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Patrice Cartier - Collection Gems

Patrice Cartier is a journalist, photographer and writer. He worked for a long time for magazines and newspapers, producing photojournalism, articles and photographs. He then turned to publishing, focusing on children's literature. This led him to adapt great classics, both in terms of text and illustration.


Bridgeman Images represents his photographic archive, which includes more than 11,000 images.
Here he presents his interests and his favourite images.
 

Castles, Abbeys, Romantic Art

 

Chateau de Puilaurens (Puylaurens, Aude, 11, Pays Cathare) (photo) / Bridgeman Images
Château de Puilaurens (Aude, 11, Pays Cathare) (photo) / Bridgeman Images

 

I live in the south of France, in Occitania, a region marked in the 12th century by the development of the Cathar religion and the merciless war waged against the region's inhabitants by the Catholic Church and its army of Crusaders. Today called Cathar Country, this territory preserves many testimonies of this period, medieval castles, churches, abbeys, and Romanesque sculpture, which contributes to the happiness of a history, art and architecture lover!
 

Roman capital 12th century attributed to the Master of Cabestany. Assumption: the Virgin Mary, standing in a mandorla, is carried away by 4 angels. Church of Rieux-Minervois (Rieux, Minervois, Aude, Languedoc, Occitanie). Romanesque art © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
Roman capital, 12th century, attributed to the Master of Cabestany. Assumption: the Virgin Mary, standing in a mandorla, is carried away by four angels. Church of Rieux-Minervois (Rieux, Minervois, Aude, Languedoc, Occitania). Romanesque art © Patrice Cartier. All rights reserved 2023 / Bridgeman Images

 

Carnival

Carnival of Limoux (Aude -11): exit of the Meuniers band on the first day of the carnival, in the central square. Photo by Patrice Cartier. / Bridgeman Images
Carnival of Limoux (Aude -11): exit of the Meuniers band on the first day of the carnival, in the central square. Photo by Patrice Cartier. / Bridgeman Images

 

Born in January, in the middle of the carnival period, I have always been fascinated by these festive and mysterious manifestations of folklore specific to each country and region. From the Limoux carnival in the upper Aude valley to the Berber Boujloud in southern Morocco, carnival customs stimulate my photographic appetite.


 

An ancestral custom of Berber Morocco, the Boujloud takes place a few days after the celebration of Aid al-Adha or Aid al-Kabir (Fete of Sacrifice) - Young men and boys coat themselves with the skin of sacrificed sheep and pursue passers-by by hitting them with the feet of animals if they do not give any money. Various masks and disguises blend in at Boujloud, assimilating this tradition to that of carnival or halloween - Ait-Ourir Region, near Marrakech, November 2013 - Photo Patrice Cartier - / Photo © Gusman / Bridgeman ImagesHalloween
An ancestral custom of Berber Morocco, the Boujloud takes place a few days after the celebration of Aid al-Adha or Aid al-Kabir (Fête of Sacrifice) - Young men and boys coat themselves with the skin of sacrificed sheep and pursue passers-by by hitting them with the feet of animals if they do not give any money. Various masks and disguises blend in at Boujloud, assimilating this tradition to that of carnival or Halloween - Ait-Ourir Region, near Marrakesh, November 2013 - Photo Patrice Cartier - / Photo © Gusman / Bridgeman Images

 

Street Art

 

Tag on the walls of an abandoned house in Salsigne, 1986 (photo) / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
Tag on the walls of an abandoned house in Salsigne, Laude, Languedoc, 1986 (photo) / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
Tags and graffiti on the walls of the old semaphore of Leucate (11, Aude, Languedoc, Occitanie) 1988 - the main motif is signed by Jean-Louis Bigou / Photo Patrice Cartier - / Bridgeman Images
Tags and graffiti on the walls of the old semaphore of Leucate (Aude, Languedoc, Occitania) 1988 - the main motif is signed by Jean-Louis Bigou / Photo Patrice Cartier - / Bridgeman Images

 

Another passion of mine is graffiti, sometimes of great artistic quality, which I seek out when I travel around the world. Most of the time, these works have a short life span. This is what happened with the fresco on the left, painted on the walls of a building destined for destruction.  The one on the right, painted behind a gate in an alley in Palermo, remained for several years.
 

