technique: oil on canvas
Date: 1814 AD (C19th AD)
Crédit Photo: Bridgeman Images
Portrait in foot of Dona Tadea Arias de Enriquez Painting by Francisco de Goya (1746-1828) (Ec. Esp) 18th century Madrid. Musee Du Prado - Full-length portrait of Dona Tadea Arias de Enriquez. Painting by Francisco de Goya (1746-1828) (Spanish School) 18th century. Prado Museum, Madrid
JLJ4569919 - Portrait in foot of Dona Tadea Arias de Enriquez Painting by Francisco de Goya (1746-1828) (Ec. Esp) ...
Photographe: Photo Josse
Technique: oil on canvas
Crédit Photo: Bridgeman Images
The pelerinage has the source San Isidro Painting by Francisco de Goya (1746-1828) 19th century Madrid. Prado Museum
JLJ4570823 - The pelerinage has the source San Isidro Painting by Francisco de Goya (1746-1828) 19th century Madr ...
Photographe: Photo Josse
Technique: oil on canvas
Crédit Photo: Bridgeman Images
Portrait of Josepha Bayeu. Painting by Francisco De Goya (1746-1828), 19th century. Oil on canvas. Dim: 0.82 x 0.58m. Madrid, Musee Du Prado
JLJ4665255 - Portrait of Josepha Bayeu. Painting by Francisco De Goya (1746-1828), 19th century. Oil on canvas. D ...
Photographe: Photo Josse
Technique: oil on canvas
Crédit Photo: Bridgeman Images
Boys Playing at Soldiers, 1776-1786 (oil on canvas)
SSI2221956 - Boys Playing at Soldiers, 1776-1786 (oil on canvas)
Technique: oil on canvas
Date: 1776 AD (C18th AD)
Crédit Photo: Bridgeman Images
Portrait of Ferdinand VII (1784-1833) King of Spain, 19th century (drawing)
IBE5356097 - Portrait of Ferdinand VII (1784-1833) King of Spain, 19th century (drawing)
Technique: drawing
Date: 1801 AD (C19th AD)
Crédit Photo: Bridgeman Images
“" Portrait of Queen of Spain Mary Louise of Bourbon Parma (1751-1819) "” Painting by Francisco de Goya y Lucientes (1746-1828) 1800-1810 Bilbao. Museum of Bellas Artes de Bilbao
IBE5357377 - “" Portrait of Queen of Spain Mary Louise of Bourbon Parma (1751-1819) "” Painting by Francisco de G ...
Technique: painting
Date: 1800 AD (C18th AD)
Crédit Photo: Bridgeman Images
Se hizo a oscuras (She was created by the shadow), 1800-08 (Indian ink)
IBE5379914 - Se hizo a oscuras (She was created by the shadow), 1800-08 (Indian ink)
Technique: Indian ink
Date: 1800 AD (C18th AD)
Crédit Photo: Bridgeman Images
Los Caprichos: "Because She Was Susceptible", 1797-98 (red wash, red chalk on silk paper)
IBE5379998 - Los Caprichos: "Because She Was Susceptible", 1797-98 (red wash, red chalk on silk paper)
Technique: red wash, red chalk on silk paper
Date: 1797 AD (C18th AD)
Crédit Photo: Bridgeman Images
An old woman kneeling in prayer, early 19th century (drawing)
IBE5380038 - An old woman kneeling in prayer, early 19th century (drawing)
Technique: drawing
Date: 1801 AD (C19th AD)
Crédit Photo: Bridgeman Images
What Cruelty!, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
IBE5380050 - What Cruelty!, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
Technique: wash, brush, bistre, grey-brown ink, iron gall ink on laid paper
Date: 1814 AD (C19th AD)
Crédit Photo: Bridgeman Images
""Une femme lit une histoire a deux enfants"" Lithographie de Francisco de Goya y Lucientes (1746-1828). 1819-1822. Madrid. Bibliotheque nationale
IBE5380055 - ""Une femme lit une histoire a deux enfants"" Lithographie de Francisco de Goya y Lucientes (1746-18 ...
Technique: lithograph
Date: 1819 AD (C19th AD)
Crédit Photo: Bridgeman Images
The Devil gathers them, 1824-28 (red chalk drawing)
IBE5380072 - The Devil gathers them, 1824-28 (red chalk drawing)
Technique: red chalk
Date: 1824 AD (C19th AD)
Crédit Photo: Bridgeman Images
Portrait de Marie Louise de Parme (Maria Luisa de Parma, 1751-1819) Detail. Francisco de Goya (1746-1828), 1789. Huile sur toile. Espagne, Museum of Fine Arts of Zaragoza.
IBE5374016 - Portrait de Marie Louise de Parme (Maria Luisa de Parma, 1751-1819) Detail. Francisco de Goya (1746- ...
