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"The Story of Looking", by Mark Cousins

 

In The Story of Looking, filmmaker and writer Mark Cousins takes us on a lightning-bright tour - in words and images - through how our looking selves develop over the course of a lifetime, and the ways that looking has changed through the centuries. From great works of art to tourist photographs, from cityscapes to cinema, through science and protest, propaganda and refusals to look, the false mirrors and great visionaries of looking, this book illuminates how we construct as well as receive the things we see.

 

Spread from "The Story of Looking", using Bridgeman images

 

The book is packed with beautiful photographs and fine art images. It is a great showcase for the variety of content in the Bridgeman archive, from vintage photographs, to masterpieces of fine art, and artifacts from the ancient world. It really is a feast for the eyes.

 

The Way it Looks from the Stern Seat, 1880s-1890s (albumen silver print from glass negative), Seneca Ray Stoddard, (1844-1917) / Museum of Fine Arts, Houston, Texas, USA / Museum purchase funded by Cindi Blakely in honor of Robert T. Blakely at "One Great Night in November, 2001" / Bridgeman Images

 

 

The Flagellation of Christ, c.1463-4 (tempera on panel), Piero della Francesca, (c.1415-92) /
Galleria Nazionale delle Marche, Urbino, Marche, Italy / Bridgeman Images

 

Find out more

Like what you see? Explore our archive for more inspiration.

Contact uksales@bridgemanimages.com for more information on licensing and clearing copyright.

Articoli Correlati

Recentemente, Alidem, leader nel panorama dell'interior design in Italia, ha intrapreso una stimolante collaborazione con Bridgeman Images. La sinergia tra queste due realtà ha dato vita a progetti straordinari, tra cui la trasformazione di spazi iconici come gli Hotel NH Collection a Milano e Verona.
Bridgeman Images ha incontrato Tim Green, Creative Director di Faceout Studio, per discutere del suo processo creativo e per approfondire l'ispirazione che sta dietro ad alcune delle sue copertine.
Bridgeman Images ha avuto il piacere di intervistare Stephen Brayda, direttore artistico di HarperVia, Amistad Books e HarperEspañol di HarperCollins Publishers.