Diese Suche liefert ausschließlich exakte Übereinstimmungen. Für optimale Ergebnisse beachten Sie bitte folgende Punkte:
Laden Sie ausschließlich Dateien mit niedriger oder mittlerer Auflösung hoch.
Verwenden Sie Bilder ohne Wasserzeichen oder Textüberlagerung.
Hochgeladene Bilder sollten ungeschnitten und im Originalformat sein.
Keine Bildschirmfotos.
Datei hierher hinziehen
Upload
Suchergebnisse werden verarbeitet
Waiting for update..
Fehler:
Fügen Sie bis zu 5 Farben hinzu und verschieben Sie den Regler, um den Farbton anzupassen
Fügen Sie Schlagwörter hinzu, um Ihre Suchergebnisse zu verfeinern
Searching for a particular field
Field | Search term | Example |
Asset title | title: | title:pony |
Asset title and keywords | ~ | ~pony |
Asset description text | description: | description:london |
Agency prefix | prfx: or $ | prfx:lal or $LAL |
Asset id | imageid: | imageid:250297 or imageid:[2500 TO 4000] |
Agency name | coll: | coll:history |
Medium | medium: | medium:oil |
Century | century: | century:20th |
Keywords | kw: | kw:dog |
Artist name | artist: or ? | artist:monet or ?monet |
Artist nationality | ?? | ??French |
Creator ID | creatorid: | creatorid:37 |
Location | loc: or @ | loc:exeter or @exeter |
Classification | class: or # | class:57 or #57. Use # for unclassified assets |
Year | year: | year:1850 or year:[1700 TO 1800] |
Walter Bell Currie was born in 1913, in Burnley Lancashire. From an early age he wanted to paint but spent most of his life as a commercial artist, working alongside his wife, for forty years, in the same attic studio. Together they produced the artwork for the advertising departments at Kendal Milne in Manchester, Hendersons of Liverpool, Jenners of Edinburgh and C&A in London.
...
Walter Bell Currie was born in 1913, in Burnley Lancashire. From an early age he wanted to paint but spent most of his life as a commercial artist, working alongside his wife, for forty years, in the same attic studio. Together they produced the artwork for the advertising departments at Kendal Milne in Manchester, Hendersons of Liverpool, Jenners of Edinburgh and C&A in London.
When advertising went photographic, they both returned to painting. Walter's increasingly naïve pastoral scenes with trademark 'humpy' hills, owe much to his son-in-law, George Frederick's influence, as well as Samuel Palmer and Thomas Bewick. He rejoiced in the versatility of acrylics, enjoying the freedom to paint.
Joseph Arnold the card manufacturers took up with Walter and his wife, reproducing many of their paintings on cards. Living in rural Oxfordshire in his latter years he enjoyed numerous commissions - horses and riders, houses and dogs and his work is held in many private collections around the world.
Walter died in 1985.
Wir arbeiten mit den weltweit führenden Museen, Galerien und Künstlern zusammen, so dass Sie Zugang zu qualitativ hochwertigem Bildmaterial haben.
Unsere Teams helfen Ihnen bei der Suche nach den perfekten Inhalten und kümmern sich um alle urheberrechtlichen und lizenzrechtlichen Anforderungen.
Bridgeman Images
Barbarossastrasse 39
D-10779 Berlin
Deutschland
T: +49 (0) 30 40 36 59 760
© Copyright 2024 Bridgeman Art Library Limited. Registriert in England und Wales unter der Firmennummer 01056394.