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Vitis sp.
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Vitis sp.
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Sixteen varieties of gooseberries
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Vitis sp.
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Maria Luisa of Bourbon, 1823 (marble)
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Combat between French corvette La Bayonnaise and English frigate L'Embuscade, December 14, 1798, by Jean Francois Hue (1751-1823), Detail
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French Army entering Genoa, June 24, 1800, by Jean Francois Hue (1751-1823), French Revolutionary Wars, 19th century
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Naval Combat between French corvette La Bayonnaise and British frigate L'Embuscade, December 14, 1798, painting by Jean-Francois Hue (1751-1823), France, 18th century
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Port of Brest with view of shipping, 1794, by Jean Francois Hue (1751-1823), oil on canvas, Detail, France, 18th century
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Birdnesters: Boy, c.1823 (bronze)
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Birdnesters: Girl, c.1823 (bronze)
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Red Siberian throat (Luscinia calliope). Signed illustration RN (Richard Nodder (1774-1823)). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).
Coral, Neptune cuff (Millepora cellulosa). Signed illustration RN (Richard Nodder (1774-1823)). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).
Amelia Egerton, Lady Hume (1751-1809)
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Amelia Anne Egerton, Lady Hume (1751-1809)
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Pear varieties, Pyrus communis: Orange Bergamot and Bergamot de Chantilly. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Stephan Edler von Wohlleben, 1801 (oil on canvas)
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Pope Pius VII (1742-1823) visiting Bologna on way back to Rome, being greeted by Ferdinand I (1751-1825), Lord William Bentinck (1774-1839), Cardinal Carlo Oppizzoni (1769-1855) and group of officials, 1814, Italy, Napoleonic era, engraving, 19th century
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Botanical board: watermelon - Polinac melon, Cucumis melo, and segment of fruit, leaf, flower, tendril. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Amicua melon, Cucumis melo, showing segment of fruit, rind, leaf, flower, tendril. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Strawberry varieties: golden drop, pine, hautboy, chili and scarlet-flesh pine strawberry. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Plum varieties, Prunus domestica: White Perdrigon and Roche Carbon. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. Â
Peach varieties, Prunus persica: La Teton de Venus peach and blossom, Noblesse peach and blossom. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Rubus sp.
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Plum varieties, Prunus domestica: Le Royal and Blue Perdrigon. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Peach varieties, Prunus persica: Gallande, blossom and Superb Royal. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Pear varieties, Pyrus communis: Saint Germain, Colmar and Brown Beuree. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Pear varieties, Pyrus communis: Virgoulee and Doyenne or Saint Michael Pear. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Ananas comosus
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Currant: Black currant and large Dutch red and white currants (pl.5) from 'Pomona Britannica' (colour litho)
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Chancellor, Catherine and the Old Newington peaches (colour litho)
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Pyrus communis
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Fragaria sp.
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Prunus sp.
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Amicua melon
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Pear varieties, Pyrus communis: Winter Swan's Egg and Easter Bergamot. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Pear varieties, Pyrus communis: Bishop's Thumb, and two types of Chaumontelle. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Cherry varieties, Prunus avium: the Bleeding-Heart, Ox-Heart and MapleHeart. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Peach varieties, Prunus persica: Late Admirable, blossom, Double Mountain and Red Magdalen. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Plum varieties, Prunus domestica: Plum Damson, Common Damson and Royal Dauphin Plum. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Pear varieties, Pyrus communis: Onion or La Grosse Oignonette and Pear d'Auch. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Pear varieties, Pyrus communis: Lemon de Calmes and Jargonelle. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Plum varieties, Prunus domestica: Tours, Lawrane's Early Plum and Orleans. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. Â
Apple varieties, Malus domestica: Rhenet Gray, Margill and Ripstone Pippin. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Raspberry varieties: red Antwerp, white Antwerp and common raspberry. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Peach varieties, Prunus persica: Chancellor, blossom, Catherine and Old Newington. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
The Port of Brest, 1794 (oil on canvas)
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Nectarine varieties, Prunus persica: Violette Hative, blossom, Genoa, and Peterborough Nectarine. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Peach varieties, Prunus persica: Bourdine, blossom, leaf, and Nivette or Bel de Vitry. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Plum varieties, Prunus domestica: Wine Sour Plum, Plum Plum, and Myrabolan or Queen Mother Plum. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Peach varieties, Prunus persica: Smith's Early Newington, Buckinghamshire Minion, Barrington and blossom. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.