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This intensely lyrical portrayal of an unknown man goes to the heart of Elizabethan poetic and artistic sentiment. Fused into an arcadian sylvan setting with a transcribed quote from Ovid - the most studied and influential classical writer in Tudor England - this deeply arresting image toys with concepts of mortality, melancholy and idealistic commitment.
To understand the popular depiction of melancholy in Elizabethan and Jacobean portraiture, one must first appreciate its social relevance. Melancholy was considered one of the four humours, and every man was thought to have an excess of one. Each are steeped in their own qualities and the most desirous is blood which equates to the humoral type of sanguine; it is hot and moist, the two physical qualities believed to sustain life. In contrast is melancholy, associated with the negative attributes of cold and dryness, and an individual who is melancholic is on the whole unhappy and unprepossessing. However, during the late fifteenth and early sixteenth centuries this humour was re-established in Italy as the fashionable physical affliction of the intellectual – this quickly spread to England in the 1580s.
Some of the most iconic Elizabethan portraits are those which engage in the fashionable melancholic state, one of the most remarkable being a portrait of Henry Percy, 9th Earl of Northumberland by Nicholas Hilliard painted c.1594-5. Percy is portrayed lying in an expansive landscape with his head resting on his hand, his loneliness reflecting the melancholic’s passion for solitude. Like the subject of the present work, Percy is shown in more informally attire with his collar open, as if romantically caught off guard.
The inscription in the top right corner of this work, Bené Qui Latuit bené vixit, translates to roughly He who hid well, lived well, and is a quote from Ovid’s Tristea. This witty irony is typical of the Elizabethan period and often portraits would contain messages disguised by complex symbolism and wordplay. The inscription is painted on a white banner and wrapped around the branch of what appears to be a rowan tree, a species thought to provide protection from evil spirits.
Personal Prints, Cards, Gifts, Reference. Not for commercial use, not for public display, not for resale.
Eg: Put this image on a mug or as a single print for oneself or a present for someone.
$25.00
Personal website or social media
Use in a presentation. All languages, 3 years. Personal presentation use or non-commercial, non-public use within a company or organization only.
$50.00
Corporate website, social media or presentation/talk
Use on a company website, in a company social media post/page/blog, in an app or in a corporate presentation (internal or external). Not for advertising or collateral. All languages, 3 years.
$190.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
eg:Illustrate the inside of a book or magazine with a print run of 1,000 units
$100.00
Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
eg: Illustrate the inside of a book or magazine with a print run of 5,000 units