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Vitruvian Man, c.1492 (pen & ink on paper)
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St. John the Baptist, 1513-16 (oil on canvas)
Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)
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Head of a Young Woman with Tousled Hair or Leda (gouache on wood)
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La Gioconda Nude (gouache & black chalk on paper)
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Portrait of a Musician, 1485-90 (tempera & oil on panel)
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Torso of a Man in Profile, the Head Squared for Proportion, and Sketches of Two Horsemen, c.1490 and c.1504 (pen & ink and red chalk over metalpoint on paper
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Two profiles of men, an old man and a young man. The young man represents Gian Giacomo Caprotti known as Andrea Salai or Salaij (around 1480-1524), Leonardo's student and lover. Chalk drawing by Leonardo da Vinci (Leonardo da Vinci) (1452-1519) Florence, Galleria degli Uffizi (Offices)
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Three dancing figures and a study of a head (sepia & black ink on linen paper)
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Landscape of Santa Maria della Neve: the landscape of the Arno Valley (pencil drawing, 1473)
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Studies of proportions of face and eye (with notes), c. 1489-90 (metallic tip, pen and brown ink on paper)
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Self-portrait, c.1515-16 (red chalk on white paper)
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Leonardo da Vinci painting the portrait of the Mona Lisa
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Study for the Head of Mary Magdalene (charcoal on paper)
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Fight between a Dragon and a Lion (brown ink with wash on paper)
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Maiden's face (study for the face of the angel of the “Virgin of the Rocks”, c. 1483-1485 (metal tip and lumeggiature of whitewash on prepared paper)
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Studies of flowing water, with notes, c.1510-13 (pen & ink of black chalk on paper)
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Paris Manuscript E, fol. 22v and 23r: Sketch of the flight of birds, 1513-14 (pencil on paper)
Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)
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A sheet of pictographs drawn over an architectural plan, c.1487 (pen & ink on paper)
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A horse in profile, and from the front (metalpoint on paper)
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Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)
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A plan of Imola, 1502 (pen & ink, wash and chalk on paper)
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Drapery study for a kneeling figure in Profil Perdu to the right, c.1472-75 (brush & grey tempera with white on canvas)
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Virile head of profile crowned with laurel, c. 1506-10 (blood with contours recrossed in pen on white paper)
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A comparison of the legs of a man and of a horse, c.1506-10 (pen & ink with red chalk on paper)
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Study of Horsemen in Combat and Foot Soldiers, 1503 (pen & ink on paper)
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L.H.O.O.Q., 1919 (litho)
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Studies of assault tanks with scythes, c. 1485 (pen and brown ink with traces of metallic tip on paper)
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Vertically Standing Bird's-winged Flying Machine, fol. 80r from Paris Manuscript B, 1488-90 (pen and ink on paper)
Bird Flight Code, c. 1505-06, paper manuscript, cc. 18, Cover III
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The muscles of the shoulder, arm and leg, c.1510 (pen & ink with wash over black chalk on paper)
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A rearing horse, c.1503-04 (pen & ink and chalk on paper)
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A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper)
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Presumed Self-portrait of Leonardo da Vinci (Lucan portrait) - tempera on panel, 1490-1500
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Portrait of Beatrice d'Este
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The Baptism of Christ around 1475 - 1478 (oil and tempera on wood)
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Design for a dredger and various hydraulic machines, fol. 75v and 76r from Paris Manuscript E, 1513-14 (pen and ink on paper)
Vitruvian Man, 1490 (pen & ink on paper)
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MS B fol.88v Testing the load tolerance of a wing, 1487-90 (pen and ink on paper)
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A woman in a landscape, c.1517 (black chalk on paper)
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Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 15 verso
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A page of notes on the Sun and Moon, fol. 28v from the Codex Arundel 263, 1508 (pen & ink on paper)
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Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 8 recto
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The anatomy of the neck, c.1512-13 (pen & ink on blue paper)
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