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Anja Reinthaler, Marketing Manager

Anja Reinthaler, Marketing Manager
Anja Reinthaler, Marketing Manager 

What's your role at Bridgeman Images?

Working in London, I oversee all the marketing for our Berlin and Paris offices, supporting them with whatever they need. This includes writing creative content, press releases and taking care of some of our social media channels. I also research cultural content and trends, organise and coordinate events, identify new clients plus database management. My typical day is pretty diverse! 

What do you love most about your job? 

Coming from a picture desk, I’ve always enjoyed working with images. So when I saw that Bridgeman Images needed a German speaker, I had to apply. And here I am! I'm fascinated by the depth of our archives and feel incredibly blessed to call the people I work with friends, not just colleagues. 

What misconceptions do people most commonly have about the archive?

Whenever I talk to clients at tradeshows or events, they mainly know Bridgeman Images for our art history content. They also think it’s very UK focused, but it's so much more. I’m always surprised with the variety, especially in photography. We’ve got some pretty amazing portraits in our archives. They range from the beginnings of photography to Golden Era movie stars.

 

Anja's top picks from our archive

Compartment C, Car 293

Every time I look at this particular painting, I find myself thinking about the woman’s story on her journey. And just look at all the greens in the picture!

Hopper was a huge fan of the cinema and you can see that in his paintings. They have a very film-like feeling: the setting, theatrical lighting, the pensive characters. It all seems to be made for an audience to look at. This one very much reminds me of Hitchcock’s film The Lady Vanishes.  

Hitchcock actually acknowledged Hopper’s influence in the making of Psycho. His painting The House by the Railroad was the inspiration for the famous Bates estate.

Compartment C, Car 293, 1938 (oil on canvas), Edward Hopper (1882-1967) / Private Collection / Bridgeman Images
Compartment C, Car 293, 1938 (oil on canvas), Edward Hopper (1882-1967) / Private Collection / Bridgeman Images

 

Cinderella Greeting her Evil Stepmother

Honestly, I’m a sucker for fairy tales. And I’m not talking only about the ones with happy endings. There are lots of dark and twisted stories and, ever since I was little, I’ve been fascinated by them. Much to the annoyance of the people who’ve lived with me over the past few years, I keep buying them. I'm slowly running out of bookshelf space!

I don’t just stop with fairy tales. There’s something very intriguing about the folklore, myths and legends passed down in the oral tradition over the centuries.

 

Cinderella greeting her evil Stepmother, 1919 (woodcut), Arthur Rackham (1867-1939) / Private Collection / Prismatic Pictures / Bridgeman Images
Cinderella greeting her evil Stepmother, 1919 (woodcut), Arthur Rackham (1867-1939) / Private Collection / Prismatic Pictures / Bridgeman Images

 

Charles Robert Darwin

When I started university, I studied media. But biology has always been one of my favourite subjects. During my last big oral exam in the German equivalent of sixth form, I was questioned about evolutionary theories. I had to discuss Darwin’s idea of evolution by natural selection in front of a panel.

Isn’t this picture from the Victorian photography studio Elliott & Fry just amazing?!

Charles Robert Darwin (b/w photo), Elliott & Fry Studio (fl.1860-90) / Natural History Museum, London, UK / Bridgeman Images
Charles Robert Darwin (b/w photo), Elliott & Fry Studio (fl.1860-90) / Natural History Museum, London, UK / Bridgeman Images

 

Impression: Sunrise

This was probably THE painting which introduced me to the world of art. My mum copied it as a birthday present for my aunt. I remember her standing in the bathroom as it had the best available light, painting after coming home from work. She did a great job considering she’d never done an oil painting before - or since. It’s still hanging in my aunt’s house. Her very own copy of a classic.

Impression: Sunrise, 1872 (oil on canvas), Claude Monet / Musee Marmottan Monet, Paris, France / Bridgeman Images
Impression: Sunrise, 1872 (oil on canvas), Claude Monet / Musee Marmottan Monet, Paris, France / Bridgeman Images

 

Animation of 'Elephant Walking'

I came across Muybridge’s work early on in one of my photography classes. His ability to capture movement somehow stuck with me. He was the pioneer of motion studies.

Animation of 'Elephant walking', plate 733 from 'Animal Locomotion', 1887, by Eadweard Muybridge / Bridgeman Images
Animation of 'Elephant walking', plate 733 from 'Animal Locomotion', 1887, by Eadweard Muybridge / Bridgeman Images

 

Relax (blue)

I love this Bridgeman Studio artist. It's no surprise she was one of the winners of the Bridgeman Studio Award in 2015!  If one of our clients ever decides to do a clothes collection with her images, I’d be the first to buy a t-shirt.

Relax (blue), 2015 (digital illustration), Yoko Honda / Private Collection / Bridgeman Images
Relax (blue), 2015 (digital illustration), Yoko Honda / Private Collection / Bridgeman Images

Find out more

Need help with a project? Can't find what you are looking for? New images and clips are being uploaded every day.

Just get in touch with our team of researchers and copyright clearance experts.

 

Articoli Correlati

Bridgeman Images è orgogliosa di annunciare la rappresentazione dell'Archivio di Joseph McKenzie, una vasta collezione fotografica del "padre della fotografia scozzese moderna".
La partnership unisce le sinergie di due importanti attori dell'industria creativa.
Bridgeman Images è lieta di annunciare i vincitori dei Book Cover Awards 2024.