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Royal Collection

Collection Overview

The Royal Collection spans over 500 years of history. Personally shaped by the nation's kings and queens, the Collection is home to stunning paintings, watercolours, glassware, illustrations, drawings and decorative arts. As well as featuring fine examples of royal portraiture, records of major regal events and the work of the old masters, the collection houses, amongst many other treasures, a range of drawings and texts by Leonardo di Vinci and the Triumphs of Ceasar series by Andrea Mantegna.

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Collection

Self portrait as the allegory of Painting (La Pittura), 1638-39 (oil on canvas)
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Charles II, c.1661-66 (oil on canvas)
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A lady at the virginals with a gentleman ('The Music Lesson'), c.1662-65 (oil on canvas)
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A study of a woman's hands, c.1490 (metalpoint, heightening and charcoal on paper)
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The Family of King Henry VIII, c.1545 (oil on canvas)
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Studies of the foetus in the womb, c.1510-13 (pen & ink with wash over red and black chalks on paper)
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The principal organs and vessels of a woman, c.1510 (pen & ink with chalk & wash on paper)
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Studies of flowing water, with notes, c.1510-13 (pen & ink of black chalk on paper)
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Elizabeth I when Princess, at the age of about 13, c.1546 (oil on panel)
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The Tribuna of the Uffizi, 1772-77 (oil on canvas)
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The Building of Versailles, c.1680 (oil on canvas)
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Cats, lions and a dragon, c.1513-16 (pen & ink with wash over blue chalk)
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Charles I in three positions, 1635 (oil on canvas)
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Star of Bethlehem, wood anemone and sun spurge, c.1505-10 (pen & ink with red chalk on paper)
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A portrait of Leonardo in profile, c.1515 (red chalk)
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The Field of the Cloth of Gold, c.1545 (oil on canvas)
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The muscles of the shoulder, c.1510 (pen & ink with wash over black chalk on paper)
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Studies of the coronary vessels and valves of the heart, c.1511-13 (pen & ink on blue paper)
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A plan of Imola, 1502 (pen & ink, wash and chalk on paper)
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Edward VI, c.1546 (oil on panel)
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Studies for the head of Leda, c.1505-06 (pen & ink and chalk on paper)
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A rearing horse, c.1503-04 (pen & ink and chalk on paper)
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The Royal Family in 1846 (oil on canvas)
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A comparison of the legs of a man and of a horse, c.1506-10 (pen & ink with red chalk on paper)
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A skull sectioned, 1489 (pen & ink over black chalk on paper) (recto of 3740758)
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The Academicians of the Royal Academy, 1772 (oil on canvas)
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A Deluge, c.1517-18 (pen & ink with wash on paper)
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The layers of the scalp compared to an onion and other studies, c.1490-93 (pen & ink and chalk on paper)
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Windsor Castle in modern times: Queen Victoria, Prince Albert and Victoria, Princess Royal, 1840-43 (oil on canvas)
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View of the Great Chartist Meeting on Kennington Common, 1848 (daguerreotype)
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The head of Leda, c.1505 (pen and ink over black chalk on paper)
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The muscles of the shoulder, arm and leg, c.1510 (pen & ink with wash over black chalk on paper)
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A Cranium Sectioned, 1489 (pen & ink over black chalk on paper)
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A seated man, and studies and notes on the movement of water, c.1510 (pen & ink on paper)
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Four Grotesque Heads, including a caricature of Dante, c.1517-20 (chalk on paper)
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A Scheme for a canal to bypass the Arno, c.1503 (brush & ink over black chalk on paper)
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An incident in the rebellion of 1745, c.1745-50 (oil on canvas)
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Clemens Lothar Wenzel, Prince Metternich, 1815 (oil on canvas)
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George III, Queen Charlotte and their six eldest children, 1770 (oil on canvas)
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Andrea Odoni, 1527 (oil on canvas)
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Manchester from Kersal Moor, 1852 (w/c with bodycolour and gum arabic on paper)
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A man tricked by gypsies, c.1493 (pen & ink on paper)
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Queen Victoria, 1847 (oil on canvas)
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Studies of the foetus in the womb, and the external genitalia, c.1510-13 (pen & ink with wash over black and red chalk on paper)
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Heads of horses, a lion and a man, c.1504 (pen & ink with wash and chalk on paper)
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Queen Victoria, 1859 (oil on canvas)
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The Marriage of Queen Victoria, 10th February 1840, 1840-42 (oil on canvas)
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A woman in a landscape, c.1517 (black chalk on paper)
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Charles II dancing at a ball at court, 1660 (oil on canvas)
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A tempest, c.1517-18 (pen & ink, chalk, wash and heightening on paper)
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The five eldest children of Charles I, 1637 (oil on canvas)
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The Bones and Muscle of the arm, c.1510 (pen & ink with wash over black chalk on paper)
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The head of Judas in the Last Supper, c.1495 (red chalk on pale red prepared paper)
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Map of the Valdichiana, c.1503-04 (pen & ink, w/c, bodycolour and chalk on paper)
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The superficial anatomy of the shoulder and neck, c.1510 (pen & ink with wash over black chalk on paper)
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A skull sectioned, 1489 (pen & ink over black chalk on paper)
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The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper)
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Head of St. James in the Last Supper and architectural sketches, c.1495 (red chalk, pen & ink on paper)
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A bird's-eye view of western Tuscany, c.1503-34 (pen & ink with wash and gouache over chalk on paper)
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The anatomy of the neck, c.1512-13 (pen & ink on blue paper)
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A lily (lilium candidium), c.1475 (pen & ink, wash. chalk and white heightening on paper)
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The Embarkation of William III, Prince of Orange, at Helvoetsluis, 1688-99 (oil on canvas)
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The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper)