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Images of 'Wied Neuwied' found, 96

Maximilian prince Wied-Neuwied
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Summer residence of Elisabeth of Wied (1843-1916). Engraving.
Elisabeth of Wied (1843-1916) (engraving)
Elisabeth of Wied (1843-1916). Engraving.
Elisabeth of Wied  (1843-1916). Queen consort of Romania.
Brazil, The Puris in their huts, from travels in Brazil by Prince Maximilian of Wied-Neuwied (1782-1867)
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Campsite of Gros Ventres along the Missouri River, aquatint by Karl Bodmer (1809-1893) from Journey into the interior of North America during the years 1832-1834, by Maximilian zu Wied-Neuwied (1782-1867), North America, 19th century
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A blackfoot indian on horse-back, engraving after drawing by Karl Bodmer made during expedition led by german traveller Maximilian zu Wied-Neuwied in North America to observe Indians (1832-1834)
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A Sioux warrior, engraving after drawing by Karl Bodmer made during expedition led by german traveller Maximilian zu Wied-Neuwied in North America to observe Indians (1832-1834)
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Natives in the Woods, plate 2 from 'Travels to Brazil' by Prince Maximilian Alexander Philipp zu Wied-Neuwied, 1815-17, pub. 1820 (engraving)
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Horse racing of Sioux Indians near Fort Pierre, engraving after drawing by Karl Bodmer made during expedition led by german traveller Maximilian zu Wied-Neuwied in North America to observe Indians (1832-1834)
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A Group of Camacans in the Jungle, engraved by J. Lips, plate 19 from 'Travels To Brazil' by Prince Maximilian Alexander Philipp zu Wied-Neuwied, 1815-17, pub. 1820 (engraving)
Bison-dance of the Mandan Indians in front of their medicine lodge in the Mih-Tutta-Hangkush, engraving after drawing by Karl Bodmer made during expedition led by german traveller Maximilian zu Wied-Neuwied in North America to observe Indians (1832-1834)
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Mandeh-Pahchu, a young Mandan Indian holding a peace pipe and wearing bead and bone head tresses, engraving after drawing by Karl Bodmer made during expedition led by german traveller Maximilian zu Wied-Neuwied in North America to observe Indians (1832-1834)
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A Meeting between Captain Bento Lourenzo and his workers in the Jungle near the Mucuri River, plate 6 from 'Travels To Brazil' by Prince Maximilian Alexander Philipp zu Wied-Neuwied, 1815-17, pub. 1820 (engraving)
Portraits of Botocudo men of Brazil with their distinctive wooden plugs in the lip and ear
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Portrait of Pehriska-Ruhpa, Minatarre warrior in the costume of the dog dance wearing a large cap of coloured clothes and feathers, a pipe made with wing bone of a swan, bow and arrow, engraving by Rene Bellet after drawing by Karl Bodmer made during expedition led by german traveller Maximilian zu Wied-Neuwied in North America to observe Indians (1832-1834)
Indians Hunting the Bison, 1833-34. Hand-colored aquatint etching of 1840 by Swiss-French artist Karl Bodmer, who accompanied German explorer Prince Maximilian zu Wied-Neuwied on his Missouri River expedition, 1833-1834 (aquatint with hand coloring)
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A Blackfoot Indian on horseback, is dressed in buckskins and armed with a rifle. Blackfoot Indians lived in the Northern Great Plains, in Montana, Idaho, and Alberta. Hand-colored aquatint etching of 1840 by Swiss-French artist Karl Bodmer, who accompanied German explorer Prince Maximilian zu Wied-Neuwied on his Missouri River expedition, 1833-1834 (aquatint with hand coloring)
View of the Rocky Mountains, 1832-34 Native Americans are in nearby hills and flood plain. The source of the Missouri River is in the Rocky Mountains in southwestern Montana. Hand-colored aquatint etching of 1840 by Swiss-French artist Karl Bodmer, who accompanied German explorer Prince Maximilian zu Wied-Neuwied on his Missouri River expedition, 1833-1834 (engraving)
Duels between Indians botocudo, has the fight and baton fight, in order to determine the hunting territories. Illustration of “” Journey to Brazil, 1815-1817”” by Maximilian von Wied Neuwied. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Territorial duels between Botocudo tribesmen including wrestling and stick fighting to decide hunting ground violation. River Belmonte, Bahia, Brazil, South America. Illustration from Maximilian von Wied-Neuwied's “” Travels in Brazil, 1815-1817.”” Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Major Dougherty's Indian Agency was encountered on the 23rd day of the Prince Maximilian's expedition up the Missouri River by steamboat. Karl Bodmer depicts groups of buildings, settlers, and the first Indians the expedition encountered on May 3, 1833. Hand-colored aquatint etching of 1840 by Swiss-French artist Karl Bodmer, who accompanied German explorer Prince Maximilian zu Wied-Neuwied on his Missouri River expedition, 1833-1834 (aquatint with hand coloring)
Fort Union Trading Post was built on the Missouri River by John Jacob Astor's American Fur Company in 1828 near the present-day border of Montana and North Dakota. Indians established camps near the fort. Hand-colored aquatint etching of 1840 by Swiss-French artist Karl Bodmer, who accompanied German explorer Prince Maximilian zu Wied-Neuwied on his Missouri River expedition, 1833-1834 (aquatint with hand coloring)
Duvaucels squirrel, Sciurus hypoleucus. Indian giant squirrel? From a specimen in the Prince Maximilian from Wied-Neuwied Museum. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from William Jardine's Naturalist's Library, Edinburgh, 1843.