Palermo, graffiti anonymous, graf, tag, street art - vicolo dei corrieri 2015 - Photo Patrice Cartier - / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
Palermo, graffiti, Anonymous - vicolo dei corrieri 2015 - Photo Patrice Cartier - / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
Naples, Italy (Napoli, Italia): street-art (street art) - forbidden sense sign make-up and graffiti on a wall - tag, look - Photo Patrice Cartier - / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
Naples, Italy: street-art - forbidden sense sign make-up and graffiti on a wall - Photo Patrice Cartier - / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images

 

Animals' Illustrations

Horse, bear, elephant... whether they are natural or stylized, under the pencil of 19th-century caricaturists (Granville, Cham, Daumier...) or on the woodcuts of the 19th century, drawn by Gustave Doré for La Fontaine's Fables, or in the pages of sensational news stories in the Petit Journal Illustré, animals and their relationship with humans are always an inexhaustible source of inspiration.
 

An elephant (it's a big mistake!). The humanise pachyderm (dressed as a human) smokes the cigar. drawing by J.J. Grandville (1803-1847), in Scenes de la vie privee et publique des animaux, 1842., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Photo © Gusman / Bridgeman ImagesAn
An elephant (it's a big mistake!). The pachyderm (dressed as a human) smokes the cigar. drawing by J.J. Grandville (1803-1847), in Scenes de la vie privee et publique des animaux, 1842., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Photo © Gusman / Bridgeman Images
A young maid committed suicide by throwing herself into the bear den in Frankfurt am Main, 1891 (engraving), Meaulle, Fortune Louis (1844-1901) & Meyer, Henri (1844-99) / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
A young maid committed suicide by throwing herself into the bear den in Frankfurt am Main, 1891 (engraving), Fortune Louis Meaulle (1844-1901) & Henri Meyer (1844-99) / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images

 

Jules Verne

Portrait of the writer Jules Verne in Amiens, seated at his writing desk in 1892, Herbert, Charles (1829-1911) / Private Collection / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
Portrait of the writer Jules Verne in Amiens, seated at his writing desk in 1892, Charles Herbert (1829-1911) / Private Collection / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
Cover of Jules Verne's book with 2 novels:” Five Weeks in Ballon” (1863) and “ Journey to the Centre of the Earth” (1864) - Hetzel collection/Extraordinary Voyages - Polychrome cardboard says back to the lighthouse to an elephant, with Extraordinary Voyages in the fan. Binding made by Mr. Engel between 1905 and 1914 / Bridgeman Images
Cover of Jules Verne's book, 'Extraordinary Voyages: ”Five Weeks in a Balloon” (1863) and “Journey to the Centre of the Earth” (1864) - Hetzel collection/Extraordinary Voyages - Polychrome cardboard says back to the lighthouse to an elephant, with Extraordinary Voyages in the fan. Binding made by Mr. Engel between 1905 and 1914 / Bridgeman Images

 

Having inherited from my father, who had a passion for the visionary universe of this writer, the same passion and the complete collection of his Extraordinary Voyages in the original editions of the 19th century, I have endeavoured to reproduce, in the best possible conditions, the engravings which illustrated these novels. Extending this approach, I am still trying to unearth everything related to the Vernian universe, what is sometimes called (with a little condescension and irony) the Jules Verneries. This is how the torn cover of a cheap adventure booklet, rescued from a paper bin, ended up being published in the Jules Verne Album of... the Pléiade!
 

 

Children's Literature

The Wizard of Oz: drawing by Denslow, William Wallace (1856-1915) for one of the first editions of Frank Baum's book (1856-1919)  © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
The Wizard of Oz: drawing by William Wallace Denslow (1856-1915) for one of the first editions of Frank Baum's book (1856-1919)  © Patrice Cartier. All rights reserved 2023 / Bridgeman Images

 

As a photographer, but also an author of texts for young readers, I have linked these two activities by making adaptations of great classics of literature for today's children, such as Jules Verne's Journey to the Centre of the Earth, Robinson Crusoe, Alice in Wonderland or The Wizard of Oz. This led me to work on the illustrations of the time, but also on derivative images such as those from advertising placards, game boxes, chromos, postcards, etc.
 

Portrait of Robinson Crusoe on his island deserte, with his umbrella, rifle, tools and dog. Frontispiece of the French edition Emile Guerin of Daniel Defoe's book (De Foe), circa 1880. Engraving by G. Lafosse. / Photo © Gusman / Bridgeman Imagesdeserted
Portrait of Robinson Crusoe on his island desert, with his umbrella, rifle, tools and dog. Frontispiece of the French edition Emile Guerin of Daniel Defoe's book, circa 1880. Engraving by G. Lafosse. / Photo © Gusman / Bridgeman Images

 

Literature

Like most authors, I am also a great reader. And I love to browse through texts in their original editions. This leads me to acquire old books, sometimes in poor condition. Tightening bindings and reattaching covers, far from being a thankless task, is an absolute pleasure for me! I extend this pleasure by photographing the books that seem worthy of interest and completing the physical repair with digital retouching. This is how well-cleaned original dust jackets can sometimes be used again as covers for modern reissues.

