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Clerk Saunders (w/c with gum arabic and scratching out, on paper)
Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
Personal website, social media or presentation/talk
Web display, social media, apps, or blogs. Use in academic and non-commercial presentations/talks included. 5 years. Not for commercial use or advertising. All languages. 5 years
$50.00
Personal products
Personal Prints, Cards, Gifts, Slide Presentations, Reference. 5 year term. Not for commercial use, not for public display, not for resale. example: For use on birthday cards sent to family members. 5 years
watercolour with gum arabic and scratching out, on paper
Date
C19th AD
Dimensions
25.4x19.1 cms
Image description
Drawing by Elizabeth Eleanor Siddal
'Clerk Saunders' is a well-known Border ballad that appears in many early collections. The first part describes how the Clerk seduces Maid Margaret and is stabbed to death by her brothers when they find them sleeping. In the second part, which seems to be the subject of Siddal's design, the action moves into the sphere of the supernatural. The Clerk returns after death to claim a token of love and Maid Margaret follows him in a vain attempt to share his grave as she has his bed.
Siddal's design was conceived in response to a commission that she and Rossetti received in 1854 to illustrate a collection of ballads that their friend William Allingham was editing for Routledge.