House of Paraiba (Brazil). Illustration of “” Journey to Brazil, 1815-1817”” by Maximilian von Wied Neuwied. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Country house in Paraiba state, northeast Brazil. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Leaf-roofed habitat of Patacho Indians. Illustration of “” Journey to Brazil, 1815-1817”” by Maximilian von Wied Neuwied. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Patachos huts built of large palm leaves over branches. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Fort Clark Trading Post (far left center) was built on the Missouri River by James Kipp, an employee of American Fur Company, 1830-31. Kipp sited it just south of a Mandan Indian winter village (dimed buildings right of Fort Clark), hoping to engage the Native Americans in the fur trade. Hand-colored aquatint etching of 1840 by Swiss-French artist Karl Bodmer, who accompanied German explorer Prince Maximilian zu Wied-Neuwied on his Missouri River expedition, 1833-1834 (aquatint with hand coloring)
Uniform of the soldiers of Linhares (Brazil). Illustration of “” Journey to Brazil, 1815-1817”” by Maximilian von Wied Neuwied. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Soldiers of Linhares, Brazil, in uniform: trousers, coat, hat and ocelot skin, with musket, powder horn, knife and stick. Handcoloured lithograph from Friedrich Wilhelm Goedsch's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Indians inside the lodge of a Mandan Chief, 1833-34. The Mandan established permanent villages with large, round, earth lodges, some 40 feet (12 m) in diameter, surrounding a central plaza. They practiced agriculture, producing surplus corn which they traded with other Indians for buffalo meat and other items. Note the horses on left. Hand-colored aquatint etching of 1840 by Swiss-French artist Karl Bodmer, who accompanied German explorer Prince Maximilian zu Wied-Neuwied on his Missouri River expedition, 1833-1834 (aquatint with hand coloring)
Apurina Indians of Rio Purus (Peru, Brazil), scene of daily and family life. Illustration of “” Journey to Brazil, 1815-1817”” by Maximilian von Wied Neuwied. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Apurina or Ipurina people of the Purus river in Brazil. A man lies in a hammock while the woman attends the fire and roasts meat on a pointed stick. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
An Indian patacho opening a coconut with an axe and a naked hunter in Rio de Prado. Illustration of “” Journey to Brazil, 1815-1817”” by Maximilian von Wied Neuwied. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Patachos man opening a coconut with an axe, and naked hunter with bow and long arrows. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
A long canoe sailing through the white waters of Rio dos Ilheos (Brazil). Illustration of “” Journey to Brazil, 1815-1817”” by Maximilian von Wied Neuwied. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Navigating the white-water rapids on the Ilheos river on a long canoe. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Bresilian slaves equipped for hunting with their dogs, carrying their catches, lezard, monkey and various birds. Illustration of “” Journey to Brazil, 1815-1817”” by Maximilian von Wied Neuwied. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Brazilian slaves with hunting dogs and muskets. Game includes a lizard, a monkey, and a brace of birds. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Bison-Dance of the Mandan Indians in front of their Medicine Lodge. The Bison Dance, or Buffalo Dance, took place during annual festivals of North American Plains Indians, including the Mandan, Sioux, Cheyenne, Pawnee, and Omaha. The festivals celebrated the return of the buffalo herds, with men wearing buffalo, body paint, and loin cloths. In the background is the Medicine Lodge in the Mandan town of Mih-Tutta-Hankush. Hand-colored aquatint etching of 1840 by Swiss-French artist Karl Bodmer, who accompanied German explorer Prince Maximilian zu Wied-Neuwied on his Missouri River expedition, 1833-1834 (aquatint with hand coloring)
Group of Camacan Indians in the Amazon jungle. Illustration of “” Journey to Brazil, 1815-1817”” by Maximilian von Wied Neuwied. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Group of Camacan people of Bahia, Brazil. Three naked men with spears, bows, arrows and shoulder bags of hunted game, and women with apron and baby. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
A festive dance of the Camacan Indians of Bahia, the assembly naked or wearing a small apron dances around a pot on the fire. Illustration of “” Journey to Brazil, 1815-1817”” by Maximilian von Wied Neuwied. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Dance festival of the Camacan in Bahia, Brazil, with many naked men and women in aprons dancing around a pot on a fire. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.