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Japan: Woodblock print depicting a mob taking revenge on a namazu catfish suspected of causing...
Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
Personal website or social media
Web display, social media, apps or blogs. 5 years.
Not for commercial use or advertising.
All languages. 5 years
$50.00
Personal products
Personal Prints, Cards, Gifts, Slide Presentations, Reference. 5 year term. Not for commercial use, not for public display, not for resale.
example: For use in an internal Powerpoint presentation at work.
5 years
The Namazu, also called the Onamazu, is a creature in Japanese mythology and folktales. The Namazu is a gigantic catfish said to cause earthquakes and tremors. Living in the mud under the Japanese isles, the Namazu is guarded by the protector god Kashima, who restrains the catfish using the "kaname-ishi" rock. Whenever Kashima lets his guard down, Namazu thrashes about and causes violent earthquakes.
The Namazu rose to new fame and popularity after the Ansei great earthquakes that happened near Edo in 1855. This led to the Namazu being worshipped as a god of world rectification ("yonaoshi daimyojin"), sent by the gods to correct some of the imbalances in the world.
Catfish woodblock prints known as "namazu-e" became their own popular genre within days of the earthquake. They were usually unsigned and often depicted scenes of a namazu or many namazu atoning for their deeds. They were quickly squashed by the Tokugawa Shogunate, the prints censored and destroyed, with only a handful surviving to this day.