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| Field | Search term | Example |
| Asset title | title: | title:pony |
| Asset title and keywords | ~ | ~pony |
| Asset description text | description: | description:london |
| Agency prefix | prfx: or $ | prfx:lal or $LAL |
| Asset id | imageid: | imageid:250297 or imageid:[2500 TO 4000] |
| Agency name | coll: | coll:history |
| Medium | medium: | medium:oil |
| Century | century: | century:20th |
| Keywords | kw: | kw:dog |
| Artist name | artist: or ? | artist:monet or ?monet |
| Artist nationality | ?? | ??French |
| Creator ID | creatorid: | creatorid:37 |
| Location | loc: or @ | loc:exeter or @exeter |
| Classification | class: or # | class:57 or #57. Use # for unclassified assets |
| Year | year: | year:1850 or year:[1700 TO 1800] |
The Polish painter began his career during the Stalinist era, and then worked in the syle of socialist realism. After Stalin’s death, Fangor became interested in architecture and design, and was one of the founders of the Polish school of poster design. In 1965 he was included in “The Responsive Eye” show at the Museum of Modern Art in New York, which focused on Op art developments at the time. He was recognized during this period for his paintings of blurred circular or irregular shapes in vivid colors.
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