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Images de 'PunchÕs Pocket Books' médias trouvés, 21

Preparatory School for Young Ladies, 1851. Young ladies in aprons in a kitchen studying cookery with small girls in dunces' caps. Young ladies were urged to become good housewives. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Preparatory School for Young Ladies, 1851. Young ladies in aprons in a kitchen studying cookery with small girls in dunces' caps. Young ladies were urged to become good housewives. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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Dressing for the Ball in 1857. Woman being helped by maids into an inflatable hoop frame to support her crinoline dress. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Dressing for the Ball in 1857. Woman being helped by maids into an inflatable hoop frame to support her crinoline dress. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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Swimming for Ladies, 1860. Women and girls in full body bathing suits diving, swimming and playing in a Victorian pool. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Swimming for Ladies, 1860. Women and girls in full body bathing suits diving, swimming and playing in a Victorian pool. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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Conversavione of Ladies, 1848. Satirical print of ladies in a salon discussing fashion, children, dogs and man servants. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Conversavione of Ladies, 1848. Satirical print of ladies in a salon discussing fashion, children, dogs and man servants. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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A Rather Fast Steeple Chase, 1864. Ladies riding horses side-saddle jumping over a brook. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

A Rather Fast Steeple Chase, 1864. Ladies riding horses side-saddle jumping over a brook. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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The Matrimonial Tattersalls, 1847. Satirical print of a market for brides and grooms in the style of Tattersalls horse market. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

The Matrimonial Tattersalls, 1847. Satirical print of a market for brides and grooms in the style of Tattersalls horse market. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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Topsy Turvey, or our Antipodes, 1854. Refined English ladies in crinolines waiting on rough and unkempt gold prospectors in Australia during the Gold Rush. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Topsy Turvey, or our Antipodes, 1854. Refined English ladies in crinolines waiting on rough and unkempt gold prospectors in Australia during the Gold Rush. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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Volunteer Movement, Jones & Family under Canvass', 1862. Satirical print showing a Victorian family playing soldiers for the Volunteer Force, a part-time territorial army. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Volunteer Movement, Jones & Family under Canvass', 1862. Satirical print showing a Victorian family playing soldiers for the Volunteer Force, a part-time territorial army. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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Farming for Ladies, 1845. Lady in a three-wheeled chair with her footmen in livery using a ladle to feed pigs in a pigsty. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Farming for Ladies, 1845. Lady in a three-wheeled chair with her footmen in livery using a ladle to feed pigs in a pigsty. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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A Prize Baby Show, Materfamilias rewarding a successful Candidate, 1855. A lady in black shawl gives a cookery book to a young mother in crinolines at a cute baby contest. The baby show was imported from America. In the shadows, a gaunt baby weaned on laudanum and gin. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

A Prize Baby Show, Materfamilias rewarding a successful Candidate, 1855. A lady in black shawl gives a cookery book to a young mother in crinolines at a cute baby contest. The baby show was imported from America. In the shadows, a gaunt baby weaned on laudanum and gin. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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Fashions for 1844. Group of men in a park wearing tall hats, tight-waisted coats and jackets. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Fashions for 1844. Group of men in a park wearing tall hats, tight-waisted coats and jackets. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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Higgledy-Piggledy, or a Domestic Republic 1849. Gentleman facing a revolt by his wife, children, housekeepper and servants. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Higgledy-Piggledy, or a Domestic Republic 1849. Gentleman facing a revolt by his wife, children, housekeepper and servants. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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Croquet Match, 1862. Victorian gentlemen and ladies playing the fashionable game of croquet. A woman steps on a ball to croquet her male opponent, while another lady shows her ankles under her crinoline skirts. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Croquet Match, 1862. Victorian gentlemen and ladies playing the fashionable game of croquet. A woman steps on a ball to croquet her male opponent, while another lady shows her ankles under her crinoline skirts. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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Hyde Park as it will be, 1846. Satirical futuristic print of gentlemen riding personal steam engines pumping out fumes. Queen Victoria and family ride a large engine with Horse Guards mounted on an engine beside them. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Hyde Park as it will be, 1846. Satirical futuristic print of gentlemen riding personal steam engines pumping out fumes. Queen Victoria and family ride a large engine with Horse Guards mounted on an engine beside them. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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Picnic in the Drawing Room, a capital thing for a Wet Day, 1859. Satirical print showing Victorians lounging on the carpet with Fortnum and Mason picnic hampers. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Picnic in the Drawing Room, a capital thing for a Wet Day, 1859. Satirical print showing Victorians lounging on the carpet with Fortnum and Mason picnic hampers. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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A substitute for the Sea Side, or the Serpentine as it might be, 1858. Children swimming and building sandcastles, women feeding swans, changing into costumes near the lake in Hyde Park. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

A substitute for the Sea Side, or the Serpentine as it might be, 1858. Children swimming and building sandcastles, women feeding swans, changing into costumes near the lake in Hyde Park. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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Progress of Bloomerism, or a Complete Change, 1852. Gentleman holding a baby while his wife in skirt and bloomers leaves for her club with her girls. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Progress of Bloomerism, or a Complete Change, 1852. Gentleman holding a baby while his wife in skirt and bloomers leaves for her club with her girls. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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A Social Sketch, or Everything in Common 1850. Satirical print of social unrest after a revolution. A black banjo player attacked by the men of the house for talking to a lady. Ladies forced to wash clothes and peel potatoes, coarse peasants in the drawing room, etc. Handcoloured etching by John Leech from Follies of the Year, from Punch's Pocket Books, Bradbury, London, 1864.

A Social Sketch, or Everything in Common 1850. Satirical print of social unrest after a revolution. A black banjo player attacked by the men of the house for talking to a lady. Ladies forced to wash clothes and peel potatoes, coarse peasants in the drawing room, etc. Handcoloured etching by John Leech from Follies of the Year, from Punch's Pocket Books, Bradbury, London, 1864.

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The Quiet Street, a Sketch from a Study Window, 1856. Satirical print showing a noisy London street: a brassband, Masaniello's pipe organ, a hurdy gurdy, blackface musicians, bawling children, tumbling urchins, etc. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

The Quiet Street, a Sketch from a Study Window, 1856. Satirical print showing a noisy London street: a brassband, Masaniello's pipe organ, a hurdy gurdy, blackface musicians, bawling children, tumbling urchins, etc. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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Some Sea-Side Fashions for 1863. Victorian ladies in short hooped skirts and tiny bonnets, wearing riding boots, bloomers and shoes, holding walking sticks. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Some Sea-Side Fashions for 1863. Victorian ladies in short hooped skirts and tiny bonnets, wearing riding boots, bloomers and shoes, holding walking sticks. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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Alarming Prospect: Single Ladies off to the Diggings, 1853. A crowd of women in crinolines and bonnets stands on the dock waiting for ships to take them out to Australia and the Gold Rush. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

Alarming Prospect: Single Ladies off to the Diggings, 1853. A crowd of women in crinolines and bonnets stands on the dock waiting for ships to take them out to Australia and the Gold Rush. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

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