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Bencini, Raffaello

Collection Overview

Raffaello Bencini worked in theater and portrait photography for many years before becoming one of Italy’s most renowned fine-art photographers. Among the prestigious volumes illustrated with his images, the following stand out: Palazzi di Firenze (four volumes), Palazzo Brera and the Pinacoteca (two volumes), Chiese di Firenze, The American Bible Society New Testament, The Saint Bartolomeo Church, New York, Tuscan Villas and Gardens, Roman Villas and Gardens, Palazzo Vecchio, Florence (three volumes). In addition to working with the principle publishers of Europe, North America and Japan, ...
Raffaello Bencini worked in theater and portrait photography for many years before becoming one of Italy’s most renowned fine-art photographers. Among the prestigious volumes illustrated with his images, the following stand out: Palazzi di Firenze (four volumes), Palazzo Brera and the Pinacoteca (two volumes), Chiese di Firenze, The American Bible Society New Testament, The Saint Bartolomeo Church, New York, Tuscan Villas and Gardens, Roman Villas and Gardens, Palazzo Vecchio, Florence (three volumes).

In addition to working with the principle publishers of Europe, North America and Japan, Raffaello Bencini taught television studio scenography and lighting for theater and television at the Accademia delle Belle Arti, in both Florence and Milan.

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Collection

Annunciation, 1472-75 (oil on panel) (post restoration)
Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to use and possible payment of an additional fee may be required according to Italian Cultural Heritage Code and would need to be cleared in advance with the institution where the work is kept.
Venus of Urbino, 1538 (oil on canvas)
Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to use and possible payment of an additional fee may be required according to Italian Cultural Heritage Code and would need to be cleared in advance with the institution where the work is kept.
The Annunciation, c.1438-45 (fresco)
Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to use and possible payment of an additional fee may be required according to Italian Cultural Heritage Code and would need to be cleared in advance with the institution where the work is kept.
Whimsical, 1930 (oil on cardboard)
Lyrical, 1911 (oil on canvas)
Large Study, 1914 (oil on canvas)
The trompe l'oeil oculus of the Camera degli Sposi, 1465-74 (fresco)
Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to use and possible payment of an additional fee may be required according to Italian Cultural Heritage Code and would need to be cleared in advance with the institution where the work is kept.
Niccolo Machiavelli, 16th century (painting)
Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to use and possible payment of an additional fee may be required according to Italian Cultural Heritage Code and would need to be cleared in advance with the institution where the work is kept.
Noli Me Tangere, 1442 (fresco)
Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to use and possible payment of an additional fee may be required according to Italian Cultural Heritage Code and would need to be cleared in advance with the institution where the work is kept.
Adam and Eve banished from Paradise, c.1427 (fresco)
The Journey of the Magi to Bethlehem, the right hand wall of the chapel, c.1460 (fresco)
Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to use and possible payment of an additional fee may be required according to Italian Cultural Heritage Code and would need to be cleared in advance with the institution where the work is kept.
Ecce Homo, 19th century (oil on canvas)
Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to use and possible payment of an additional fee may be required according to Italian Cultural Heritage Code and would need to be cleared in advance with the institution where the work is kept.
Dante and his poem the 'Divine Comedy', 1465 (tempera on panel)
Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to use and possible payment of an additional fee may be required according to Italian Cultural Heritage Code and would need to be cleared in advance with the institution where the work is kept.
Judith and Holofernes, 17th century (panel)
Image Restrictions
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Primavera, (Spring) c.1478 (tempera on panel)
Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to use and possible payment of an additional fee may be required according to Italian Cultural Heritage Code and would need to be cleared in advance with the institution where the work is kept.
Portrait of Martin Luther (1483-1546) 1529 (oil on panel)
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Portrait of Michelangelo, c.1535 (oil on canvas)
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Dominant Violet, 1934 (oil and sand on canvas)
Square, 1927 (panel)
Athlete, Roman copy after an original by Polykleitos (fl.c.450-c.415 BC) in Pompeii (marble) (for detail see 119500)
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Madonna and child, c.1525 (pencil & red chalk on paper)
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Madonna of the Chair, 1513 (oil on wood)
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David, c.1440 (bronze)
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The Tribute Money, c.1426 (fresco)
Head of Christ (pencil and wash)
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Madonna of the Book, c. 1480-81 (tempera on panel)
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Detail of the Three Graces and Mercury, from the Primavera, c.1478 (tempera on panel)
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Psyche Revived by the Kiss of Cupid, 1787-93 (marble)
The Gods of Olympus, trompe l'oeil ceiling from the Sala dei Giganti, 1528 (fresco)
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Portrait bust of Solon (c.640-559 BC), copy of Greek 4th century BC original (marble)
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Adoration of the Magi detail, 1423 (tempera on panel)
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The Drunkenness of Bacchus, 1496-97 (marble)
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Primavera, c.1478,(tempera on panel) (detail of 558)
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Accompanied Centre, 1937 (oil on canvas)
Banqueting couple with a slave, Herculaneum, c.50-79 AD (fresco)
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Madonna and Child Enthroned, c.1300-10 (tempera on panel) (POST-restoration) (see also 50342)
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Portrait of Lorenzo de' Medici 'the Magnificent' (1449-92) (panel)
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White Sharpness, 1930 (oil on cardboard)
The Charge of the Lancers, 1915 (collage)
A Fight in the Amphitheatre, 59 AD (fresco)
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Liaison, 1932 (oil on canvas)
Theodora and her court, detail of the Empress, c.547 AD (mosaic) (detail of 83452)
The Madonna of the Magnificat, detail of the Virgin's face and crown, 1482 (tempera on panel) (detail of 9614)
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Burning Mirrors, Stanzio della Mattematica, 1587-1609 (fresco)
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Obverse a coin depicting the Emperor Augustus (31 BC-AD 14) minted c.07-06 BC (gold)
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David, c.1470 (bronze) (see also 220043)
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Closed Circles, 1933
Yellow Centre, 1926 (oil on cardboard)
Portrait bust of a Man, copy after a Greek 4th century BC original (marble)
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Scarcely, 1930 (tempera on gesso)
The Birth of Venus, c.1485 (tempera on canvas)
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Eve, 1528 (oil on panel) (detail of 9629)
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The Sacrifice of Isaac, bronze competition relief for the Baptistry Doors, Florence, 1401 (bronze)
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Moses, 1514 (charcoal on paper)
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Red Knot, 1936
The Annunciation, 1442 (fresco)
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Portrait bust of Socrates (469-339 BC), copy of Greek early 4th century BC original (marble) (see also 158821)
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The Journey of the Magi to Bethlehem, the left hand wall of the chapel, c.1460 (fresco)
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Balanced, 1942
Gold florin (obverse) with a fleur de lys, Florentine, 1252 (for reverse see 83494)
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The Adoration of the Magi, detail of Virgin and Child with three kings, 1423 (tempera on panel)
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View of the Nave, 1425-46 (photo)
The Madonna of the Magnificat, detail of three boys, 1482 (tempera on panel) (detail of 9614)
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The Queen of Sheba Worshipping the Wood of the True Cross and The Reception of the Queen of Sheba by King Solomon (c.1015-977) from the Legend of the True Cross cycle, completed 1464 (fresco)
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Angel Gabriel, from the Annunciation, 1472-75 (oil on panel) (detail) (post-restoration)
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