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Images of 'Louis XV Of France' found, 177

 
Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. The works began in 1755 and the square was inaugurated in 1763 under the name of Place Louis XV, it became the place of the Revolution in 1792 and became the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867) to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Luxor obelisque.

Luc Boegly

LBY4596819

Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. The works began in 1755 and the square was inaugurated in 1763 under the name of Place Louis XV, it became the place of the Revolution in 1792 and became the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867) to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Luxor obelisque.

Luc Boegly

LBY4596819

 
Palace of Versailles, Madame Adelaide Bedchamber. (photo)

Frank Buffetrille

FBU7422955

Palace of Versailles, Madame Adelaide Bedchamber. (photo)

Frank Buffetrille

FBU7422955

 
Palace of Versailles, Madame Adelaide's Grand Cabinet (photo)

Frank Buffetrille

FBU7422968

Palace of Versailles, Madame Adelaide's Grand Cabinet (photo)

Frank Buffetrille

FBU7422968

 
Palace of Versailles, Madame Adelaide Bedchamber. (photo)

Frank Buffetrille

FBU7422963

Palace of Versailles, Madame Adelaide Bedchamber. (photo)

Frank Buffetrille

FBU7422963

 
The fountains of the Rivers on the Place de la Concorde in Paris. Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867), to redesign the square with the eight statues of the big cities of France and the fountains surrounding the obelisque of Luksor, realisation 1835-1840. Phototorgpahie 10/09/04.

TEC4595952

The fountains of the Rivers on the Place de la Concorde in Paris. Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867), to redesign the square with the eight statues of the big cities of France and the fountains surrounding the obelisque of Luksor, realisation 1835-1840. Phototorgpahie 10/09/04.

TEC4595952

 
View of the Avenue des Champs Elysees from La Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. The works began in 1755 and the square was inaugurated in 1763 under the name of Place Louis XV, it became the place of the Revolution in 1792 and became the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867) to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Luxor obelisque.

Luc Boegly

LBY4596830

View of the Avenue des Champs Elysees from La Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. The works began in 1755 and the square was inaugurated in 1763 under the name of Place Louis XV, it became the place of the Revolution in 1792 and became the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867) to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Luxor obelisque.

Luc Boegly

LBY4596830

 
The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

Luc Boegly

LBY4748669

The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

Luc Boegly

LBY4748669

 
The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622629

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622629

 
The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

Luc Boegly

LBY4748676

The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

Luc Boegly

LBY4748676

 
The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

Luc Boegly

LBY4748691

The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

Luc Boegly

LBY4748691

 
The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622659

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622659

 
Chanteloup Pagoda

Stephane Aubin

PIX5940303

Chanteloup Pagoda

Stephane Aubin

PIX5940303

 
Chanteloup Pagoda

Stephane Aubin

PIX5940289

Chanteloup Pagoda

Stephane Aubin

PIX5940289

 
Chanteloup Pagoda

Stephane Aubin

PIX5940292

Chanteloup Pagoda

Stephane Aubin

PIX5940292

 
Chanteloup Pagoda

Stephane Aubin

PIX5940300

Chanteloup Pagoda

Stephane Aubin

PIX5940300

 
The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622625

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622625

 
The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622655

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622655

 
The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622729

The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1

TEC4622729

 
The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

Luc Boegly

LBY4748673

The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.

Luc Boegly

LBY4748673

 
Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

TEC4622734

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

TEC4622734

 
Chanteloup Pagoda

Stephane Aubin

PIX5940291

Chanteloup Pagoda

Stephane Aubin

PIX5940291

 
Chanteloup Pagoda

Stephane Aubin

PIX5940301

Chanteloup Pagoda

Stephane Aubin

PIX5940301

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