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A Harlot 's Progress
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A harlot.
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The Harlot of Jericho and the Two Spies (oil on canvas)
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The Fat Harlot, 1899 (woodcut)
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The Harlot Lodged in Bridewell, 1744 (etching)
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Fanny Murrey (or Murray). (1729-78) A courtesan. Portrait.
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Title page
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A Harlot 's Progress by Iain Bell October 2013
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A Harlot 's Progress by Iain Bell October 2013
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Hans Baldung, prostitution scene
A Harlot 's Progress by Iain Bell October 2013
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A Harlot 's Progress by Iain Bell October 2013
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A Harlot 's Progress by Iain Bell October 2013
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Peasant Dance, 1568 (Oil on wood)
Purgatorio: Dante and Statius watch a giant kissing a harlot.
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A Harlot 's Progress by Iain Bell October 2013
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A Harlot 's Progress by Iain Bell October 2013
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A Harlot 's Progress by Iain Bell October 2013
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A Harlot 's Progress by Iain Bell October 2013
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A Harlot 's Progress by Iain Bell October 2013
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Sally Salisbury (c.1692 - 1724), real name Sarah Pridden and also known as Sarah Priddon, was a celebrated prostitute in early 18th-century London.
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Street prostitutes in the Berlin workhouse, 1857
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A Harlot 's Progress by Iain Bell October 2013
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A Harlot 's Progress by Iain Bell October 2013
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The joyful life in the 16th century: cabaret scene
The Harlot Finds a Protector, designed
1732, printed 1744 (Etching and engraving)
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House in ancient Greece. 19th century sd engraving.
Roman Antiquite: Spintriae (spintria or spintrian) erotic token uses to pay prostitutes or the entry of lupanars distilling sex scenes -
The Innocent Girl Becomes a Harlot,
designed 1732, printed 1744 (Etching and engraving)
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Prostitution: prostituees and client in a spanish whorehouse, 17th century Engraving Collection privee
Interior of a brothel at the end of the 19th century.
The Bacchanal Queen: a woman toasts with a drink in a place of debauche.
Scene 1: The entrapment of a defenseless country maid upon her arrival to London
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Jealousy, 1890 (oil on canvas)
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Costumes of prostitutes and gigolos with provocative attitudes and different styles.
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Ruhende Dirnen.
Prostitutes.
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People and housing
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The Harlot and the Giant, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
Roman Antiquite: Spintriae (spintria or spintrian) erotic token uses to pay prostitutes or the entry of lupanars distilling sex scenes -
Socrates discovers the young Alcibiade with an hetary, 19th century (oil on canvas)
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Reconstruction of a street with a prostitute, Shanghai Pass Museum. Photography, Leonard de Selva, China, 2006.
Julia Johnstone (1777-unknown). A courtesan.
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Prostitute and bad boys - etchings by Andre Dignimont (1891-1965) for “The Innocents” by F. Carco, Hazan, 1930.
Recommendations of the Committee on Homosexual Offences and Prostitution, dated 1957.
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Roman Antiquite: Spintriae (spintria or spintrian) erotic token uses to pay prostitutes or the entry of lupanars distilling sex scenes -
Front cover of the 'Report of the Committee on Homosexual Offences and Prostitution', dated 1957.
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Roman Antiquite: Spintriae (spintria or spintrian) erotic token uses to pay prostitutes or the entry of lupanars distilling sex scenes -
A street in Canton (China).
Illustration depicting a woman praying.
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Prostitute - etchings by Andre Dignimont (1891-1965) for “The Innocents” by F. Carco, Hazan, 1930.
Courtesans using a telescope to get a view of the racecourse at Takada, on the outskirts of Edo.
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Recommendations of the Committee on Homosexual Offences and Prostitution, dated 1957.
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Prostituees - cover "La maison Tellier" by Maupassant
Courtesans
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