Technique: oil on canvas
Date: 1789 AD (C18th AD)
Crédit Photo: Bridgeman Images
All will fall, plate 19 of 'Los caprichos' (etching & aquatint)
IMJ251094 - All will fall, plate 19 of 'Los caprichos' (etching & aquatint)
Technique: etching and aquatint
Crédit Photo: Bridgeman Images
Self Portrait, c.1796 ( brush and ink on paper)
XOS7207382 - Self Portrait, c.1796 ( brush and ink on paper)
Technique: brush and ink on paper
Date: 1796 AD (C18th AD)
Crédit Photo: Bridgeman Images
St. Anthony Preaching, detail from the Miracle of St. Anthony of Padua, from the cupola, 1798 (fresco)
XIR223893 - St. Anthony Preaching, detail from the Miracle of St. Anthony of Padua, from the cupola, 1798 (fresc ...
Technique: fresco
Date: 1798 AD (C18th AD)
Crédit Photo: Bridgeman Images
Ferdinand VII (1784-1833) of Bourbon, 1814 (oil on canvas)
XIR238701 - Ferdinand VII (1784-1833) of Bourbon, 1814 (oil on canvas)
Technique: oil on canvas
Date: 1814 AD (C19th AD)
Crédit Photo: Bridgeman Images
The Carnivorous Vulture, plate 76 from 'The Disasters of War', 1812-20 (etching)
XJF425308 - The Carnivorous Vulture, plate 76 from 'The Disasters of War', 1812-20 (etching)
Technique: etching
Crédit Photo: Bridgeman Images
Execution of the Defenders of Madrid, 3rd May 1808, detail of soldiers' feet, 1814 (oil on canvas) (detail of 507)
XIR430521 - Execution of the Defenders of Madrid, 3rd May 1808, detail of soldiers' feet, 1814 (oil on canvas) ( ...
Technique: oil on canvas
Date: 1814 AD (C19th AD)
Crédit Photo: Bridgeman Images
Still Life with dead chickens and a wicker basket (oil on canvas)
XIR375147 - Still Life with dead chickens and a wicker basket (oil on canvas)
Technique: oil on canvas
Crédit Photo: Bridgeman Images
The Duke of Wellington (1769-1852) 1812-14 (oil on panel)
XCF267426 - The Duke of Wellington (1769-1852) 1812-14 (oil on panel)
Technique: oil on mahogany panel
Crédit Photo: Bridgeman Images
Self Portrait, 1815 (oil on canvas)
XIR157953 - Self Portrait, 1815 (oil on canvas)
Technique: oil on canvas
Date: 1815 AD (C19th AD)
Crédit Photo: Bridgeman Images
The Execution, c.1808-12 (oil on canvas)
XIR184751 - The Execution, c.1808-12 (oil on canvas)
Technique: oil on canvas
Crédit Photo: Bridgeman Images
Leocadia Zorilla, the Artist's Housekeeper, c.1821 (oil on canvas)
XIR148899 - Leocadia Zorilla, the Artist's Housekeeper, c.1821 (oil on canvas)
Technique: oil on canvas
Crédit Photo: Bridgeman Images
Interior of the Jail, 1793-94 (oil on canvas)
BWM150379 - Interior of the Jail, 1793-94 (oil on canvas)
Technique: oil on tin
Crédit Photo: Bridgeman Images
As Far back as his Grandfather, plate 39 of 'Los Caprichos', 1799 (aquatint)
XKH153638 - As Far back as his Grandfather, plate 39 of 'Los Caprichos', 1799 (aquatint)
Technique: aquatint
Date: 1799 AD (C18th AD)
Crédit Photo: Bridgeman Images
The Parable of the Guests at the Wedding of the King's Son, 1796-97
XJL186964 - The Parable of the Guests at the Wedding of the King's Son, 1796-97
Crédit Photo: Bridgeman Images
An Ecstatic Witness, detail from the Miracle of St. Anthony of Padua, from the cupola, 1798 (fresco)
XIR169550 - An Ecstatic Witness, detail from the Miracle of St. Anthony of Padua, from the cupola, 1798 (fresco)
Technique: fresco
Date: 1798 AD (C18th AD)
Crédit Photo: Bridgeman Images
Because she was susceptible, plate 32 of 'Los Caprichos', 1799 (aquatint)
XKH153640 - Because she was susceptible, plate 32 of 'Los Caprichos', 1799 (aquatint)
Technique: aquatint
Date: 1799 AD (C18th AD)
Crédit Photo: Bridgeman Images
Out hunting for teeth, plate 12 of 'Los caprichos', late 18th century (coloured etching) (see also 81631)
CHT175021 - Out hunting for teeth, plate 12 of 'Los caprichos', late 18th century (coloured etching) (see also 8 ...
