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'Chale' images and/or videos results page 1 of 47

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French comedian Eve Lavalliere in play "La revue des varietes", picture from magazine "Le Theatre" january 1902
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Opera singer Charlotte Wyns as Messaline in opera "Messaline", photo by Desgranges from french paper "Le Theatre" july 11, 1904
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Titanic by J. Cameron, 1997 (film still)
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Emma, by Douglas McGrath, 1996 (film still)
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Katherine Schwarzenegger
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TORRENT, 1926 (film still)
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Men and women's fashion in France , at the time of the Directoire, 1795-1799, engraving
Geraldine Farrar (1882-1967) american opera singer as Carmen 1915
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Woman living simply in a maid's room under roof, France, 30's, photo by Henri Manuel. She's knitting
Soraya, Queen of Iran in Holidays on A Beach on French Riviera June 1953 (b/w photo)
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Women's fashion, engraving from a book about French habits at time of Directoire (1795-1799)
Italian Dancer Alessandra Ferri Slipping on Points (b/w photo)
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Monica Belluci at Venice Film Festival, 2002 (photo)
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On Pont Neuf in Paris c. 1810, engraving
women 's fashion in France , at the time of the Directoire 1795-1799, engraving
Actors Helmut Berger and Linda Blair at A Charity Gala November 1976 (b/w photo)
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Madame Bovary, 1949 (film still)
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The great forgiveness
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Dress and Chale - Wonderful. Fashion 1790 - 1795. Engraving.
The judge and the murderer
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Woman of the Samoan islands, 19th century, in shawl over one shoulder, fur skirt, holding a straw fan. Portrait of a Samoan woman brought to England by the missionary Rev. Stair. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Man fashion (top hat, frock coat) and woman fashion (crinoline, shawl) c. 1850, engraving
Traditionnal costum in Arzon (Morbihan, Brittany, France), Postcard, 1953
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Costumes of the people of Lima, Peru. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Costumes of the indigenous people of Quito, Ecuador. Women in shawls, aprons, skirts and bonnets. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Roger Vailland (1907-1965) French Novelist here in 1957 (b/w photo)
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Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.”” Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
The Night of the lace in Paris on December 1st, 1949 : a Republican Guard looking at a lace suit worn by a model (b/w photo)
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Three fashionable women in bonnets with tall floral displays, holding a green shawl to form a living fruit basket. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
French Actress Germaine Montero in Play L'Echange Dressed As A Gipsy With Shawl December 13, 1951 (b/w photo)
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Lingere ambulante - Itinerant seamstress, Paris, early 19th century, in blue dress with black apron and scarlet shawl, selling bonnets from a hat box - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Sep 18, 1987; PLO Leader YASSER ARAFAT at the European UNO headquarters in Geneva, Switzerland
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Woman wearing headdress and dress featuring extravagent pleating and flouncing. Pleated collars, flounces (falbalas) and ruffs (chicories), have never been more in fashion than today. The art of pressing has been raised to the point of perfection. The elegantes no longer send their linen to Neuilly: the coarse hands of the peasants tear the fabric they launder. The delicate hand of a Parisienne is required for fine linen. It costs 6 sous to launder a dress, and 50 to press it.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Dress Made With Papers, Paris, February 13, 1955 : The Winner, Francine Legrand (Dressmaker at Dior'S) (b/w photo)
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Fashionable women in decollete dresses playing the game of hide and seek in a garden. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Woman of Cadiz, Spain, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
The Depart of the Dragon, 1780 (oil on canvas)
Metisse de Martinique - Mixed-race woman of Martinique, 1865. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Seated Lady with a Shawl, 1899-1900 (pastel on paper)
Countess Verasis de Castiglione nee Virginia Oldoini (1837-1899) The Countess, Italian courtesan, was the mistress of Napoleon III - She poses clothed with a veil and lime in black crepe - Silver gelatin bromide test by Louis Pierson (1822-1913) 1893
The judge and the murderer
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Embroiderer - Embroiderer, Paris, early 19th century, in white dress and bonnet - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Bonne - Maid, Paris, early 19th century, in lace collar, scarlet shawl, white apron and green dress - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris”” (Tradeswomen of Paris), Paris, 1823
Actress Claire Friche as Floria Tosca in play "La Tosca" in Paris, cover of magazine "Le Theatre" december 1903
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Roman woman in tunic and polla (toga), and woman in tunic and ricinium (shawl). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).
Woman and child in town clothes. Consulate era, 1803. Handcoloured steel engraving by Hippolyte Pauquet after Louis-Philibert Debucourt, from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Modiste - Milliner, Paris, early 19th century, in bonnet, lace collar, shawl, green apron over yellow dress, carrying a hat box - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
France, Portrait rehauled a watercolour by Celine Montaland (1843-1891), French actress 1860
French comedian Marthe Regnier as Jacqueline in play "La Passerelle", Paris, photo Reutlinger from french paper "Le Theatre" june 11, 1904
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Anne Marie Chassaigne known as Liane de Pougy (1870-1950) famous parisian dancer and courtesan, here dancing in Paris, french Postcard
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Three girls in mid-calf length dresses and pantalons dancing with a shawl. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Blanchisseuse - Laundress of Paris, early 19th century, in bonnet, shawl, red dress and black apron, holding a basket of laundry - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Beggar's head (1882). Paul Albert Bartholome (1848-1928). Pastel and lead on blue grey paper glue in full on cardboard. Musee des Beaux-Arts de la Ville de Paris, Petite Palais.
Antwerp: Studio portrait of a woman, 1870
Chambermaid - Chambermaid, Paris, early 19th century, wearing long red dress, white apron, bonnet and collar - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris”” (Tradeswomen of Paris), Paris, 1823
Bride examining the contents of her marriage basket. Her bridesmaids show her lace, jewelry, diaments and finery. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Margrethe II of Denmark
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The roller coaster at Belleville with its five cars riding a distance of 600 feet in 9 or 10 seconds. A fashionable woman in plumed bonnet, shawl and parasol watches from the terrace. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Noblewoman of northern Germany after Abraham de Bruyn, 1581 - Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865
Petite bourgeoise woman of Paris in coat, bonnet, gloves and shawl, carrying an umbrella. Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823.
Danish lady, 1626. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
Millinery shop workers. Women in lowcut muslin dresses trying on hats, holding a hat box, fixing feathers to a headdress and reading a notebook at the counter. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Beggar's head (1882). Paul Albert Bartholome (1848-1928). Pastel and lead on blue grey paper glue in full on cardboard. Musee des Beaux-Arts de la Ville de Paris, Petite Palais.
Women's costume in the reign of Charles the Bald, after a contemporary manuscript, 9th century. Handcoloured steel engraving by Polidor Pauquet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.