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Friar Tuck and the Black Knight (watercolour and bodycolour on paper on card)
Editorial (Books, magazines and newspaper) - extended
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 5000. 7 years. (excludes advertising)
$175.00
Editorial (Books, magazines and newspaper) - standard
Print and/or digital. Single use, any size, inside only. Single language only. Single territory rights for trade books; worldwide rights for academic books. Print run up to 1500. 7 years. (excludes advertising)
$100.00
Corporate website, social media or presentation/talk
Web display, social media, apps or blogs.
Not for advertising. All languages. 1 year + archival rights
$190.00
Personal website or social media
Web display, social media, apps or blogs. 5 years.
Not for commercial use or advertising.
All languages. 5 years
$50.00
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Personal Prints, Cards, Gifts, Slide Presentations, Reference. 5 year term. Not for commercial use, not for public display, not for resale.
example: For use in an internal Powerpoint presentation at work.
5 years
This is a scene from Sir Walter Scott’s novel
Ivanhoe: A Romance (1820). The Black Knight (King Richard I in disguise) is wandering through the forest when he comes on the hermitage of the friar of Fountain's Abbey, who is Friar Tuck of Robin Hood's band. They drink and sing a song together. Henry Liverseege was
a Manchester artist who specialised in subjects from folklore and stories by Scott and Shakespeare.
19th century romantic idea of Medieval period. Shows jolly monk drinking ale. A knight still wearing part of his armour and cradling his sword is pouring beer into his own cup. The cups seem to be metal, or animal horn with a metal rim. Knight's breastplate hanging from a hook on the wall. Interior of a barn - saddle on loft edge. Knight's horse improbably crowded standing behind him in stable in ancient barn stone building - fire burns on right. Niche behind monk is old book in tattered bindings and hourglass, against which is leaning a crucifix. Decorated stonework forms a hayloft, knight's horse standing improbably close behind him enormous quantity of objects crammed into scene - knight's armour scattered around lance, helmet foreground light glints off shiny bucket, firelight gleams off knight's armour knight's face - tiny stippled stokes of brush, whole painted with great detail, gum arabic in ark areas of red blanket over horse.
Photo credit
Tyne & Wear Archives & Museums / Bridgeman Images
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