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Images of 'Louis XV Of France' found, 1,361

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King of France Louis XV, 18th century (etching)

King of France Louis XV, 18th century (etching)

Drevet, Pierre (1663-1738)

PAA8950085

Chanteloup Pagoda

Chanteloup Pagoda

Stephane Aubin

PIX5940302

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

TEC4622677

Madame de Pompadour Portrait

Madame de Pompadour Portrait

XLA3761874

Henri-Francois d'Aguesseau (1668-1751) from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand-coloured engraving)

Henri-Francois d'Aguesseau (1668-1751) from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand-coloured engraving)

Duflos, Pierre (1742-1816)

STC196052

Convulsionary practices (Convulsionnaires of Saint-Medard) - Jansenism: the convulsionaries (Jansenist fanatics) of the cemetery Saint Medard (Saint-Medard) under Louis XV. chromolithography circa 1890.

Convulsionary practices (Convulsionnaires of Saint-Medard) - Jansenism: the convulsionaries (Jansenist fanatics) of the cemetery Saint Medard (Saint-Medard) under Louis XV. chromolithography circa 1890.

French School, (19th century)

Stefano Bianchetti

XEE4163330

View of a street of Paris under the reign of King Louis XV, beginning of the 18th century Chromolithography de la fin du 19th century Private Collection

View of a street of Paris under the reign of King Louis XV, beginning of the 18th century Chromolithography de la fin du 19th century Private Collection

French School, (19th century)

ELD4867685

Elements of a Louis XV cream-painted panelled room, c.1750-1940 (polychrome wood)

Elements of a Louis XV cream-painted panelled room, c.1750-1940 (polychrome wood)

CH7287870

Elements of a Louis XV cream-painted panelled room, c.1750-1940 (polychrome wood)

Elements of a Louis XV cream-painted panelled room, c.1750-1940 (polychrome wood)

CH7287872

Elements of a Louis XV cream-painted panelled room, c.1750-1940 (polychrome wood)

Elements of a Louis XV cream-painted panelled room, c.1750-1940 (polychrome wood)

CH7287871

The daughters of the “harem”” of the King of France Louis XV said the Bien-Aimž (1710-1774). Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.

The daughters of the “harem”” of the King of France Louis XV said the Bien-Aimž (1710-1774). Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.

French School, (19th century)

Stefano Bianchetti

XEE4169948

France, Rhone-Alpes, Rhone (69), Lyon: Bellecour district, Louis XV balconies with ballustrades, 1900 - shops: general company of funebres of the Hotel Dieu, edible grocery store

France, Rhone-Alpes, Rhone (69), Lyon: Bellecour district, Louis XV balconies with ballustrades, 1900 - shops: general company of funebres of the Hotel Dieu, edible grocery store

LUX4794432

Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.”” Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.”” Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677354

Two riders in Louis XV costume (no date). John Lewis Brown (1829-1890). Graphite and pastel pencil on solid glue paper on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

Two riders in Louis XV costume (no date). John Lewis Brown (1829-1890). Graphite and pastel pencil on solid glue paper on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

Sylvain Collet

SYC4196057

Representation of Etienne-Francois, Count of Choiseul (1719-1785) supplying Jeanne-Antoinette Poisson, Marquise of Pompadour (1721-1764), mistress of Louis XV, letters from the king to his cousin Madame de Choiseul-Beaupre with whom he had a relationship, 1752 (Etienne Francois, Duke of Choiseul gained the favour of Choiseul gained the favour of Choiseul, by procuring for her some letters which Louis XV had written to his cousin Madame de Choiseul with whom the king had formerly had an intrigue, 1752 ca) Engraving from “Mysteres des vieux chateaux de France” 1837

Representation of Etienne-Francois, Count of Choiseul (1719-1785) supplying Jeanne-Antoinette Poisson, Marquise of Pompadour (1721-1764), mistress of Louis XV, letters from the king to his cousin Madame de Choiseul-Beaupre with whom he had a relationship, 1752 (Etienne Francois, Duke of Choiseul gained the favour of Choiseul gained the favour of Choiseul, by procuring for her some letters which Louis XV had written to his cousin Madame de Choiseul with whom the king had formerly had an intrigue, 1752 ca) Engraving from “Mysteres des vieux chateaux de France” 1837

ELD4888068

Chanteloup Pagoda

Chanteloup Pagoda

Stephane Aubin

PIX5940289

Chanteloup Pagoda

Chanteloup Pagoda

Stephane Aubin

PIX5940292

Chanteloup Pagoda

Chanteloup Pagoda

Stephane Aubin

PIX5940300

Madame Du Barry and the page Zamore

Madame Du Barry and the page Zamore

XLF3788053

Chanteloup Pagoda

Chanteloup Pagoda

Stephane Aubin

PIX5940288

Chanteloup Pagoda

Chanteloup Pagoda

Stephane Aubin

PIX5940304

Chanteloup Pagoda

Chanteloup Pagoda

Stephane Aubin

PIX5940305

Chanteloup Pagoda

Chanteloup Pagoda

Stephane Aubin

PIX5940307

The Chevalier d'Eon as a Dragoon, 1779 (engraving) (b/w photo)

The Chevalier d'Eon as a Dragoon, 1779 (engraving) (b/w photo)

Bradel, P. Jean Baptiste (fl.1768-83)

XIR287640

Chanteloup Pagoda

Chanteloup Pagoda

Stephane Aubin

PIX5940290

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation a

TEC4622645

Two riders in Louis XV costume (detail) (no date). John Lewis Brown (1829-1890). Graphite and pastel pencil on solid glue paper on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

Two riders in Louis XV costume (detail) (no date). John Lewis Brown (1829-1890). Graphite and pastel pencil on solid glue paper on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

Sylvain Collet

SYC4196073

Portrait of Jeanne Becu, Countess (or Madame) du Barry (1743-1793), last mistress of Louis XV - Engraving from 1863 in “” Le Livre Rouge - Histoire De L'echafaud en France”” by Dupray de La Maherie. Private collection.

Portrait of Jeanne Becu, Countess (or Madame) du Barry (1743-1793), last mistress of Louis XV - Engraving from 1863 in “” Le Livre Rouge - Histoire De L'echafaud en France”” by Dupray de La Maherie. Private collection.

Stefano Bianchetti

XEE4160382

Two riders in Louis XV costume (detail) (no date). John Lewis Brown (1829-1890). Graphite and pastel pencil on solid glue paper on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

Two riders in Louis XV costume (detail) (no date). John Lewis Brown (1829-1890). Graphite and pastel pencil on solid glue paper on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

Sylvain Collet

SYC4196074

Execution of Thomas Arthur, known as Lally-Tollendal, for treason against King Louis XV (1766), 1844 (Engraving)

Execution of Thomas Arthur, known as Lally-Tollendal, for treason against King Louis XV (1766), 1844 (Engraving)

ELD7304358

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