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' James Fuller Queen (1824-c.1877)' images and/or videos results

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Artwork from ' James Fuller Queen (1824-c.1877)' found, 27

A Union soldier of Company B, Pennsylvania 8th Regiment, guards as his compatriots sleep in bedrolls on a sidewalk. Scene from US Civil War in the Northeast, 1861-65. Watercolor painting by James Fuller Queen (watercolour and ink)
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Firemen pull a fire engine, in this watercolor painting by James Fuller Queen, c. 1857. At this time, volunteers staffed the private urban fire companies funded by contributions. Also, some city's water minimal infrastructure could not support the volume or pressure needed to fight large fires (watercolour)
Unidentified Industrial complex on river bank, 1857, by James Fuller Queen. Most of James Queen's drawings and paintings were created near Philadelphia, southern New Jersey, and eastern Pennsylvania. However, in 1845 or 1846, he traveled to Pittsburgh, making it possible that this watercolor depicts an iron or steel mill in south western Pennsylvania (watercolour)
US Civil War night scene with many soldiers asleep on the ground in a field, campfires burn low, rifles stand ready in threes, as a sentry stands guard; there is a stone wall in the middle distance, separating the campground from a large field, in Hagerstown, Maryland. The watercolor painting is by James Full Queen, whose inscription cite the location as at Hagerstown, Maryland (watercolour, pencil on paper)
The Volunteers in Defence of the Government Against Usurpation, 1861. US Civil War era lithograph of a painting by James Fuller Queen. It depicts a man flanked by two uniformed soldiers, salute the American flag. Behind them are soldiers on horesback. (lithograph)
A Union soldiers of Company B, Pennsylvania 8th Regiment, bivouac church pews in Chambersburg, Pennsylvania in 1862. On Oct. 10, 1862, Confederate cavalry led by Maj. Gen. J.E.B. Stuart, raided Chambersburg, destroying railroad facilities, stealing 500 guns and horse, and kidnapped several African Americans. Watercolor painting by James Fuller Queen (watercolour)
The Volunteers in Defence of the Government Against Usurpation, 1861. US Civil War era lithograph of a painting by James Fuller Queen. It depicts a man flanked by two uniformed soldiers, salute the American flag. Behind them are soldiers on horesback. (lithograph)
OLD JOHN BROWN'S CAREER ILLUSTRATED, published by the Philadelphia Weekly, 1860. At center top, a demon holding torches, oversees the five vignettes from the life of extremist abolitionist, John Brown. Print by James Fuller Queen (lithograph)
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UNION SOLDIERS AT POINT LOOKOUT, TENNESSEE, lithograph based on a painting by James Fuller Queen. On Nov. 24-25, 1863, victorious Union Soldiers unfurled the flag visible to the soldiers fighting below at Missionary Ridge (lithograph)
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A hospitalized wounded soldier gestures as he speaks to his bedside visitors. The US Civil war era watercolor painting by James Fuller Queen was reproduced on a sheet music cover, 'A Message from the Battlefield', composed by Mark Hassle. The artist included a bottle of 'Buchu', an African 'miracle herb', popularly known as 'buchu tea' in the 1860s and 1870s (graphite and watercolor)
Union soldiers of Company B, Pennsylvania 8th Regiment, sleep in an apple orchard during the US Civil War, c. 1862. Another soldier stands guard, others keep warm by a campfire, as a horse and rider approaches. Watercolor painting by James Fuller Queen (watercolour)
Union soldiers of Company B, Pennsylvania 8th Regiment, on the march north to Greencastle, Pennsylvania, from Hagerstown, Maryland, during the US Civil War, c. 1862. Several soldiers have stepped out of formation to fill their canteens under the bridge. Watercolor painting by James Fuller Queen (watercolour and graphite)
The Great Secret of Odd-Fellowship Exposed,' 1840-60, by James Fuller Queen. In an initiation ceremony, a naked man kneels on the back of a goat, while holding on to its horns. Another a man uses tongs to pull the initiate's nose, as another appears about to spank him with a grill-like implement. Men, most wearing masks, regalia, aprons with a skull and crossbones motif, and holding tools with which to inflict pain. A hooded figure on the left may be a Grand Wizard