 

The book La Carte et le Territoire, French and English edition (photograph) / Private Collection / Bridgeman Images
The book La Carte et le Territoire, French and English edition (photograph) / Private Collection / Bridgeman Images

 

Ephemera - Eroticism

Who hasn't been surprised to see one of these disturbing photographs, slipped as a bookmark inside an erotic book or forgotten in the middle of a heap of old papers in a junk shop trunk, a fleeting memory of unconfessed and perhaps paid-for love affairs? My favourite is this one, a beautiful mise en abyme of a naked woman putting her hair back up in front of a mirror in which is reflected a painting showing a woman arranging her hair.  All this under the absent gaze of a fully clothed man...
 

"Small" Museums

 

Bust of a man (maybe of Apollo) with the head crowned with laurel, late 2nd - early 3rd century (fresco), Roman, (2nd-3rd century) / Musee Narbo Via, Narbonne, France / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
Bust of a man (maybe of Apollo) with his head crowned with laurel, late 2nd - early 3rd century (fresco), Roman, (2nd-3rd century) / Musee Narbo Via, Narbonne, France / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
Bronze Buddha 14th century, north of Thailand - Barcelona (Barcelona) Museum of world cultures / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
Bronze Buddha 14th century, north of Thailand - Barcelona Museum of world cultures / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images

 

Away from the internationally renowned "big" museums, there is a multitude of smaller museums of modest appearance and reputation, full of masterpieces. It is always a pleasure to discover fabulous collections of paintings, sculptures or archaeology outside the usual tourist spots and to spend hours taking photographs. In Spain, for example, I am thinking of the Cau Ferrat Museum in Sitges or the Frederic Marès Museum in Barcelona. In France, I would mention the extraordinary gallery of Orientalist painters in the Museum of Art and History in the city of Narbonne. The Roman remains are skilfully displayed in the Narbo Via museum.

 

Reverie, 1883 (huile sur toile), Jean Raymond Hippolyte Lazerges (1817-87) / Musee d'Art et d'Histoire, Narbonne, France / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
Reverie, 1883 (huile sur toile), Jean Raymond Hippolyte Lazerges (1817-87) / Musee d'Art et d'Histoire, Narbonne, France / © Patrice Cartier. All rights reserved 2023 / Bridgeman Images

 

Key periods

 

First World War (1914-1918): the French general Paul Pau (1848-1932) climbs on a white horse passes in front of a German convoy - glass plate (circa 1914) broadcast by the Maison de la Bonne Presse, rue Bayard in Paris - / © Patrice Cartier. All rights reserved 2023 / Bridgeman Imagesand
First World War (1914-1918): the French general Paul Pau (1848-1932) on a white horse in front of a German convoy - glass plate (circa 1914) broadcast by the Maison de la Bonne Presse, rue Bayard in Paris - / © Patrice Cartier. All rights reserved 2023 / Bridgeman Imagesand 

 

Like all iconography enthusiasts, I have my favourite periods. Periods of human history that, for one reason or another, touch me most deeply. In addition to the medieval period already mentioned (particularly the Middle Ages of southern France in the 12th century), I am more interested in finding documents concerning the French colonial period and the First World War. This is an opportunity to restore glass plates, a delicate but exciting job.
I was about to forget prehistory, also one of my favourite fields, certainly in memory of the long-ago time when I was excavating in many caves and megalithic monuments, under the direction of the great prehistorian Jean Guilaine!

 

Error of 19th century prehistorians: on this chromo (chromolithograph) published at the 1889 Universal Exhibition in Paris, a dolmen is considered a prehistoric house and not a tomb © Patrice Cartier. All rights reserved 2023 / Bridgeman Images
Error of 19th century prehistorians: on this chromo (chromolithograph) published at the 1889 Universal Exhibition in Paris, a dolmen is considered a prehistoric house and not a tomb © Patrice Cartier. All rights reserved 2023 / Bridgeman Images

 

And more... Theatre, cinema, vintage advertisements, portraits of artists and writers: to be found among Patrice Cartier's collections at Bridgeman Images!
 

Illustration from 'Scènes de la vie de bohème' by Henri Murger (colour litho), Andre Gill,  (1840-85) / Private Collection / Bridgeman Images
Illustration from 'Scènes de la vie de bohème' by Henri Murger (colour litho), Andre Gill,  (1840-85) / Private Collection / Bridgeman Images


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