From the moment of her accession in February 1952, Queen Elizabeth II has been subjected to relentless visual scrutiny and has been one of the most depicted women in the world. Take a look at a selection of painted portraits of Her Majesty through the ages, from the 50s to the present day and discover how the artists have managed to capture her character and importance.

1950s, 1960s

During her first decade on the throne, press and studio photographers and painters emphasised Elizabeth’s youth, elegance and glamour.

 Portrait of Queen Elizabeth II, when Duchess of Edinburgh, 1950 (oil on canvas), Birley, Oswald Hornby Joseph (1880-1952) / Private Collection / Photo © Philip Mould Ltd, London
Portrait of Queen Elizabeth II, when Duchess of Edinburgh, 1950 (oil on canvas), Oswald Hornby Joseph Birley (1880-1952) / Private Collection / Photo © Philip Mould Ltd, London
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H.M. Queen Elizabeth II (oil on canvas), James Gunn (1893-1964) / Royal Hospital Chelsea, London, UK
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Portrait of Queen Elizabeth II wearing coronation robes and the Imperial State Crown, Burgh, Lydia de (1923-2007) / Government of Northern Ireland, Stormont, N. Ireland
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Her Majesty Queen Elizabeth II (b.1926) 1959 (oil on canvas), Denis Quinton Fildes (1889-1975) / Gurkha Museum, Winchester, England
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Queen Elizabeth II, 1965 (painting), Greenham, Peter George (1909-92) / Private Collection / © Heinrich Zinram Photography Archive / Bridgeman Images

 

1970s, 1980s

During this era images of the Queen became increasingly informal and relaxed. However, the first public appearances of Lady Diana Spencer at the start of the 80s consequently made the press more intrusive and more probing into the public image of royalty.

‘I want to be as famous as The Queen of England’ – Andy Warhol

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Portrait of Her Majesty Queen Elizabeth II, 1974 (oil on panel), Hepple, Norman (1908-94) / Private Collection / Photo © Philip Mould Ltd, London / © Estate of Norman Hepple. All rights reserved 2025 / Bridgeman Images
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HM Queen Elizabeth II, late 1970s (oil on canvas), Poole, David (b.1931) / Herbert Art Gallery & Museum, Coventry, UK / © Herbert Art Gallery & Museum, Coventry / Bridgeman Images
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Queen Elizabeth II, 1985 (screenprint), Warhol, Andy (1928-87) / Private Collection / © 2025 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London / Bridgeman Images

 

1990s

The depictions of the Queen grew more diverse in the 1990s and suggest the struggle for identity that confronted the royal family. The impression of disintegration culminated in Princess Diana’s tragic death in 1997 which provoked fresh speculation about the state and future of the monarchy.

The paintings and photographs produced during this time convey a startling spectrum of implications, ranging from Christian Furr’s poised image of the Queen to Justin Mortimer’s fragmented portrait.

HM Queen Elizabeth II, 1995 (oil on canvas), Furr, Christian / Private Collection
HM Queen Elizabeth II, 1995 (oil on canvas), Furr, Christian (b.1966) / The Royal Overseas League Headquarters, Park Place, London / © Christian Furr. All rights reserved 2025 / Bridgeman Images
Her Majesty the Queen, 1996 (oil on canvas), Ryder, Susan / Royal Automobile Club, Pall Mall, London
Her Majesty the Queen Elizabeth II, 1996 (oil on canvas), Ryder, Susan (b.1944) / Royal Automobile Club, Pall Mall, London / © Susan Ryder. All rights reserved 2025 / Bridgeman Images
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Queen Elizabeth II (b.1926), 1998 (oil on canvas), Festing, Andrew (b.1941) / Royal Hospital Chelsea, London, UK / Royal Hospital Collection / Bridgeman Images
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Portrait of Queen Elizabeth II (b.1926) 1998 (oil on canvas), Mortimer, Justin (b.1970) / RSA, London, UK / © Royal Society for the Encouragement of Arts Manufacturers & Commerce / Bridgeman Images

 

2000s +

At the beginning of the twenty-first century a changed world gave rise to the question: what does the Queen now represent?

Lucian Freud’s portrait, which was deemed controversial, presents a characteristically unflinching view of his sitter. Unlike major artists before him, Freud was not commissioned to paint the portrait of his monarch: he had to ask. Nevertheless the Queen agreed and over a 19-month period, Britain’s monarch sat for Britain’s painter. His depiction has received mixed criticism – some finding it refreshingly ‘honest’ while others regard it as ‘unflattering’.

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Interior of Lucian Freud's studio with 'H. M. Queen Elizabeth II', 2001 (photo), Freud, Lucian (1922-2011) / © David Dawson. All rights reserved 2025 / Bridgeman Images

 

Though the many responses to the Queen’s image differ, a single impression emerges: that of an enduring presence while those around her continue to confront an uncertain future. 

 

 

 

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