Technique: coloured etching
Crédit Photo: Bridgeman Images
Two Old Men Eating, one of the 'Black Paintings', 1819-23 (oil on canvas)
XIR177989 - Two Old Men Eating, one of the 'Black Paintings', 1819-23 (oil on canvas)
Technique: oil on canvas
Crédit Photo: Bridgeman Images
Portrait of Leandro Fernandez de Moratin (1760-1828) (oil on canvas)
XIR221152 - Portrait of Leandro Fernandez de Moratin (1760-1828) (oil on canvas)
Technique: oil on canvas
Crédit Photo: Bridgeman Images
Portrait of Ferdinand VII (1784-1833) 1814 (oil on canvas)
XIR192458 - Portrait of Ferdinand VII (1784-1833) 1814 (oil on canvas)
Technique: oil on canvas
Date: 1814 AD (C19th AD)
Crédit Photo: Bridgeman Images
Cannibals savouring Human Remains, c.1800-08 (oil on panel) (pair of 83503)
XIR243022 - Cannibals savouring Human Remains, c.1800-08 (oil on panel) (pair of 83503)
Technique: oil on panel
Crédit Photo: Bridgeman Images
Alejandro O'Reilly (1722-94) (oil on canvas)
XIR240983 - Alejandro O'Reilly (1722-94) (oil on canvas)
Technique: oil on canvas
Crédit Photo: Bridgeman Images
When day breaks we will be off (Si amanece; nos vamos) Plate 71 from: Los Caprichos
CH6585016 - When day breaks we will be off (Si amanece; nos vamos) Plate 71 from: Los Caprichos
Technique: etching with burnished aquatint, drypoint and engraving, on laid paper
Crédit Photo: Bridgeman Images
They've already got a seat (Ya tienen asiento) Plate 26 from: Los Caprichos
CH6585034 - They've already got a seat (Ya tienen asiento) Plate 26 from: Los Caprichos
Technique: etching with burnished aquatint, drypoint and engraving, on laid paper
Crédit Photo: Bridgeman Images
Saint Gregoire I le Grand - Saint Gregory the Great par Goya, Francisco, de (1746-1828). Oil on canvas, size : 191,5x116, 1797-1799, Museo Nacional del Romanticismo, Madrid
FIA5406052 - Saint Gregoire I le Grand - Saint Gregory the Great par Goya, Francisco, de (1746-1828). Oil on canv ...
Crédit Photo: Bridgeman Images
La Verite, le Temps et l'Histoire - Truth, Time and History, by Goya, Francisco, de (1746-1828). Oil on canvas. Dimension : 294x244 cm. Nationalmuseum Stockholm
FIA5408972 - La Verite, le Temps et l'Histoire - Truth, Time and History, by Goya, Francisco, de (1746-1828). Oil ...
Crédit Photo: Bridgeman Images
Portrait of Dona Manuela Camas, the wife of Cean Bermudez - Peinture de Francisco de Goya (1746-1828) - 1795 - Oil on canvas - 121x84,5 - Szepmuveszeti Muzeum, Budapest
FIA5399433 - Portrait of Dona Manuela Camas, the wife of Cean Bermudez - Peinture de Francisco de Goya (1746-1828 ...
Crédit Photo: Bridgeman Images
Allegory of Love (Cupid and Psyche) - Painting, 1798-1805
FIA5400364 - Allegory of Love (Cupid and Psyche) - Painting, 1798-1805
Technique: Oil on canvas
Date: 1798 AD (C18th AD)
Crédit Photo: Bridgeman Images
Disparate de miedo or Fearful folly,  1815-1819 (engraving)
IBE5380020 - Disparate de miedo or Fearful folly, 1815-1819 (engraving)
Technique: print
Date: 1815 AD (C19th AD)
Crédit Photo: Bridgeman Images
Portrait of Don Jose Munarriz, 1815 (oil on canvas)
XIR387310 - Portrait of Don Jose Munarriz, 1815 (oil on canvas)
Technique: oil on canvas
Date: 1815 AD (C19th AD)
Crédit Photo: Bridgeman Images
Confession in prison (oil on canvas)
XIR387312 - Confession in prison (oil on canvas)
Technique: oil on canvas
Crédit Photo: Bridgeman Images
193-0082105 Two of a kind, possibly Queen Maria Luisa Teresa of Parma (1751-1819) and Manuel de Godoy (1767-1851), the Prime Minister of Spain, plate 5 of 'Los caprichos', pub. 1799 (etching)
IND81624 - 193-0082105 Two of a kind, possibly Queen Maria Luisa Teresa of Parma (1751-1819) and Manuel de Godo ...
Technique: etching, aquatint and drypoint
Date: 1799 AD (C18th AD)
Crédit Photo: Bridgeman Images
They carried her off!, plate 8 of 'Los caprichos', pub. 1799 (etching)
IND81627 - They carried her off!, plate 8 of 'Los caprichos', pub. 1799 (etching)
Technique: etching, aquatint and drypoint
Date: 1799 AD (C18th AD)
Crédit Photo: Bridgeman Images
193-0082109 Tantalus, plate 9 of 'Los caprichos', pub. 1799 (etching)
IND81628 - 193-0082109 Tantalus, plate 9 of 'Los caprichos', pub. 1799 (etching)
Technique: etching and burnished aquatint
Date: 1799 AD (C18th AD)
Crédit Photo: Bridgeman Images