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Rosie Emerson

Biography

Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetype’s old and new, from Artemis to the modern day super model, each solitary figure, becomes an allegory of her own fantasy. Her screen-prints, using unusual materials including charcoal powder, ash and saw dust shift the focus of printmaking from precision and replication, to creation of unique, hand-finished prints with subtle texture. Her recent cyanotype works enable her to montage objects, with real size photographic negatives. U Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetype’s old and new, from Artemis to the modern day super model, each solitary figure, becomes an allegory of her own fantasy.

Her screen-prints, using unusual materials including charcoal powder, ash and saw dust shift the focus of printmaking from precision and replication, to creation of unique, hand-finished prints with subtle texture. Her recent cyanotype works enable her to montage objects, with real size photographic negatives. Using the UV light from the sun to expose objects directly on the surface, she explores the interplay between painting, collage and photography.

Her work is widely collected and exhibited both in the UK, as well as internationally, through galleries, art fairs and museums. She has also been commissioned by brands and individuals including Sony, Triumph Underwear, Redbull, P&O Cruises, Toms, and Annoushka jewelry .Her work has also been featured in Vogue, Harpers Bazaar, Another Magazine, The Financial Times Magazine and The Sunday Times Style Magazine.

In 2014 she was invited to be Artist in residence at Somerset House and was commissioned by Hackney WickED Arts Festival to create a new world record by making the world’s largest Cyanotype photograph.

...

Education & Exhibitions

Exhibitions
  • 2015 Aurora, The Club at the Ivy, London
  • 2014 Ventique, Smithson Gallery, London
  • 2014 The Moon Is No Door, Opus Gallery, Gloucestershire
  • 2014 Sirens, Hang Up Gallery, London
  • 2012 Shrine, Roberta Moore, The Chelsea Club, London
  • 2012 Solo show, Harvel Nichols, Knightsbridge
  • 2011 Alchemy, Art at Annoushka, London
Awards
  • 2015 The Bridgeman Studio Award, Cecilly and The Moon
  • 2014 Artist in Residence at Somerset House, Sola
  • 2014 Guinness Book of Records Award for Largest Cyanotype, World's Largest Cyanotype
Education
  • 2004 Ba Hons Fine Art, Kingston University, Surrey
  • 2001 Foundation Studies, Bournemouth Arts Institute, Dorset

Artwork from ' Rosie Emerson' found, 34

"I have fallen a long way. Clouds are flowering", 2014 (cyanotype with acrylic paint on paper)
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Ebony, 2015 (hand-painted cyanotype on paper)
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Asteria, 2014 (cyanotype with 22 carat gold leaf on paper)
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Parade, 2015 (Cyanotype, ink, watercolour, spray paint, pressed flowers and gold leaf on paper)
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Nephile, 2014 (cyanotype on paper)
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Callisto, 2014 (cyanotype with silver leaf on paper)
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Meno, 2015 (hand-painted cyanotype with 22 carat gold leaf on paper)
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Tiger's Bride No. 3, 2012 (screen-print on paper hand finished with ash, charcoal, solvent transfer and ink)
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Ophelia No. 1, 2013 (hand-finished screenprint with charcoal, guilder's powder and ink on paper)
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Garden Nights, 2015 (hand-painted cyanotype with 22 carat gold leaf on paper)
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Tiger's Bride No. 1, 2012 (screen-print on paper hand finished with ash, charcoal, solvent transfer and ink)
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Shrine No. 5, 2012 (screen-print with American Walnut sawdust and watercolour on paper)
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Dhama, 2014 (cyanotype on paper)
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The Mariner, 2013 (hand finished screen-print with charcoal and ash on paper)
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Legs and Drawers No. 5, 2008 (ink on paper)
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Siren No. 2, 2014 (cyanotype on paper)
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Ophelia No. 3, 2013 (hand-finished screenprint with charcoal, guilder's powder, chalk and ink on paper)
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Under The Harvest Moon, 2015 (hand-painted cyanotype on paper)
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Siren No. 1, 2014 (cyanotype on paper)
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Arion, 2015 (hand-painted cyanotype on paper)
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Cecily and the Mood, 2014 (cyanotype on paper)
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Ele, 2014 (hand-painted charcoal dust screen-print with 22 carat gold leaf)
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Ira, 2014 (cyanotype on paper)
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The Gatekeeper No. 2, 2014 (Two layer charcoal dust and metallic powder screen-print)
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Phoebe, 2014 (cyanotype on paper)
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Swarm, 2014, (cyanotype on paper)
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Legs and Drawers No. 2, 2008 (ink on paper)
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Vega, 2014 (cyanotype on paper in collaboration with photographer Beck Palmer)
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Rhoda, 2014 (cyanotype on paper)
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Aquilla, 2014 (cyanotype on paper)
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Capella, 2014 (cyanotype on paper)
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Shrine No. 6, 2012 (screen-print with American Walnut sawdust and watercolour on paper)
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Selene, 2014 (cyanotype on paper in collaboration with photographer Becky Palmer)
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Lena, 2014, (cyanotype on paper)
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