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Delaware Art Museum

Collection Overview

Founded in 1912, the Delaware Art Museum holds a renowned collection that focuses on American art and illustration as well as the British Pre-Raphaelites (the largest collection of these outside the United Kingdom). It boasts a remarkable number of works by esteemed American illustrator (and Delaware native) Howard Pyle, as well as his students N. C. Wyeth, Maxfield Parrish, and Frank E. Schoonover. Other highlights include Ashcan school member John Sloan’s 20th century paintings, which form a part of a collection of American art that spans more than two hundred years, from the early 19th ce ...
Founded in 1912, the Delaware Art Museum holds a renowned collection that focuses on American art and illustration as well as the British Pre-Raphaelites (the largest collection of these outside the United Kingdom). It boasts a remarkable number of works by esteemed American illustrator (and Delaware native) Howard Pyle, as well as his students N. C. Wyeth, Maxfield Parrish, and Frank E. Schoonover. Other highlights include Ashcan school member John Sloan’s 20th century paintings, which form a part of a collection of American art that spans more than two hundred years, from the early 19th century to Early American Modernism, Abstraction, and Postmodernism.

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Collection

Lady Lilith, 1868 (oil on canvas)
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Summertime, 1943 (oil on canvas)
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Nero (AD 37-68) holding a golden lute with Rome in flames, from 'Quo Vadis' by Henryk Sienkiewicz, published 1897 (oil on canvas)
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Found, 1854 (oil on canvas)
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Thomas Jefferson Writing the Declaration of Independence, from 'The Story of the Revolution' by Henry Cabot Lodge (1850-1924), published in Scribner's Magazine, March 1898 (oil on canvas)
Marooned, 1909 (oil on canvas)
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Mary Magdalene, c.1858-60 (oil on panel)
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They Scrambled up the Parapet and Went Over the Top, Pell Mell, Upon the British, or The Battle of Yorktown, from 'Janice Meredith' by Paul Leicester Ford (1865-1902), published 1899 (oil on canvas)
An Attack on a Galleon, 1905 (oil on canvas)
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So the Treasure was Divided, 1905 (oil on canvas)
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Absalom Jones, 1810 (oil on paper)
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The Buccaneer Was a Picturesque Fellow, from 'The Fate of Treasure Town' by Howard Pyle, published in Harper's Monthly Magazine, December 1905 (oil on canvas)
Veronica Veronese, 1872 (oil on canvas)
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The Mother of Moses, c.1860 (oil on canvas)
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Which Shall Be Captain?, 1908 (oil on canvas)
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La Bella Mano, 1875 (oil on canvas)
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Romeo and Juliet, 1870 (oil on canvas)
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The Fight on Lexington Common, April 19, 1775, from 'The Story of the Revolution' by Woodrow Wilson (1856-1924)  (oil on canvas)
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Portrait of Elizabeth Siddal (1829-62) 1854 (w/c on paper)
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The Rush from the New York Stock Exchange on September 18, 1873, from 'A History of the Last Quarter Century' by E. Benjamin Andrews, published in Scribner's Magazine, July 1895 (oil on canvas)
Mnesmosyne, 1881 (oil on canvas)
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In a Garden, 1891 (w/c on paper laid down on canvas)
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Viking Ship (stained glass)
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Water Willow, 1871 (oil on canvas)
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The Flying Dutchman, published in Collier's Weekly, December 8, 1900 (oil on canvas)
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Within the Beguinage, c.1905 (oil on panel)
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Love's Messenger, 1869 (w/c, tempera and gold paint on paper)
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The Retreat through the Jerseys, from 'The Story of the Revolution' by Henry Cabot Lodge (1850-1924), published in Scribner's Magazine, April 1898 (oil on canvas)
Lady Lilith, 1866-68 (oil on canvas)
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Extorting tribute from the citizens, or The sack of Carthagena, from 'The Fate of a Treasure Town' by Howard Pyle, published in Harper's Monthly Magazine, December 1905 (oil on canvas)
Cover illustration for Good Housekeeping magazine, October 1928 (w/c & charcoal on paper)
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The Attack Upon the Chew House, from 'The Story of the Revolution' by Henry Cabot Lodge (1850-1924), published in Scribner's Magazine, June 1898 (oil on canvas)
Glorious Gwendolen's Golden Hair, painting on a chair designed by William Morris (1834-96), 1856-57 (painted wood)
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Tecumseh Meets with General Harrison (oil on canvas)
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The Landing of Carteret in New Jersey (oil on canvas)
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A Wolf Had Not Been Seen in Salem for Thirty Years, 1909 (oil on canvas)
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Love Sonnets, 1894 (w/c on paper)
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The Prioress's Tale, 1865-98 (gouache on paper)
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Spring Witch, c.1880 (oil on canvas)
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River of Ponds II, 1971 (8 colour litho)
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Wet Night on the Bowery, 1928 (oil on canvas)
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The Mermaid, 1910 (oil on canvas)
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Hampstead - A Sketch from Nature, 1857 (w/c on paper)
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Kidd on the Deck of the 'Adventure Galley', from 'The True Captain Kidd' by John D. Champlin, published in Harper's Monthly Magazine, December 1902 (crayon on paper)
Headpiece, The Flying Dutchman, from 'North Folk Legends of the Sea', published in Harper's Monthly Magazine, January 1902 (w/c on board)
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Hymenaeus (oil & gold leaf on panel)
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The Waterfall, 1853 (oil on panel)
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Our Corner of the Studio, 1935 (oil on canvas)
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The Victorious Retreat Back to the Rhine, 1918 (oil on canvas)
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Dante and Virgil in Union Square, 1932 (oil on canvas)
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Helen at the Easel, 1947 (casein tempera underpaint, oil varnish glaze on panel)
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Poster for the Lotos Library, c.1896 (colour litho)
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The Evacuation of Charleston, from 'The Story of the Revolution' by Henry Cabot Lodge (1850-1924), published in Scribner's Magazine, September 1898 (oil on canvas)
Hesterna Rosa, 1865 (w/c on paper)
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He Put the Glass to his Lips and Drank at one Gulp, from 'Dr. Jekyll and Mr. Hyde' by Robert Louis Stevenson (1850-94), American edition, published 1895 (oil on canvas)
America (colour litho)
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Mary in the House of St. John, 1858 (w/c on paper)
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The Corsair's Return, 1870-71 (w/c on paper)
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Copy of Beata Beatrix by Dante Gabriel Rossetti (1828-82), c.1900-10 (oil on canvas)
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Rosamund, Queen of the Lombards, 1861 (woodcut on paper)
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Carnival, Philadelphia, 1778 (gouache on paper)
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'He Gazed at Her, His Face Kindling' (pen & ink & w/c on paper)
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Study for the Head of Nimue in 'The Beguiling of Merlin', c.1873 (w/c on paper mounted on wood)
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St. George, 1892 (w/c on paper mounted on wood)
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Rock concert poster for The Jimi Hendrix Experience, John Mayall and the Bluesbreakers, at the Fillmore Auditorium, San Francisco, February 1, 1968 (colour litho)
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The Epiphany, 1899 (oil on canvas)
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Helen and Cassandra, 1866 (woodcut on paper)
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Seascape with Lighthouse (oil on board)
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